UPC · Album
本当は怖い愛とロマンス
桑田佳祐
Last verified:
4988002601059 is the Universal Product Code (UPC barcode) for the release “本当は怖い愛とロマンス” by 桑田佳祐, released 2010-08-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include JPVI01020680, JPVI01020690, JPVI01020700.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (10)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| 本当は怖い愛とロマンス | 桑田佳祐 | JPVI01020680 |
| EARLY IN THE MORNING ~旅立ちの朝~ | 桑田佳祐 | JPVI01020690 |
| 今でも君を愛してる (Live! Bonus Tracks) | 桑田佳祐 | JPVI01020700 |
| しゃアない節 (Live! Bonus Tracks) | 桑田佳祐 | JPVI01020710 |
| 東京 (Live! Bonus Tracks) | 桑田佳祐 | JPVI01020720 |
| 誰かの風の跡 (Live! Bonus Tracks) | 桑田佳祐 | JPVI01020730 |
| ダーリン (Live! Bonus Tracks) | 桑田佳祐 | JPVI01020740 |
| ROCK AND ROLL HERO (Live! Bonus Tracks) | 桑田佳祐 | JPVI01020750 |
| EARLY IN THE MORNING ~旅立ちの朝~ | 桑田佳祐 | JPVI01100280 |
| 本当は怖い愛とロマンス | 桑田佳祐 | JPVI01100300 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 4988002601059?
4988002601059 is a Universal Product Code (UPC) assigned to 本当は怖い愛とロマンス by 桑田佳祐. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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