UPC · Release
うたの☆プリンスさまっ♪ 劇団シャイニング JOKER TRAP
黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一
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4988003443665 is the Universal Product Code (UPC barcode) for the release “うたの☆プリンスさまっ♪ 劇団シャイニング JOKER TRAP” by 黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一, released 2014-02-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 4 tracks, each with its own ISRC. Tracks include JPU501300158, JPU501300159, JPU501300160.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (4)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | テーマソング「JOKER TRAP」 | 黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一 | — | |
| 2 | 公演前トーク「緊張とオランジェット」 | 黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一 | — | |
| 3 | 劇団シャイニング「JOKER TRAP」 | 黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一 | — | |
| 4 | テーマソング「JOKER TRAP」(off vocal) | 黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一 | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 4988003443665?
4988003443665 is a Universal Product Code (UPC) assigned to うたの☆プリンスさまっ♪ 劇団シャイニング JOKER TRAP by 黒崎蘭丸, 鈴木達央, カミュ, 前野智昭, 一ノ瀬トキヤ, 宮野真守, 神宮寺レン, 諏訪部順一. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 4 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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