UPC · Release
NEON GENESIS EVANGELION SOUNDTRACK 25th ANNIVERSARY BOX
鷺巣詩郎
4988003561819
107 tracksReleased 2020-01-01King Amusement Creative
Last verified:
4988003561819 is the Universal Product Code (UPC barcode) for the release “NEON GENESIS EVANGELION SOUNDTRACK 25th ANNIVERSARY BOX” by 鷺巣詩郎, released 2020-01-01 on King Amusement Creative. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 107 tracks, each with its own ISRC. Tracks include JPKI09522450, JPKI02010668, JPKI00028690.
Format
498GS1 prefix
8003Company prefix
56181Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCNEON GENESIS EVANGELION SOUNDTRACK 25th ANNIVERSARY BOX
ISRC106 recordings
ISWC38 works
IPI5 songwriters
Track List (107)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 残酷な天使のテーゼ<Director’s Edit.Version> | 高橋洋子 | T-101.261.638-3 | |
| 2 | FLY ME TO THE MOON 2020 | 高橋洋子 | T-070.055.949-4 | |
| 3 | ANGEL ATTACK (E-6) | 鷺巣詩郎 | — | |
| 4 | FLY ME TO THE MOON (B-4) | 鷺巣詩郎 | T-070.055.949-4 | |
| 6 | BAREFOOT IN THE PARK (C-2) | 鷺巣詩郎 | — | |
| 7 | RITSUKO (C-5) | 鷺巣詩郎 | — | |
| 8 | MISATO (B-16) | 鷺巣詩郎 | T-101.909.119-9 | |
| 9 | ASUKA STRIKES! (B-17) | 鷺巣詩郎 | T-101.909.119-9 | |
| 10 | NERV (A-3) | 鷺巣詩郎 | — | |
| 11 | TOKYO-3 (C-7) | 鷺巣詩郎 | — | |
| 12 | I.SHINJI (A-6) | 鷺巣詩郎 | — | |
| 13 | EVA-01 (E-3) | 鷺巣詩郎 | — | |
| 14 | A STEP FORWARD INTO TERROR (E-9) | 鷺巣詩郎 | — | |
| 15 | EVA-02 (E-4) | 鷺巣詩郎 | — | |
| 16 | DECISIVE BATTLE (E-1) | 鷺巣詩郎 | T-101.909.119-9 | |
| 17 | EVA-00 (E-5) | 鷺巣詩郎 | — | |
| 18 | THE BEAST (E-5テンポ早) | 鷺巣詩郎 | — | |
| 19 | MARKING TIME, WAITING FOR DEATH (E-7) | 鷺巣詩郎 | — | |
| 23 | FLY ME TO THE MOON <YOKO TAKAHASHI Acid Bossa TV. Size Version> | YOKO TAKAHASHI | T-070.055.949-4 | |
| 24 | 残酷な天使のテーゼ<Director’s Edit.Version II> | MISATO, Rei, ASUKA | T-101.261.638-3 | |
| 2-1 | 予感 | 高橋洋子 | T-101.280.060-9 | |
| 2-2 | 残酷な天使のテーゼ <TV. Size Version> | 高橋洋子 | T-101.261.638-3 | |
| 2-3 | BORDERLINE CASE (A-4) | 鷺巣詩郎 | — | |
| 2-4 | A Crystalline Night Sky (C-6) | 鷺巣詩郎 | — | |
| 2-5 | ANGEL ATTACK II (A-7) | 鷺巣詩郎 | — | |
| 2-6 | ANGEL ATTACK III (A-9) | 鷺巣詩郎 | — | |
| 2-7 | Both of You, Dance Like You Want to Win! (B-12) | 鷺巣詩郎 | — | |
| 2-8 | Waking up in the morning (C-4) | 鷺巣詩郎 | — | |
| 2-9 | BACKGROUND MUSIC (A-2) | 鷺巣詩郎 | T-909.814.397-6 | |
| 2-10 | A Moment When Tension Breaks (B-21) | 鷺巣詩郎 | — | |
| 2-11 | The Day Tokyo-3 Stood Still (B-14) | 鷺巣詩郎 | — | |
| 2-12 | Spending Time in Preparation (E-1リズムのみ) | 鷺巣詩郎 | T-310.417.560-8 | |
| 2-13 | She said, “Don’t make others suffer for your personal hatred.” (A-15) | 鷺巣詩郎 | — | |
| 2-14 | MAGMADIVER (E-15) | 鷺巣詩郎 | — | |
| 2-15 | PLEASURE PRINCIPLE (E-8) | 鷺巣詩郎 | — | |
| 2-16 | THE BEAST II (E-16) | 鷺巣詩郎 | — | |
| 2-17 | THANATOS (E-13) | 鷺巣詩郎 | — | |
| 2-18 | Rei III (A-14) | 鷺巣詩郎 | — | |
| 2-19 | When I Find Peace of Mind (B-7) | 鷺巣詩郎 | — | |
| 2-20 | FLY ME TO THE MOON 2020 <Short Size Version> | 高橋洋子 | T-070.055.949-4 | |
| 2-23 | 次回予告 (F-2 15秒バージョン) | 鷺巣詩郎 | T-101.909.119-9 | |
| 2-24 | FLY ME TO THE MOON <Aya Bossa Techno TV. Size Version> | Aya | T-070.055.949-4 | |
| 2-25 | FLY ME TO THE MOON <Aki Jungle TV. Size Version> | Aki | T-070.055.949-4 | |
| 2-26 | B-16リズムのみ | 鷺巣詩郎 | T-101.909.119-9 | |
| 2-27 | B-17リズムのみ | 鷺巣詩郎 | T-101.909.119-9 | |
| 3-1 | 幸せは罪の匂い | 高橋洋子 | T-101.305.434-5 | |
| 3-2 | 無限抱擁 | 高橋洋子 | T-101.305.436-7 | |
| 3-3 | NORMAL BLOOD (E-16テンポ早) | 鷺巣詩郎 | — | |
| 3-4 | HARBINGER OF TRAGEDY (E-5リズムのみ・テンポ早) | 鷺巣詩郎 | — | |
| 3-5 | CHILDHOOD MEMORIES, SHUT AWAY (F-2テイク2) | 鷺巣詩郎 | — | |
| 3-6 | Those women longed for the touch of others’ lips, and thus invited their kisses. (B‐4ストリングス・ピアノ) | 鷺巣詩郎 | T-070.055.949-4 | |
| 3-7 | BACKGROUND MUSIC II (A-16ストリングス) | 鷺巣詩郎 | — | |
| 3-8 | BACKGROUND MUSIC III (B-3) | 鷺巣詩郎 | — | |
| 3-9 | IN THE DEPTHS OF HUMAN HEARTS (B-2) | 鷺巣詩郎 | — | |
| 3-11 | THREE OF ME, ONE OF SOMEONE ELSE (C-55Dタイプ) | 鷺巣詩郎 | — | |
| 3-12 | CRIME OF INNOCENCE (A-13Bタイプ) | 鷺巣詩郎 | — | |
| 3-13 | THE SORROW OF LOSING THE OBJECT OF ONE’S DEPENDENCE (B-4ピアノ・さびしく) | 鷺巣詩郎 | T-070.055.949-4 | |
| 3-15 | SEPARATION ANXIETY (A-13) | 鷺巣詩郎 | — | |
| 3-16 | INTROJECTION (A-12) | 鷺巣詩郎 | — | |
| 3-17 | DEPRESSION (A-11) | 鷺巣詩郎 | — | |
| 3-18 | Splitting of the Breast (A-10シンセボイスのみ) | 鷺巣詩郎 | — | |
| 3-19 | INFANTILE DEPENDENCE, ADULT DEPENDENCY (B-9) | 鷺巣詩郎 | — | |
| 3-20 | MOTHER IS THE FIRST OTHER (A-10) | 鷺巣詩郎 | — | |
| 3-21 | THE HEADY FEELING OF FREEDOM (OP-1ストリングス・テンポ遅) | 鷺巣詩郎 | T-101.261.638-3 | |
| 3-23 | FLY ME TO THE MOON <YOKO TAKAHASHI TV. Size Version> | YOKO TAKAHASHI | T-070.055.949-4 | |
| 3-24 | FLY ME TO THE MOON -4 BEAT TV. Size VERSION- | YOKO TAKAHASHI | T-070.055.949-4 | |
| 3-25 | FLY ME TO THE MOON <Aya Bossa Techno TV. Size Version> | Aya | T-070.055.949-4 | |
| 3-26 | FLY ME TO THE MOON <YOKO TAKAHASHI Acid Bossa TV. Size Version> | YOKO TAKAHASHI | T-070.055.949-4 | |
| 3-27 | FLY ME TO THE MOON -4 BEAT OFF VOCAL TV. Size VERSION- | YOKO TAKAHASHI | T-070.055.949-4 | |
| 3-28 | FLY ME TO THE MOON <OFF VOCAL TV. Size Version> | CLAIRE | T-070.055.949-4 | |
| 3-29 | FLY ME TO THE MOON <Aki Jungle TV. Size Version> | Aki | T-070.055.949-4 | |
| 3-30 | FLY ME TO THE MOON <B-22Aタイプ TV. Size Version> | 鷺巣詩郎 | T-070.055.949-4 | |
| 3-34 | FLY ME TO THE MOON <Aya London Beat Version> | Aya | T-070.055.949-4 | |
| 3-35 | B-20 il tuo sorriso | 鷺巣詩郎 | — | |
| 4-1 | チェロ――第四弦 調弦 | 鷺巣詩郎 | — | |
| 4-2 | Suiten für Violoncello solo Nr.1 G-dur, BWV.1007 1.Vorspier | 鷺巣詩郎 | — | |
| 4-3 | DVOŘÁK: Original Complete Version | 鷺巣詩郎 | — | |
| 4-4 | ヴァイオリン――第二弦 調弦 | 鷺巣詩郎 | — | |
| 4-5 | Partita III für Violino solo E-dur, BWV.1006 3.Gavotte in Rondo | 鷺巣詩郎 | — | |
| 4-6 | ヴィオラ――第三弦 調弦 | 鷺巣詩郎 | — | |
| 4-7 | 優しさの代理 (D-3) | 鷺巣詩郎 | T-101.374.754-9 | |
| 4-8 | 吾への、涙 (E-13小編成・テンポアップ・ピアノ有) | 鷺巣詩郎 | T-101.374.755-0 | |
| 4-9 | 未了への、調律 | 鷺巣詩郎 | — | |
| 4-10 | Kanon D-dur (Quartet) | 鷺巣詩郎 | — | |
| 4-11 | THE SORROW OF LOSING THE OBJECT OF ONE’S DEPENDENCE II (B‐4ギター・ピアノ・さびしく) | 鷺巣詩郎 | T-070.055.949-4 | |
| 4-12 | 虚妄への、依存 (A-4バイオリンソロ) | 鷺巣詩郎 | T-101.374.756-1 | |
| 4-13 | 脆弱な、自我境界 (A-4別バージョン) | 鷺巣詩郎 | T-101.374.758-3 | |
| 4-14 | Kanon D‐dur (Strings Orchestra) | 鷺巣詩郎 | — | |
| 4-15 | 偽りの、再生 (M-7B) | 鷺巣詩郎 | T-101.374.760-7 | |
| 4-16 | 魂のルフラン | 高橋洋子 | T-101.358.423-9 | |
| 4-17 | Chœur: Jésus demeure ma joie, Consolation et sève de mon cœur | Johann Sebastian Bach | — | |
| 4-18 | Requiem: Dies irae | Ján Rezehnal, Graciela Alperyn, Miriam Gauci, Donald George, Peter Mikuláš, Slovak Philharmonic Choir, Slovak Radio New Philharmonic Orchestra, Alexander Rahbari | — | |
| 5-1 | 他人の干渉 (M-6テンポ早・リズムのみ) | 鷺巣詩郎 | — | |
| 5-2 | 真夏の終演 (M-6テンポ早・改) | 鷺巣詩郎 | — | |
| 5-3 | 退行への緊急避難 (M-4コーラスのみ) | 鷺巣詩郎 | — | |
| 5-4 | 偽りの、再生 (M-7Bニューミックス) | 鷺巣詩郎 | T-101.374.760-7 | |
| 5-5 | 身代わりの侵入 (E-13リズムのみ・改) | 鷺巣詩郎 | — | |
| 5-6 | II Air [ORCHESTRAL SUITE No.3 in D Major, BWV.1068] | 鷺巣詩郎 | — | |
| 5-7 | 空しき流れ (M-3) | 鷺巣詩郎 | — | |
| 5-8 | THANATOS –IF I CAN’T BE YOURS– | LOREN & MASH | — | |
| 5-9 | 始まりへの逃避 (M-4) | 鷺巣詩郎 | — | |
| 5-10 | 不安との密月 (A-4ザカザカバージョン) | 鷺巣詩郎 | — | |
| 5-12 | Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV.147]/主よ、人の望みの喜びよ | Jan Panenka | — | |
| 5-13 | 閉塞の拡大 (M-9改) | 鷺巣詩郎 | — | |
| 5-14 | 夢のスキマ (A-4ピアノ・おまかせバージョン) | 鷺巣詩郎 | T-307.402.572-8 | |
| 5-15 | M-9 (閉塞の拡大オリジナル版) | — | ||
| 5-16 | F02 version 0706 | 鷺巣詩郎 | T-910.333.984-0 |
ANGEL ATTACK (E-6)
鷺巣詩郎
—
BAREFOOT IN THE PARK (C-2)
鷺巣詩郎
—
RITSUKO (C-5)
鷺巣詩郎
—
NERV (A-3)
鷺巣詩郎
—
TOKYO-3 (C-7)
鷺巣詩郎
—
I.SHINJI (A-6)
鷺巣詩郎
—
EVA-01 (E-3)
鷺巣詩郎
—
A STEP FORWARD INTO TERROR (E-9)
鷺巣詩郎
—
EVA-02 (E-4)
鷺巣詩郎
—
EVA-00 (E-5)
鷺巣詩郎
—
THE BEAST (E-5テンポ早)
鷺巣詩郎
—
MARKING TIME, WAITING FOR DEATH (E-7)
鷺巣詩郎
—
BORDERLINE CASE (A-4)
鷺巣詩郎
—
A Crystalline Night Sky (C-6)
鷺巣詩郎
—
ANGEL ATTACK II (A-7)
鷺巣詩郎
—
ANGEL ATTACK III (A-9)
鷺巣詩郎
—
Both of You, Dance Like You Want to Win! (B-12)
鷺巣詩郎
—
Waking up in the morning (C-4)
鷺巣詩郎
—
A Moment When Tension Breaks (B-21)
鷺巣詩郎
—
The Day Tokyo-3 Stood Still (B-14)
鷺巣詩郎
—
She said, “Don’t make others suffer for your personal hatred.” (A-15)
鷺巣詩郎
—
MAGMADIVER (E-15)
鷺巣詩郎
—
PLEASURE PRINCIPLE (E-8)
鷺巣詩郎
—
THE BEAST II (E-16)
鷺巣詩郎
—
THANATOS (E-13)
鷺巣詩郎
—
Rei III (A-14)
鷺巣詩郎
—
When I Find Peace of Mind (B-7)
鷺巣詩郎
—
NORMAL BLOOD (E-16テンポ早)
鷺巣詩郎
—
HARBINGER OF TRAGEDY (E-5リズムのみ・テンポ早)
鷺巣詩郎
—
CHILDHOOD MEMORIES, SHUT AWAY (F-2テイク2)
鷺巣詩郎
—
鷺巣詩郎
BACKGROUND MUSIC II (A-16ストリングス)
鷺巣詩郎
—
BACKGROUND MUSIC III (B-3)
鷺巣詩郎
—
IN THE DEPTHS OF HUMAN HEARTS (B-2)
鷺巣詩郎
—
THREE OF ME, ONE OF SOMEONE ELSE (C-55Dタイプ)
鷺巣詩郎
—
CRIME OF INNOCENCE (A-13Bタイプ)
鷺巣詩郎
—
SEPARATION ANXIETY (A-13)
鷺巣詩郎
—
INTROJECTION (A-12)
鷺巣詩郎
—
DEPRESSION (A-11)
鷺巣詩郎
—
Splitting of the Breast (A-10シンセボイスのみ)
鷺巣詩郎
—
INFANTILE DEPENDENCE, ADULT DEPENDENCY (B-9)
鷺巣詩郎
—
MOTHER IS THE FIRST OTHER (A-10)
鷺巣詩郎
—
B-20 il tuo sorriso
鷺巣詩郎
—
チェロ――第四弦 調弦
鷺巣詩郎
—
Suiten für Violoncello solo Nr.1 G-dur, BWV.1007 1.Vorspier
鷺巣詩郎
—
DVOŘÁK: Original Complete Version
鷺巣詩郎
—
ヴァイオリン――第二弦 調弦
鷺巣詩郎
—
Partita III für Violino solo E-dur, BWV.1006 3.Gavotte in Rondo
鷺巣詩郎
—
ヴィオラ――第三弦 調弦
鷺巣詩郎
—
未了への、調律
鷺巣詩郎
—
Kanon D-dur (Quartet)
鷺巣詩郎
—
Kanon D‐dur (Strings Orchestra)
鷺巣詩郎
—
Chœur: Jésus demeure ma joie, Consolation et sève de mon cœur
Johann Sebastian Bach
—
Requiem: Dies irae
Ján Rezehnal, Graciela Alperyn, Miriam Gauci, Donald George, Peter Mikuláš, Slovak Philharmonic Choir, Slovak Radio New Philharmonic Orchestra, Alexander Rahbari
—
他人の干渉 (M-6テンポ早・リズムのみ)
鷺巣詩郎
—
真夏の終演 (M-6テンポ早・改)
鷺巣詩郎
—
退行への緊急避難 (M-4コーラスのみ)
鷺巣詩郎
—
身代わりの侵入 (E-13リズムのみ・改)
鷺巣詩郎
—
II Air [ORCHESTRAL SUITE No.3 in D Major, BWV.1068]
鷺巣詩郎
—
空しき流れ (M-3)
鷺巣詩郎
—
THANATOS –IF I CAN’T BE YOURS–
LOREN & MASH
—
始まりへの逃避 (M-4)
鷺巣詩郎
—
不安との密月 (A-4ザカザカバージョン)
鷺巣詩郎
—
Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV.147]/主よ、人の望みの喜びよ
Jan Panenka
—
閉塞の拡大 (M-9改)
鷺巣詩郎
—
M-9 (閉塞の拡大オリジナル版)
—
Additional database matches (31)
鷺巣詩郎
他人の干渉 (M-6テンポ早・リズムのみ)
鷺巣詩郎
—
真夏の終演 (M-6テンポ早・改)
鷺巣詩郎
—
退行への緊急避難 (M-4コーラスのみ)
鷺巣詩郎
—
身代わりの侵入 (E-13リズムのみ・改)
鷺巣詩郎
—
空しき流れ (M-3)
鷺巣詩郎
—
不安との密月 (A-4ザカザカバージョン)
鷺巣詩郎
—
閉塞の拡大 (M-9改)
鷺巣詩郎
—
Spending Time in Preparation (E-1リズムのみ)
鷺巣詩郎
—
Jesus bleibet meine Freude [Herz und Mund und Tat und Leben BWV.147]/主よ、人の望みの喜びよ
Jan Panenka
—
Rei I (A-1)
鷺巣詩郎
—
Hedgehog’s Dilemma (B-1)
鷺巣詩郎
—
Rei II (B-20)
鷺巣詩郎
—
Rei I (A-1)
鷺巣詩郎
—
Do you love me? (A-4シンセボイスのみ)
鷺巣詩郎
—
HOSTILITY RESTRAINED (A-13Cタイプ)
鷺巣詩郎
—
LOREN & MASH
II Air [ORCHESTRAL SUITE No.3 in D Major, BWV.1068]
鷺巣詩郎
—
始まりへの逃避 (M-4)
鷺巣詩郎
—
閉塞の拡大 (M-9改)
鷺巣詩郎
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.615.947-0T-010.615.947-0T-070.055.949-4T-070.055.949-4T-101.261.638-3T-101.280.060-9T-101.305.434-5T-101.305.436-7T-101.358.423-9T-101.374.754-9
+28 more
T-101.374.755-0T-101.374.756-1T-101.374.758-3T-101.374.760-7T-101.909.119-9T-101.261.638-3T-101.280.060-9T-101.305.434-5T-101.305.436-7T-101.358.423-9T-101.374.754-9T-101.374.755-0T-101.374.756-1T-101.374.758-3T-101.374.760-7T-101.384.228-7T-101.909.119-9T-101.962.541-1T-101.968.591-5T-307.402.572-8T-307.402.572-8T-910.333.984-0T-910.333.984-0T-910.738.048-3T-919.228.684-3T-030.024.101-3T-101.909.119-9T-909.814.397-6
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 4988003561819?
4988003561819 is a Universal Product Code (UPC) assigned to NEON GENESIS EVANGELION SOUNDTRACK 25th ANNIVERSARY BOX by 鷺巣詩郎. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 107 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm