UPC · Release
魔法少女リリカルなのはA’s SOUND TRACK PLUS Vol.3
佐野広明
Last verified:
4988003976712 is the Universal Product Code (UPC barcode) for the release “魔法少女リリカルなのはA’s SOUND TRACK PLUS Vol.3” by 佐野広明, released 2006-03-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include JPKI00602330, JPKI00602331, JPKI00602332.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 疑念 | 佐野広明 | — | |
| 2 | Miscasting-1 | 佐野広明 | — | |
| 3 | Miscasting-2 | 佐野広明 | — | |
| 4 | たまにはのんびり、ね | 佐野広明 | — | |
| 5 | Happening? | 佐野広明 | — | |
| 6 | 遙か、空の彼方まで | 佐野広明 | — | |
| 7 | 焦燥 | 佐野広明 | — | |
| 8 | レイジングハート (#6〜#7) | Donna Burke | — | |
| 9 | バルディッシュ (#6〜#7) | Kevin J. England | — | |
| 10 | グラーフアイゼン (#6〜#7) | 柿原徹也 | — | |
| 11 | レヴァンティン (#6〜#7) | 柿原徹也 | — | |
| 12 | 闇の書 (#6〜#7) | Alexandra Haefelin | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4988003976712?
4988003976712 is a Universal Product Code (UPC) assigned to 魔法少女リリカルなのはA’s SOUND TRACK PLUS Vol.3 by 佐野広明. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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