UPC · Release
OAVレイアース オリジナル・サウンドトラック 2nd HALF
佐橋俊彦
Last verified:
4988005206930 is the Universal Product Code (UPC barcode) for the release “OAVレイアース オリジナル・サウンドトラック 2nd HALF” by 佐橋俊彦, released 1997-10-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 漆黒の死霊 | — | ||
| 2 | セフィーロの戦士 | — | ||
| 3 | セフィーロ城降臨 | — | ||
| 4 | 闇の誓い | — | ||
| 5 | 殺気 | — | ||
| 6 | 海と風の迷い | — | ||
| 7 | 海神セレス | — | ||
| 8 | レクサスと光 | — | ||
| 9 | フェリオと風 | — | ||
| 10 | ワイバーンのテーマ | — | ||
| 11 | エメロードの願い | — | ||
| 12 | アルシオーネの最期 | — | ||
| 13 | 炎の矢 | — | ||
| 14 | 碧の疾風 | — | ||
| 15 | 闇の世界 | — | ||
| 16 | 無音の街 | — | ||
| 17 | 魔神レイアース | — | ||
| 18 | 咆哮 | — | ||
| 19 | 幽閉 | — | ||
| 20 | クレフの告白 | — | ||
| 21 | 悲しむべき運命 | — | ||
| 22 | 紅蓮の炎 | — | ||
| 23 | 三体の魔神 | — | ||
| 24 | 桜の樹の伝説 | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4988005206930?
4988005206930 is a Universal Product Code (UPC) assigned to OAVレイアース オリジナル・サウンドトラック 2nd HALF by 佐橋俊彦. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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