UPC · Release
始末記
海援隊
Last verified:
4988005320599 is the Universal Product Code (UPC barcode) for the release “始末記” by 海援隊, released 2002-12-11. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include JPPO00266880, JPPO00266890, JPPO00266900.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 人を旅する | 海援隊 | — | |
| 2 | 荒野より | 海援隊 | — | |
| 3 | エネミー(敵) | 海援隊 | — | |
| 4 | あんたが大将|いち・に・さん・し・BAKA|ミーちゃんハーちゃん|JODAN JODAN | 海援隊 | — | |
| 5 | 贈る言葉 | 海援隊 | — | |
| 6 | TAEGATAKI | 海援隊 | — | |
| 7 | サーフサイド サンセット | 海援隊 | — | |
| 8 | 心が風邪をひいたようで | 海援隊 | — | |
| 9 | 愛の詩 | 海援隊 | — | |
| 10 | 涙がらがら | 海援隊 | — | |
| 2-1 | グッバイロンリー | 海援隊 | — | |
| 2-2 | オーティスを聞きながら | 海援隊 | — | |
| 2-3 | 故郷未だ忘れ難く | 海援隊 | — | |
| 2-4 | 思えば遠くへ来たもんだ | 海援隊 | — | |
| 2-5 | 遙かなる人 | 海援隊 | — | |
| 2-6 | 竜馬かく語りき | 海援隊 | — | |
| 2-7 | 二流の人 | 海援隊 | — | |
| 2-8 | 間違ってるかもしれないけれど | 海援隊 | — | |
| 2-9 | 母に捧げるバラード'82 | 海援隊 | — | |
| 2-10 | 誰もいないからをそこを歩く | 海援隊 | — |
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Creative Contributors (ISNI)
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People also ask
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What is UPC 4988005320599?
4988005320599 is a Universal Product Code (UPC) assigned to 始末記 by 海援隊. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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