UPC · Release
澤野弘之
Last verified:
4988005640697 is the Universal Product Code (UPC barcode) for the release “「医龍3 ‐THE BEST‐ 」オリジナルサウンドトラック” by 澤野弘之, released 2010-01-01 on Universal Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include JPPO21007160, JPPO21007170, JPPO21007180.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | TEARS Of The DRAGON | 澤野弘之 | T-102.013.393-9 | |
| 2 | BLOOD oF thE DRAGON | 澤野弘之 | T-102.013.394-0 | |
| 3 | BL@CK | 澤野弘之 | — | |
| 4 | MGR×A | 澤野弘之 | — | |
| 5 | K2 | 澤野弘之 | — | |
| 6 | BLUE DRAGON <’07 Ver.> | 澤野弘之 | T-101.827.699-6 | |
| 7 | DRAGON RISES | 澤野弘之 | T-101885979-3 | |
| 8 | Tide Over | 澤野弘之 | T-101.827.710-4 | |
| 9 | spirit | 澤野弘之 | T-101827716-0 | |
| 10 | RED DRAGON <’07 Ver.> | 澤野弘之 | T-101.827.702-4 | |
| 11 | Aesthetic | 澤野弘之, 関山藍果 | T-101.827.406-9 | |
| 12 | Engel und Teufel | 澤野弘之 | T-101.885.980-6 | |
| 13 | NO‐□ | 澤野弘之 | — | |
| 14 | TEARS Of The DRAGON <Re:prise> | 澤野弘之 | T-102.013.393-9 | |
| 15 | BLUE DRAGON <TMD3 VER.> | 澤野弘之 | T-101.827.699-6 | |
| 16 | The Origin of Silence | 河野伸 | T-101827717-1 | |
| 17 | Wishing for... | 河野伸 | T-101.827.718-2 | |
| 18 | Believe | AI | T-909.720.592-0 | |
| 19 | ONE | AI | T-101.884.332-6 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4988005640697 is a Universal Product Code (UPC) assigned to 「医龍3 ‐THE BEST‐ 」オリジナルサウンドトラック by 澤野弘之. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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