UPC · Album
Classical music heard on 'Talking about Music with Seiji Ozawa'
小澤征爾
4988005754004
22 tracksReleased 2013-01-01Decca
Last verified:
4988005754004 is the Universal Product Code (UPC barcode) for the release “Classical music heard on 'Talking about Music with Seiji Ozawa'” by 小澤征爾, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include DEF056500034, DEF057303194, DEF057430201.
Format
498GS1 prefix
8005Company prefix
75400Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClassical music heard on 'Talking about Music with Seiji Ozawa'
ISRC25 recordings
ISWC4 works
IPI3 songwriters
Track List (25)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | Berliner Philharmoniker, Herbert von Karajan | DEF056500034 |
| Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | DEF057303194 |
| Così fan tutte: Overture | Wiener Philharmoniker, Karl Böhm | DEF057430201 |
| Street Music, op. 65, "A Blues Concerto": I. | San Francisco Symphony, Seiji Ozawa, Corky Siegel | DEF057600772 |
| L'Oiseau de feu Suite (1919 version): Finale | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401092 |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | DEF059704123 |
| Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo | Saito Kinen Orchestra, Seiji Ozawa | GBBBA0700784 |
| Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | Saito Kinen Orchestra, Seiji Ozawa | GBBBA0801633 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077213370 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBF077240109 |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | GBFO77240109 |
| String Serenade in C major, op. 48: 1st movement | サイトウ・キネン・オーケストラ, 小澤征爾 | JPPO01138451 |
| War Requiem, op. 66: 'Day of Wrath' | サイトウ・キネン・オーケストラ, 小澤征爾 | JPPO01138491 |
| Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio | サイトウ・キネン・オーケストラ, 小澤征爾 | JPPO21023490 |
| Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | NLA507940001 |
| Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes | Boston Symphony Orchestra, Seiji Ozawa | NLA507940002 |
| Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa | NLA508003107 |
| Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | NLA508644609 |
| Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | NLA508721901 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | NLA508721925 |
| Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | NLA508722403 |
| Piano Concerto no. 3 in C minor, op. 37: II. Largo | Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling | NLA509411602 |
| Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | USSM16200441 |
| Bernstein, pre-performance speech on April 6, 1962 | Leonard Bernstein | USSM16200444 |
| Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio | Rudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa | USTE10301063 |
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Berliner Philharmoniker, Herbert von Karajan
Symphonie fantastique, op. 14 : IV. Marche au supplice
Boston Symphony Orchestra, Seiji Ozawa
Così fan tutte: Overture
Wiener Philharmoniker, Karl Böhm
Street Music, op. 65, "A Blues Concerto": I.
San Francisco Symphony, Seiji Ozawa, Corky Siegel
L'Oiseau de feu Suite (1919 version): Finale
Israel Philharmonic Orchestra, Leonard Bernstein
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo
Saito Kinen Orchestra, Seiji Ozawa
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
Saito Kinen Orchestra, Seiji Ozawa
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
String Serenade in C major, op. 48: 1st movement
サイトウ・キネン・オーケストラ, 小澤征爾
War Requiem, op. 66: 'Day of Wrath'
サイトウ・キネン・オーケストラ, 小澤征爾
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio
サイトウ・キネン・オーケストラ, 小澤征爾
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction
Boston Symphony Orchestra, Seiji Ozawa
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
Boston Symphony Orchestra, Seiji Ozawa
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")
Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa
Carmina burana: O fortuna (Excalibur)
Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Boston Symphony Orchestra, Seiji Ozawa
Piano Concerto no. 3 in C minor, op. 37: II. Largo
Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato
Glenn Gould, New York Philharmonic, Leonard Bernstein
Bernstein, pre-performance speech on April 6, 1962
Leonard Bernstein
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio
Rudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 4988005754004?
4988005754004 is a Universal Product Code (UPC) assigned to Classical music heard on 'Talking about Music with Seiji Ozawa' by 小澤征爾. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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