UPC · Release
小澤征爾
Last verified:
The UPC for “Classical music heard on 'Talking about Music with Seiji Ozawa'” by 小澤征爾 is 4988005754004. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 22 tracks, each with its own ISRC. Tracks include USSM16200444, USSM16200441, USTE10301063.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bernstein, pre-performance speech on April 6, 1962 | Leonard Bernstein | — | |
| 2 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 3 | Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio | Rudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling | — | |
| 5 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-1 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-2 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | L'Oiseau de feu Suite (1919 version): Finale | Israel Philharmonic Orchestra, Leonard Bernstein | T-924.857.395-7 | |
| 2-4 | Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-7 | Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 2-8 | Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 3-1 | Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 3-4 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | War Requiem, op. 66: 'Day of Wrath' | サイトウ・キネン・オーケストラ, 小澤征爾 | T-922.396.340-4 | |
| 3-6 | Street Music, op. 65, "A Blues Concerto": I. | San Francisco Symphony, Seiji Ozawa, Corky Siegel | — | |
| 3-7 | Così fan tutte: Overture | Wiener Philharmoniker, Karl Böhm | T-003.143.988-9 | |
| 3-8 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | String Serenade in C major, op. 48: 1st movement | サイトウ・キネン・オーケストラ, 小澤征爾 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4988005754004 is a Universal Product Code (UPC) assigned to Classical music heard on 'Talking about Music with Seiji Ozawa' by 小澤征爾. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Classical music heard on 'Talking about Music with Seiji Ozawa'” by 小澤征爾 is 4988005754004. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Decca. This release contains 22 tracks, each with its own ISRC. Tracks include USSM16200444, USSM16200441, USTE10301063.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bernstein, pre-performance speech on April 6, 1962 | Leonard Bernstein | — | |
| 2 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato | Glenn Gould, New York Philharmonic, Leonard Bernstein | — | |
| 3 | Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio | Rudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling | — | |
| 5 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-1 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio | サイトウ・キネン・オーケストラ, 小澤征爾 | — | |
| 2-2 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | L'Oiseau de feu Suite (1919 version): Finale | Israel Philharmonic Orchestra, Leonard Bernstein | T-924.857.395-7 | |
| 2-4 | Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Symphonie fantastique, op. 14 : IV. Marche au supplice | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-7 | Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 2-8 | Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 3-1 | Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube") | Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 3-4 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | War Requiem, op. 66: 'Day of Wrath' | サイトウ・キネン・オーケストラ, 小澤征爾 | T-922.396.340-4 | |
| 3-6 | Street Music, op. 65, "A Blues Concerto": I. | San Francisco Symphony, Seiji Ozawa, Corky Siegel | — | |
| 3-7 | Così fan tutte: Overture | Wiener Philharmoniker, Karl Böhm | T-003.143.988-9 | |
| 3-8 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-9 | String Serenade in C major, op. 48: 1st movement | サイトウ・キネン・オーケストラ, 小澤征爾 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 |
