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  3. Classical music heard on 'Talking about Music with Seiji Ozawa'
Classical music heard on 'Talking about Music with Seiji Ozawa'

UPC · Release

Classical music heard on 'Talking about Music with Seiji Ozawa'

小澤征爾

4988005754004
22 tracksReleased 2013-01-01Decca

Last verified: July 29, 2026

4988005754004 is the Universal Product Code (UPC barcode) for the release “Classical music heard on 'Talking about Music with Seiji Ozawa'” by 小澤征爾, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include USSM16200444, USSM16200441, USTE10301063.

Format

498GS1 prefix
8005Company prefix
75400Product
4Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCClassical music heard on 'Talking about Music with Seiji Ozawa'
ISRC22 recordings
ISWC4 works
IPI3 songwriters

Track List (22)

#Track TitleArtist(s)ISWC
Bernstein, pre-performance speech on April 6, 19621Bernstein, pre-performance speech on April 6, 1962Leonard Bernstein—
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato2Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderatoGlenn Gould, New York Philharmonic, Leonard Bernstein—
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio3Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brioRudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa—
Piano Concerto no. 3 in C minor, op. 37: II. Largo4Piano Concerto no. 3 in C minor, op. 37: II. LargoMitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling—
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo5Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. LargoRobert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner—
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio2-1Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brioサイトウ・キネン・オーケストラ, 小澤征爾—
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai2-2Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assaiBerliner Philharmoniker, Herbert von Karajan—
L'Oiseau de feu Suite (1919 version): Finale2-3L'Oiseau de feu Suite (1919 version): FinaleIsrael Philharmonic Orchestra, Leonard BernsteinT-924.857.395-7
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction2-4Le Sacre du printemps: Première partie. L’Adoration de la terre: I. IntroductionBoston Symphony Orchestra, Seiji Ozawa—
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes2-5Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentesBoston Symphony Orchestra, Seiji Ozawa—
Symphonie fantastique, op. 14 : IV. Marche au supplice2-6Symphonie fantastique, op. 14 : IV. Marche au suppliceBoston Symphony Orchestra, Seiji Ozawa—
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo2-7Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppoSaito Kinen Orchestra, Seiji Ozawa—
Carmina burana: O fortuna (Excalibur)2-8Carmina burana: O fortuna (Excalibur)Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji OzawaT-800.639.771-4
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")3-1Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa—
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."3-2Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa—
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen3-3Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppenSaito Kinen Orchestra, Seiji Ozawa—
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen3-4Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppenBoston Symphony Orchestra, Seiji Ozawa—
War Requiem, op. 66: 'Day of Wrath'3-5War Requiem, op. 66: 'Day of Wrath'サイトウ・キネン・オーケストラ, 小澤征爾T-922.396.340-4
Street Music, op. 65, "A Blues Concerto": I.3-6Street Music, op. 65, "A Blues Concerto": I.San Francisco Symphony, Seiji Ozawa, Corky Siegel—
Così fan tutte: Overture3-7Così fan tutte: OvertureWiener Philharmoniker, Karl BöhmT-003.143.988-9
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)3-8La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
String Serenade in C major, op. 48: 1st movement3-9String Serenade in C major, op. 48: 1st movementサイトウ・キネン・オーケストラ, 小澤征爾—
Bernstein, pre-performance speech on April 6, 1962
Bernstein, pre-performance speech on April 6, 1962
Leonard Bernstein
—
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato
Glenn Gould, New York Philharmonic, Leonard Bernstein
—
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio
Rudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa
—
Piano Concerto no. 3 in C minor, op. 37: II. Largo
Piano Concerto no. 3 in C minor, op. 37: II. Largo
Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling
—
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio
サイトウ・キネン・オーケストラ, 小澤征爾
—
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Berliner Philharmoniker, Herbert von Karajan
—
L'Oiseau de feu Suite (1919 version): Finale
L'Oiseau de feu Suite (1919 version): Finale
Israel Philharmonic Orchestra, Leonard Bernstein
T-924.857.395-7
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction
Boston Symphony Orchestra, Seiji Ozawa
—
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique, op. 14 : IV. Marche au supplice
Symphonie fantastique, op. 14 : IV. Marche au supplice
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo
Saito Kinen Orchestra, Seiji Ozawa
—
Carmina burana: O fortuna (Excalibur)
Carmina burana: O fortuna (Excalibur)
Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa
T-800.639.771-4
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")
Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa
—
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa
—
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
Saito Kinen Orchestra, Seiji Ozawa
—
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Boston Symphony Orchestra, Seiji Ozawa
—
War Requiem, op. 66: 'Day of Wrath'
War Requiem, op. 66: 'Day of Wrath'
サイトウ・キネン・オーケストラ, 小澤征爾
T-922.396.340-4
Street Music, op. 65, "A Blues Concerto": I.
Street Music, op. 65, "A Blues Concerto": I.
San Francisco Symphony, Seiji Ozawa, Corky Siegel
—
Così fan tutte: Overture
Così fan tutte: Overture
Wiener Philharmoniker, Karl Böhm
T-003.143.988-9
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
String Serenade in C major, op. 48: 1st movement
String Serenade in C major, op. 48: 1st movement
サイトウ・キネン・オーケストラ, 小澤征爾
—

Additional database matches (3)

Track TitleArtist(s)ISWC
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Carmina Burana: Fortuna Imperatrix Mundi: O FortunaShin-Yu Kai, Berliner Philharmoniker, Seiji OzawaT-800.639.771-4
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa
T-800.639.771-4

What other identifiers does this connect to?

Musical Works (ISWC)

T-003.143.988-9T-800.639.771-4T-922.396.340-4T-924.857.395-7

Songwriters/Publishers (IPI)

000029333170001242513700158729629

Creative Contributors (ISNI)

0000000055167984000000007365855X0000000080796192000000010670976400000001086359570000000108726058000000010880225X000000010941680100000001094275270000000109465312
+24 more
000000010962415X00000001102693860000000110292324000000011079325X000000011082322800000001108294270000000114381121000000011441451X0000000114476139000000011450260800000001145277760000000114712250000000011658518700000001195491140000000120191498000000012097801200000001210391560000000121076723000000012114424700000001214258070000000123487227000000012369414600000003685733930000000403968412
SourcesMLCMusicBrainzNotesDiscogs✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCClassical music…ISRCBernstein, pre-…ISRCPiano Concerto …ISRCPiano Concerto …ISRCPiano Concerto …ISRCConcerto for Pi…

People also ask

What is UPC 4988005754004?+
UPC 4988005754004 is the Universal Product Code (barcode) for "Classical music heard on 'Talking about Music with Seiji Ozawa'" by 小澤征爾, released on Decca.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4988005754004?+
UPC 4988005754004 contains 22 tracks, each with its own ISRC.

What is UPC 4988005754004?

4988005754004 is a Universal Product Code (UPC) assigned to Classical music heard on 'Talking about Music with Seiji Ozawa' by 小澤征爾. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

小澤征爾

4988005754004 is the Universal Product Code (UPC barcode) for the release “Classical music heard on 'Talking about Music with Seiji Ozawa'” by 小澤征爾, released 2013-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include USSM16200444, USSM16200441, USTE10301063.

Track List (22)

#Track TitleArtist(s)ISWC
Bernstein, pre-performance speech on April 6, 19621Bernstein, pre-performance speech on April 6, 1962Leonard Bernstein—
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato2Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderatoGlenn Gould, New York Philharmonic, Leonard Bernstein—
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio3Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brioRudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa—
Piano Concerto no. 3 in C minor, op. 37: II. Largo4Piano Concerto no. 3 in C minor, op. 37: II. LargoMitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling—
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo5Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. LargoRobert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner—
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio2-1Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brioサイトウ・キネン・オーケストラ, 小澤征爾—
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai2-2Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assaiBerliner Philharmoniker, Herbert von Karajan—
L'Oiseau de feu Suite (1919 version): Finale2-3L'Oiseau de feu Suite (1919 version): FinaleIsrael Philharmonic Orchestra, Leonard BernsteinT-924.857.395-7
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction2-4Le Sacre du printemps: Première partie. L’Adoration de la terre: I. IntroductionBoston Symphony Orchestra, Seiji Ozawa—
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes2-5Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentesBoston Symphony Orchestra, Seiji Ozawa—
Symphonie fantastique, op. 14 : IV. Marche au supplice2-6Symphonie fantastique, op. 14 : IV. Marche au suppliceBoston Symphony Orchestra, Seiji Ozawa—
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo2-7Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppoSaito Kinen Orchestra, Seiji Ozawa—
Carmina burana: O fortuna (Excalibur)2-8Carmina burana: O fortuna (Excalibur)Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji OzawaT-800.639.771-4
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")3-1Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa—
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."3-2Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa—
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen3-3Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppenSaito Kinen Orchestra, Seiji Ozawa—
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen3-4Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppenBoston Symphony Orchestra, Seiji Ozawa—
War Requiem, op. 66: 'Day of Wrath'3-5War Requiem, op. 66: 'Day of Wrath'サイトウ・キネン・オーケストラ, 小澤征爾T-922.396.340-4
Street Music, op. 65, "A Blues Concerto": I.3-6Street Music, op. 65, "A Blues Concerto": I.San Francisco Symphony, Seiji Ozawa, Corky Siegel—
Così fan tutte: Overture3-7Così fan tutte: OvertureWiener Philharmoniker, Karl BöhmT-003.143.988-9
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)3-8La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
String Serenade in C major, op. 48: 1st movement3-9String Serenade in C major, op. 48: 1st movementサイトウ・キネン・オーケストラ, 小澤征爾—
Bernstein, pre-performance speech on April 6, 1962
Bernstein, pre-performance speech on April 6, 1962
Leonard Bernstein
—
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato
Glenn Gould, New York Philharmonic, Leonard Bernstein
—
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio
Piano Concerto no. 3 in C minor, op. 73: I. Allegro con brio
Rudolf Serkin, Boston Symphony Orchestra, Seiji Ozawa
—
Piano Concerto no. 3 in C minor, op. 37: II. Largo
Piano Concerto no. 3 in C minor, op. 37: II. Largo
Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling
—
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio
Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio
サイトウ・キネン・オーケストラ, 小澤征爾
—
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Berliner Philharmoniker, Herbert von Karajan
—
L'Oiseau de feu Suite (1919 version): Finale
L'Oiseau de feu Suite (1919 version): Finale
Israel Philharmonic Orchestra, Leonard Bernstein
T-924.857.395-7
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction
Boston Symphony Orchestra, Seiji Ozawa
—
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique, op. 14 : IV. Marche au supplice
Symphonie fantastique, op. 14 : IV. Marche au supplice
Boston Symphony Orchestra, Seiji Ozawa
—
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo
Symphonie fantastique op. 14: IV. Marche au supplice: Allegretto non troppo
Saito Kinen Orchestra, Seiji Ozawa
—
Carmina burana: O fortuna (Excalibur)
Carmina burana: O fortuna (Excalibur)
Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa
T-800.639.771-4
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")
Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube")
Tanglewood Festival Chorus, Kiri Te Kanawa, Boston Symphony Orchestra, Seiji Ozawa
—
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
Judith Blegen, Boston Boys Choir, Gwynne Howell, Benjamin Luxon, Lorna Myers, Florence Quivar, Kenneth Riegel, Faye Robinson, Tanglewood Festival Chorus, James Christie, Boston Symphony Orchestra, Seiji Ozawa
—
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
Saito Kinen Orchestra, Seiji Ozawa
—
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
Boston Symphony Orchestra, Seiji Ozawa
—
War Requiem, op. 66: 'Day of Wrath'
War Requiem, op. 66: 'Day of Wrath'
サイトウ・キネン・オーケストラ, 小澤征爾
T-922.396.340-4
Street Music, op. 65, "A Blues Concerto": I.
Street Music, op. 65, "A Blues Concerto": I.
San Francisco Symphony, Seiji Ozawa, Corky Siegel
—
Così fan tutte: Overture
Così fan tutte: Overture
Wiener Philharmoniker, Karl Böhm
T-003.143.988-9
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
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String Serenade in C major, op. 48: 1st movement
String Serenade in C major, op. 48: 1st movement
サイトウ・キネン・オーケストラ, 小澤征爾
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Additional database matches (3)

Track TitleArtist(s)ISWC
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan—
Carmina Burana: Fortuna Imperatrix Mundi: O FortunaShin-Yu Kai, Berliner Philharmoniker, Seiji OzawaT-800.639.771-4
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa
T-800.639.771-4