UPC · Album
Eminem
Last verified:
4988005795595 is the Universal Product Code (UPC barcode) for the release “The Marshall Mathers LP 2” by Eminem, released 2013-01-01 on Aftermath Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include USUM71311375, USUM71312879, USUM71314073.
Credit Chain
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Berzerk | Eminem | USUM71311375 |
| Survival | Eminem | USUM71312879 |
| Bad Guy | Eminem | USUM71314073 |
| Parking Lot (skit) | Eminem | USUM71314074 |
| Rhyme or Reason | Eminem | USUM71314075 |
| So Much Better | Eminem | USUM71314076 |
| Legacy | Eminem | USUM71314077 |
| Asshole | Eminem, Skylar Grey | USUM71314078 |
| Rap God | Eminem | USUM71314079 |
| Brainless | Eminem | USUM71314080 |
| Stronger Than I Was | Eminem | USUM71314081 |
| The Monster | Eminem, Rihanna | USUM71314082 |
| So Far… | Eminem | USUM71314083 |
| Love Game | Eminem, Kendrick Lamar | USUM71314084 |
| Headlights | Eminem, Nate Ruess | USUM71314085 |
| Evil Twin | Eminem | USUM71314086 |
| Baby | Eminem | USUM71314087 |
| Desperation | Eminem, Jamie N Commons | USUM71314088 |
| Beautiful Pain | Eminem, Sia | USUM71314090 |
| Groundhog Day | Eminem | USUM71314411 |
| Asshole | Eminem, Skylar Grey | USUM71314721 |
| Wicked Ways | Eminem | USUM71317910 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
4988005795595 is a Universal Product Code (UPC) assigned to The Marshall Mathers LP 2 by Eminem. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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