UPC · Release
LIGHTNING TRAP LEINA & LAIKA ORIGINAL SOUND TRACK
戸塚修, 池毅
Last verified:
4988006065703 is the Universal Product Code (UPC barcode) for the release “LIGHTNING TRAP LEINA & LAIKA ORIGINAL SOUND TRACK” by 戸塚修, 池毅, released 1990-03-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 天使のジュモン | — | ||
| 2 | 巨大旅客機ライトニング | — | ||
| 3 | マイサム,ポプリ,バニラクリーム | — | ||
| 4 | クライシス | — | ||
| 5 | 愛を急がないで | — | ||
| 6 | 異常発生! | — | ||
| 7 | シュテファンとマーフィ | — | ||
| 8 | 特殊技能捜査官 | — | ||
| 9 | 小谷とザリック | — | ||
| 10 | レイナとリョウ | — | ||
| 11 | バイブル | — | ||
| 12 | 戦闘マシーン | — | ||
| 13 | ライカ・ストレンジ | — | ||
| 14 | あえてよかった | — | ||
| 15 | アイカとザリックの死闘 | — | ||
| 16 | コントロール室のレイナ | — | ||
| 17 | コンテナ引き離し | — | ||
| 18 | パリを目ざして | — | ||
| 19 | ONLY ONE | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4988006065703?
4988006065703 is a Universal Product Code (UPC) assigned to LIGHTNING TRAP LEINA & LAIKA ORIGINAL SOUND TRACK by 戸塚修, 池毅. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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