UPC · Release
全曲集〜民謡編
岸千恵子
Last verified:
4988006170995 is the Universal Product Code (UPC barcode) for the release “全曲集〜民謡編” by 岸千恵子, released 2000-12-06. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include JPTO09323220, JPTO09323230, JPTO09323240.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 津軽じょんがら節 | 岸千恵子 | — | |
| 2 | 津軽あいや節 | 岸千恵子 | — | |
| 3 | 津軽よされ節 | 岸千恵子 | — | |
| 4 | 津軽小原節 | 岸千恵子 | — | |
| 5 | 津軽音頭 | 岸千恵子 | — | |
| 6 | 津軽三下り(青森民謡) | 岸千恵子 | — | |
| 7 | 津軽甚句 | 岸千恵子 | — | |
| 8 | 津軽木挽き唄(青森民謡) | 岸千恵子 | — | |
| 9 | 津軽願人節(青森民謡) | 岸千恵子 | — | |
| 10 | 津軽謙良節(青森民謡) | 岸千恵子 | — | |
| 11 | 津軽数え唄(浪曲入り/青森民謡) | 岸千恵子 | — | |
| 12 | りんご節 | 岸千恵子 | — | |
| 13 | 鰺ヶ沢甚句(青森民謡) | 岸千恵子 | — | |
| 14 | 津軽ワイハ節 | 岸千恵子 | — | |
| 15 | 十三の砂山(青森民謡) | 岸千恵子 | — | |
| 16 | 黒石よされ節(青森民謡) | 岸千恵子 | — | |
| 17 | 南部牛追唄 | 岸千恵子 | — | |
| 18 | 津軽タント節(青森民謡) | 岸千恵子 | — | |
| 19 | 嘉瀬の奴踊り(青森民謡) | 岸千恵子 | — | |
| 20 | 道南口説 | 岸千恵子 | — |
Identifier Graph
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What is UPC 4988006170995?
4988006170995 is a Universal Product Code (UPC) assigned to 全曲集〜民謡編 by 岸千恵子. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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