UPC · Release
GOLDEN☆BEST
奥村チヨ
Last verified:
4988006181373 is the Universal Product Code (UPC barcode) for the release “GOLDEN☆BEST” by 奥村チヨ, released 2002-11-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include JPTO08929470, JPTO08929530, JPTO08929520.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ごめんネ…ジロー | 奥村チヨ | — | |
| 2 | 恋泥棒 | 奥村チヨ | T1012299522 | |
| 3 | 恋の奴隷 | 奥村チヨ | T-101.229.926-0 | |
| 4 | ドリフのほんとにほんとにご苦労さん | ザ・ドリフターズ | T-101.528.642-5 | |
| 5 | 終着駅 | 奥村チヨ | T-101289874-5 | |
| 6 | 涙いろの恋 | 奥村チヨ | — | |
| 7 | 走馬燈 | 奥村チヨ | — | |
| 8 | 一人ぼっちで | 奥村チヨ | — | |
| 9 | 陽のあたる場所 | 奥村チヨ | — | |
| 10 | あなたがいなくても | 奥村チヨ | — | |
| 11 | 云えなかったの | 奥村チヨ | — | |
| 12 | 私の胸をノックして | 奥村チヨ | — | |
| 13 | 私を愛して | 奥村チヨ | — | |
| 14 | 中途半端はやめて | 奥村チヨ | T-101.369.742-0 | |
| 15 | 愛してるから | 奥村チヨ | — | |
| 16 | くやしいけれど幸せよ | 奥村チヨ | T-101.207.245-4 | |
| 17 | 北国の青い空 | 奥村チヨ | — | |
| 18 | 青い月夜 | 奥村チヨ | T1010006901 | |
| 19 | 燃える瞳 | 奥村チヨ | — | |
| 20 | 窓 | 奥村チヨ | — |
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What is UPC 4988006181373?
4988006181373 is a Universal Product Code (UPC) assigned to GOLDEN☆BEST by 奥村チヨ. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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