UPC · Release
アイドル・ミラクルバイブルシリーズ 辻沢杏子
辻沢杏子
Last verified:
4988006188938 is the Universal Product Code (UPC barcode) for the release “アイドル・ミラクルバイブルシリーズ 辻沢杏子” by 辻沢杏子, released 2003-12-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include JPTO08414340, JPTO08414350, JPTO08525450.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | サヨナラMr.… | 辻沢杏子 | — | |
| 2 | 20才すぎて | 辻沢杏子 | — | |
| 3 | MISテイク | 辻沢杏子 | T-101.562.184-6 | |
| 4 | 愛夢・キャッチ・コール | 辻沢杏子 | — | |
| 5 | 胸さわぎ | 辻沢杏子 | T-101.565.428-9 | |
| 6 | 私のかなしみ | 辻沢杏子 | — | |
| 7 | Far Away〜つれてって愛の国〜 | 辻沢杏子 | — | |
| 8 | アキラ | 辻沢杏子 | — | |
| 9 | エヴリデイ・エヴリナイト | 辻沢杏子 | — | |
| 10 | エンドマーク | 辻沢杏子 | — | |
| 11 | ハロー・メロー | 辻沢杏子 | — | |
| 12 | ピエレット | 辻沢杏子 | — | |
| 13 | ラスト・シーン | 辻沢杏子 | — | |
| 14 | 哀愁のシナリオ | 辻沢杏子 | — | |
| 15 | 私だけのトワイライト | 辻沢杏子 | — | |
| 16 | あなたへのメッセージ（杏子のナレーション） | 辻沢杏子 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 4988006188938?
4988006188938 is a Universal Product Code (UPC) assigned to アイドル・ミラクルバイブルシリーズ 辻沢杏子 by 辻沢杏子. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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