UPC · Release
復活 ザ・タイマーズ
THE TIMERS
Last verified:
4988006203747 is the Universal Product Code (UPC barcode) for the release “復活 ザ・タイマーズ” by THE TIMERS, released 2006-01-01 on Eastworld. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include JPTO09505340, JPTO09505410, JPTO09505420.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | プロパガンダ | The Timers | — | |
| 2 | タイマーズのテーマ | The Timers | — | |
| 3 | 偽善者 | The Timers | — | |
| 4 | 偉人のうた | The Timers | — | |
| 5 | ロックン仁義 | The Timers | — | |
| 6 | 土木作業員ブルース | The Timers | — | |
| 7 | JOKE | The Timers | — | |
| 8 | 国名改正論(『逃げ腰』という国の国民) | The Timers | — | |
| 9 | 国際化の時代 | The Timers | — | |
| 10 | 覚醒剤音頭 | The Timers | — | |
| 11 | 宗教ロック | The Timers | — | |
| 12 | イモ | The Timers | — | |
| 13 | タイマーズのテーマ(エンディング) | The Timers | — | |
| 14 | まわりはワナ | The Timers | — | |
| 15 | サティスファクション | The Timers | — | |
| 16 | サヨナラはしない | The Timers | — |
Identifier Graph
People also ask
Verified on
What is UPC 4988006203747?
4988006203747 is a Universal Product Code (UPC) assigned to 復活 ザ・タイマーズ by THE TIMERS. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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