UPC · Release
GUITARHYTHM BOX
布袋寅泰
Last verified:
4988006218130 is the Universal Product Code (UPC barcode) for the release “GUITARHYTHM BOX” by 布袋寅泰, released 2008-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include JPTO08820500, JPTO08820510, JPTO08820520.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | LEGEND OF FUTURE | 布袋寅泰 | T-011.017.371-1 | |
| 2 | C’MON EVERYBODY | 布袋寅泰 | T-070.880.972-6 | |
| 3 | GLORIOUS DAYS | 布袋寅泰 | T-101.545.953-5 | |
| 4 | MATERIALS | 布袋寅泰 | T-101.545.969-3 | |
| 5 | DANCING WITH THE MOONLIGHT | 布袋寅泰 | — | |
| 6 | WIND BLOWS INSIDE OF EYES | 布袋寅泰 | T-101.546.002-1 | |
| 7 | WAITING FOR YOU | 布袋寅泰 | — | |
| 8 | STRANGE VOICE | 布袋寅泰 | — | |
| 9 | CLIMB | 布袋寅泰 | T-101.545.936-4 | |
| 10 | GUITARHYTHM | 布袋寅泰 | — | |
| 11 | A DAY IN AUTUMN | 布袋寅泰 | — | |
| 2-1 | GUITARHYTHM REPRISE | 布袋寅泰 | — | |
| 2-2 | BEAT EMOTION | 布袋寅泰 | — | |
| 2-3 | PRISONER | 布袋寅泰 | — | |
| 2-4 | SLOW MOTION | 布袋寅泰 | T-317.105.892-3 | |
| 2-5 | SPHINX | 布袋寅泰 | — | |
| 2-6 | MERMAID’S DREAM | 布袋寅泰 | — | |
| 2-7 | PARADISE | 布袋寅泰 | — | |
| 2-8 | DEVIL’S SUGAR | 布袋寅泰 | — | |
| 2-9 | DRIVIN’ TO YOUR HEART TONIGHT | 布袋寅泰 | — | |
| 2-10 | ANGEL WALTZ | 布袋寅泰 | — | |
| 2-11 | YOU | 布袋寅泰 | — | |
| 2-12 | GUITAR LOVES YOU | 布袋寅泰 | — | |
| 3-1 | ROCK ’N’ ROSE | 布袋寅泰 | — | |
| 3-2 | MAN+WOMAN IN LOVE | 布袋寅泰 | — | |
| 3-3 | LIBIDO | 布袋寅泰 | — | |
| 3-4 | FLY INTO YOUR DREAM | 布袋寅泰 | — | |
| 3-5 | WONDERLAND | 布袋寅泰 | — | |
| 3-6 | METROPOLIS | 布袋寅泰 | — | |
| 3-7 | MERRY‐GO‐ROUND | 布袋寅泰 | T-060.115.699-3 | |
| 3-8 | TELEPHONE CALL | 布袋寅泰 | — | |
| 3-9 | RADIO! RADIO! RADIO! | 布袋寅泰 | — | |
| 3-10 | NOT FOR SALE | 布袋寅泰 | — | |
| 3-11 | CITY LIGHTS | 布袋寅泰 | — | |
| 3-12 | STARMAN | 布袋寅泰 | T-011.559.559-9 | |
| 4-1 | MILK BAR P.M.11:00 | 布袋寅泰 | — | |
| 4-2 | UPSIDE‐DOWN | 布袋寅泰 | — | |
| 4-3 | DIRTY STAR | 布袋寅泰 | — | |
| 4-4 | さよならアンディ・ウォーホル | 布袋寅泰 | — | |
| 4-6 | PRECIOUS DEAL | 布袋寅泰 | — | |
| 4-7 | EMERGENCY | 布袋寅泰 | — | |
| 4-8 | ELECTRIC WARRIORS | 布袋寅泰 | — | |
| 4-9 | GUILTY | 布袋寅泰 | — | |
| 4-10 | I’M FREE | 布袋寅泰 | — | |
| 4-12 | WILD LOVE | 布袋寅泰 | — | |
| 4-13 | MILK BAR A.M.3:00 | 布袋寅泰 | — | |
| 4-14 | GUITARHYTHM (MUSIC BOX) | 布袋寅泰 | — | |
| 5-1 | TIME HAS COME | 布袋寅泰 | — | |
| 5-2 | SERIOUS? | 布袋寅泰 | — | |
| 5-3 | SURRENDER | 布袋寅泰 | T-913.023.726-2 | |
| 5-4 | 薔薇と雨 | 布袋寅泰 | T-101.188.516-6 | |
| 5-5 | 気まぐれ天使 | 布袋寅泰 | — | |
| 5-6 | INTERMISSION | 布袋寅泰 | — | |
| 5-7 | SIREN | 布袋寅泰 | — | |
| 5-8 | OUTSIDER | 布袋寅泰 | — | |
| 5-9 | さらば青春の光 | 布袋寅泰 | T-902.210.858-3 | |
| 5-10 | ESCAPE | 布袋寅泰 | — | |
| 5-11 | RUN BABY RUN | 布袋寅泰 | — | |
| 5-12 | GUITARHYTHM FOREVER | 布袋寅泰 | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| DIVING WITH MY CAR [RED ZONE VERSION] | 布袋寅泰 | — |
| LONELY★WILD (UPPER VERSION) | 布袋寅泰 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4988006218130?
4988006218130 is a Universal Product Code (UPC) assigned to GUITARHYTHM BOX by 布袋寅泰. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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