UPC · Release
Second line & Acoustic collection
ACIDMAN
Last verified:
4988006228085 is the Universal Product Code (UPC barcode) for the release “Second line & Acoustic collection” by ACIDMAN, released 2011-09-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include JPTO01100712, JPTO00601481, JPTO00802625.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | REMIND (acoustic) | ACIDMAN | — | |
| 2 | シンプルストーリー (second line) | ACIDMAN | — | |
| 3 | FREAK OUT (second line) | ACIDMAN | — | |
| 4 | spaced out (second line) | ACIDMAN | — | |
| 5 | 赤橙 (acoustic) | ACIDMAN | — | |
| 6 | アイソトープ (second line) | ACIDMAN | — | |
| 7 | O (second line) | ACIDMAN | — | |
| 8 | 香路 (second line) | ACIDMAN | — | |
| 9 | 銀河の街 (acoustic) | ACIDMAN | — | |
| 10 | FREE STAR (acoustic) | ACIDMAN | — | |
| 11 | Ride the wave (acoustic) | ACIDMAN | — | |
| 12 | turn around (second line) | ACIDMAN | — |
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People also ask
What is UPC 4988006228085?
4988006228085 is a Universal Product Code (UPC) assigned to Second line & Acoustic collection by ACIDMAN. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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