UPC · Release
Aliens Ate My Buick
Thomas Dolby
Last verified:
4988006622531 is the Universal Product Code (UPC barcode) for the release “Aliens Ate My Buick” by Thomas Dolby, released 1988-04-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include USCA20704188, USCA28801155, USCA28801156.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Key to Her Ferrari | Thomas Dolby | T-010.320.798-2 | |
| 2 | Airhead | Thomas Dolby | T0708826190 | |
| 3 | Hot Sauce | Thomas Dolby | T9063523240 | |
| 4 | Pulp Culture | Thomas Dolby | — | |
| 5 | My Brain Is Like a Sieve | Thomas Dolby | T0113674375 | |
| 6 | The Ability to Swing | Thomas Dolby | — | |
| 7 | Budapest by Blimp | Thomas Dolby | T-010.320.800-9 | |
| 8 | May the Cube Be With You | Thomas Dolby | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4988006622531?
4988006622531 is a Universal Product Code (UPC) assigned to Aliens Ate My Buick by Thomas Dolby. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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