UPC · Release
Eddie’s Archive
Iron Maiden
Last verified:
4988006804715 is the Universal Product Code (UPC barcode) for the release “Eddie’s Archive” by Iron Maiden, released 2002-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Iron Maiden | — | ||
| 2 | Running Free | — | ||
| 3 | Transylvania | — | ||
| 4 | Sanctuary | — | ||
| 5 | Wrathchild | — | ||
| 6 | Run to the Hills | — | ||
| 7 | Children of the Damned | — | ||
| 8 | The Number of the Beast | — | ||
| 9 | 22 Acacia Avenue | — | ||
| 10 | Transylvania | — | ||
| 11 | The Prisoner | — | ||
| 12 | Hallowed Be Thy Name | — | ||
| 13 | Phantom of the Opera | — | ||
| 14 | Iron Maiden | — | ||
| 2-1 | Prowler | — | ||
| 2-2 | Remember Tomorrow | — | ||
| 2-3 | Killers | — | ||
| 2-4 | Running Free | — | ||
| 2-5 | Transylvania | — | ||
| 2-6 | Iron Maiden | — | ||
| 2-7 | Moonchild | — | ||
| 2-8 | Wrathchild | — | ||
| 2-9 | Infinite Dreams | — | ||
| 2-10 | The Trooper | — | ||
| 2-11 | Seventh Son of a Seventh Son | — | ||
| 2-12 | The Number of the Beast | — | ||
| 2-13 | Hallowed Be Thy Name | — | ||
| 2-14 | Iron Maiden | — | ||
| 3-1 | Murders in the Rue Morgue | — | ||
| 3-2 | Wrathchild | — | ||
| 3-3 | Run to the Hills | — | ||
| 3-4 | Children of the Damned | — | ||
| 3-5 | The Number of the Beast | — | ||
| 3-6 | Another Life | — | ||
| 3-7 | Killers | — | ||
| 3-8 | 22 Acacia Avenue | — | ||
| 3-9 | Total Eclipse | — | ||
| 4-1 | Transylvania | — | ||
| 4-2 | The Prisoner | — | ||
| 4-3 | Hallowed Be Thy Name | — | ||
| 4-4 | Phantom of the Opera | — | ||
| 4-5 | Iron Maiden | — | ||
| 4-6 | Sanctuary | — | ||
| 4-7 | Drifter | — | ||
| 4-8 | Running Free | — | ||
| 4-9 | Prowler | — | ||
| 5-1 | Burning Ambition | — | ||
| 5-2 | Drifter (live) | — | ||
| 5-3 | Invasion | — | ||
| 5-4 | Remember Tomorrow (live) | — | ||
| 5-5 | I’ve Got the Fire | — | ||
| 5-6 | Cross-Eyed Mary | — | ||
| 5-7 | Rainbow’s Gold | — | ||
| 5-8 | King of Twilight | — | ||
| 5-9 | Reach Out | — | ||
| 5-10 | That Girl | — | ||
| 5-11 | Juanita | — | ||
| 5-12 | Sheriff of Huddersfield | — | ||
| 5-13 | Black Bart Blues | — | ||
| 5-14 | Prowler ’88 | — | ||
| 5-15 | Charlotte the Harlot ’88 | — | ||
| 6-1 | All in Your Mind | — | ||
| 6-2 | Kill Me Ce Soir | — | ||
| 6-3 | I’m a Mover | — | ||
| 6-4 | Communication Breakdown | — | ||
| 6-5 | Nodding Donkey Blues | — | ||
| 6-6 | Space Station No. 5 | — | ||
| 6-7 | I Can’t See My Feelings | — | ||
| 6-8 | Roll Over Vic Vella | — | ||
| 6-9 | Justice of the Peace | — | ||
| 6-10 | Judgement Day | — | ||
| 6-11 | My Generation | — | ||
| 6-12 | Doctor, Doctor | — | ||
| 6-13 | Blood on the World’s Hands (live) | — | ||
| 6-14 | The Aftermath (live) | — | ||
| 6-15 | Futureal (live) | — | ||
| 6-16 | Wasted Years '99 (live) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4988006804715?
4988006804715 is a Universal Product Code (UPC) assigned to Eddie’s Archive by Iron Maiden. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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