UPC · Release
全曲集〜男嫌い/命くれない
瀬川瑛子
Last verified:
4988007251716 is the Universal Product Code (UPC barcode) for the release “全曲集〜男嫌い/命くれない” by 瀬川瑛子, released 2012-10-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include JPCR01201720, JPCR08900190, JPCR09103490.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 男嫌い | 瀬川瑛子 | — | |
| 2 | 雨情話 | 瀬川瑛子 | — | |
| 3 | 居酒屋「藤乃」 | 瀬川瑛子 | — | |
| 4 | 笑いじわ | 瀬川瑛子 | — | |
| 5 | 連理の枝 | 瀬川瑛子 | — | |
| 6 | とんぼり | 瀬川瑛子 | — | |
| 7 | 涙は女の化粧水 | 瀬川瑛子 | — | |
| 8 | GO!GO!侍ニッポン〜私も輝きます〜(時代劇専門チャンネル「時代劇体操」テーマソング) | 瀬川瑛子 | — | |
| 9 | 命くれない | 瀬川瑛子 | T-101054230-8 | |
| 10 | 口紅水仙 | 瀬川瑛子 | — | |
| 11 | わすれ宿 | 瀬川瑛子 | — | |
| 12 | あのひとの雪国 | 瀬川瑛子 | — | |
| 13 | 憂き世川 | 瀬川瑛子 | — | |
| 14 | 命の絆 | 瀬川瑛子 | — | |
| 15 | 長崎の夜はむらさき | 瀬川瑛子 | T-101440958-4 | |
| 16 | 涙の影法師(ニュー・バージョン) | 瀬川瑛子 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4988007251716?
4988007251716 is a Universal Product Code (UPC) assigned to 全曲集〜男嫌い/命くれない by 瀬川瑛子. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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