UPC · Release
ピロリ
爆風スランプ
Last verified:
4988009320229 is the Universal Product Code (UPC barcode) for the release “ピロリ” by 爆風スランプ, released 1995-01-01 on Sony. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include JPSR09500243, JPSR09500244, JPSR09500245.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | ヘリコバクター・ピロリ | 爆風スランプ | T-101.228.399-5 | |
| 3 | 短い恋 | 爆風スランプ | T-101.160.705-7 | |
| 4 | 屋上 | 爆風スランプ | T-101.228.401-2 | |
| 5 | こまっちゃう | 爆風スランプ | T-101.228.403-4 | |
| 6 | 君が壊れた | 爆風スランプ | T-101.228.406-7 | |
| 7 | 人間はなぜ | 爆風スランプ | T-101.228.408-9 | |
| 9 | やすい女 | 爆風スランプ | T-101.228.410-3 | |
| 10 | アケビ~丘の上の天使~ | 爆風スランプ | T-101.228.411-4 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 神話 (Remix Version) | 爆風スランプ | T-101.219.151-2 |
| Hey! Hey! トーキョー (Remix Version) | 爆風スランプ | T-101.220.187-3 |
| 神話 (Remix Version) | 爆風スランプ | T-101.219.151-2 |
What other identifiers does this connect to?
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People also ask
Verified on
What is UPC 4988009320229?
4988009320229 is a Universal Product Code (UPC) assigned to ピロリ by 爆風スランプ. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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