UPC · Release
Johann Sebastian Bach, Glenn Gould, Jaime Laredo, Leonard Rose, Leonard Bernstein, Vladimir Golschmann, Columbia Symphony Orchestra
Last verified:
4988009847221 is the Universal Product Code (UPC barcode) for the release “GLENN GOULD BACH COLLECTION” by Johann Sebastian Bach, Glenn Gould, Jaime Laredo, Leonard Rose, Leonard Bernstein, Vladimir Golschmann, Columbia Symphony Orchestra, released 1991-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 369 tracks, each with its own ISRC. Tracks include HKI190701108, HKI190701139, USSM11409990.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 2 | Variation 1 | — | ||
| 3 | Variation 2 | — | ||
| 4 | Variation 3 | — | ||
| 5 | Variation 4 | — | ||
| 6 | Variation 5 | — | ||
| 7 | Variation 6 | — | ||
| 8 | Variation 7 | — | ||
| 9 | Variation 8 | — | ||
| 10 | Variation 9 | — | ||
| 11 | Variation 10 | — | ||
| 12 | Variation 11 | — | ||
| 13 | Variation 12 | — | ||
| 14 | Variation 13 | — | ||
| 15 | Variation 14 | — | ||
| 16 | Variation 15 | — | ||
| 17 | Variation 16 | — | ||
| 18 | Variation 17 | — | ||
| 19 | Variation 18 | — | ||
| 20 | Variation 19 | — | ||
| 21 | Variation 20 | — | ||
| 22 | Variation 21 | — | ||
| 23 | Variation 22 | — | ||
| 24 | Variation 23 | — | ||
| 25 | Variation 24 | — | ||
| 26 | Variation 25 | — | ||
| 27 | Variation 26 | — | ||
| 28 | Variation 27 | — | ||
| 29 | Variation 28 | — | ||
| 30 | Variation 29 | — | ||
| 31 | Variation 30 | — | ||
| 32 | Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-902.128.688-4 | |
| 2-1 | No.1 in C Major | — | ||
| 2-2 | No.2 in C Minor | — | ||
| 2-3 | No.5 in E-Flat Major | — | ||
| 2-4 | No.14 in B-Flat Major | — | ||
| 2-5 | No.11 in G Minor | — | ||
| 2-6 | No.10 in G Major | — | ||
| 2-7 | No.15 in B Minor | — | ||
| 2-8 | No.7 in E Minor | — | ||
| 2-9 | No.6 in E Major | — | ||
| 2-10 | No.13 in A Minor | — | ||
| 2-11 | No.12 in A Major | — | ||
| 2-12 | No.3 in D Major | — | ||
| 2-13 | No.4 in D Minor | — | ||
| 2-14 | No.8 in F Major | — | ||
| 2-15 | No.9 in F Minor | — | ||
| 3-1 | No.1 IN B-FLAT MAJOR, BWV 825: I. I. Praeludium | — | ||
| 3-2 | No.1 IN B-FLAT MAJOR, BWV 825: II. Allemande | — | ||
| 3-3 | No.1 IN B-FLAT MAJOR, BWV 825: III. Courante | — | ||
| 3-4 | No.1 IN B-FLAT MAJOR, BWV 825: IV. Sarabande | — | ||
| 3-5 | No.1 IN B-FLAT MAJOR, BWV 825: V. Menuet I, II | — | ||
| 3-6 | Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — | |
| 3-7 | No.2 IN C MINOR, BWV 826: I. Sinfonia | — | ||
| 3-8 | No.2 IN C MINOR, BWV 826: II. Allemande | — | ||
| 3-9 | No.2 IN C MINOR, BWV 826: III. Courante | — | ||
| 3-10 | No.2 IN C MINOR, BWV 826: IV. Sarabande | — | ||
| 3-11 | No.2 IN C MINOR, BWV 826: V. Rondeux | — | ||
| 3-12 | No.2 IN C MINOR, BWV 826: VI. Capriccio | — | ||
| 3-13 | No.3 IN A MINOR, BWV 827: I. Fantasie | — | ||
| 3-14 | No.3 IN A MINOR, BWV 827: II. Allemande | — | ||
| 3-15 | No.3 IN A MINOR, BWV 827: III. Courante | — | ||
| 3-16 | No.3 IN A MINOR, BWV 827: IV. Sarabande | — | ||
| 3-17 | No.3 IN A MINOR, BWV 827: V. Burlesca | — | ||
| 3-18 | No.3 IN A MINOR, BWV 827: VI. Scherzo | — | ||
| 3-19 | No.3 IN A MINOR, BWV 827: VII. Gigue | — | ||
| 4-1 | No.4 IN D MAJOR, BWV 828 (STEREO): I. Overture | — | ||
| 4-2 | No.4 IN D MAJOR, BWV 828 (STEREO): II. Allemande | — | ||
| 4-3 | No.4 IN D MAJOR, BWV 828 (STEREO): III. Courante | — | ||
| 4-4 | No.4 IN D MAJOR, BWV 828 (STEREO): IV. Aria | — | ||
| 4-5 | No.4 IN D MAJOR, BWV 828 (STEREO): V. Sarabande | — | ||
| 4-6 | No.4 IN D MAJOR, BWV 828 (STEREO): VI. Menuet | — | ||
| 4-7 | No.4 IN D MAJOR, BWV 828 (STEREO): VII. Gigue | — | ||
| 4-8 | No.5 IN G MAJOR, BWV 829 (MONO): I. Praeambulum | — | ||
| 4-9 | No.5 IN G MAJOR, BWV 829 (MONO): II. Allemande | — | ||
| 4-10 | No.5 IN G MAJOR, BWV 829 (MONO): III. Courante | — | ||
| 4-11 | No.5 IN G MAJOR, BWV 829 (MONO): IV. Sarabande | — | ||
| 4-12 | No.5 IN G MAJOR, BWV 829 (MONO): V. Tempo di Minuetto | — | ||
| 4-13 | No.5 IN G MAJOR, BWV 829 (MONO): VI. Passepied | — | ||
| 4-14 | No.5 IN G MAJOR, BWV 829 (MONO): VII. Gigue | — | ||
| 4-15 | No.6 IN E MINOR, BWV 830 (MONO): I. Toccata | — | ||
| 4-16 | No.6 IN E MINOR, BWV 830 (MONO): II. Allemande | — | ||
| 4-17 | No.6 IN E MINOR, BWV 830 (MONO): III. Courante | — | ||
| 4-18 | No.6 IN E MINOR, BWV 830 (MONO): IV. Aria | — | ||
| 4-19 | No.6 IN E MINOR, BWV 830 (MONO): V. Sarabande | — | ||
| 4-20 | No.6 IN E MINOR, BWV 830 (MONO): VI. Tempo di Gavotta | — | ||
| 4-21 | No.6 IN E MINOR, BWV 830 (MONO): VII. Gigue | — | ||
| 5-1 | Prelude & Fugue no. 1, BWV 846 | — | ||
| 5-2 | Prelude & Fugue no. 2, BWV 847 | — | ||
| 5-3 | Prelude & Fugue no. 3, BWV 848 | — | ||
| 5-4 | Prelude & Fugue no. 4, BWV 849 | — | ||
| 5-5 | Prelude & Fugue no. 5, BWV 850 | — | ||
| 5-6 | Prelude & Fugue no. 6, BWV 851 | — | ||
| 5-7 | Prelude & Fugue no. 7, BWV 852 | — | ||
| 5-8 | Prelude & Fugue no. 8, BWV 853 | — | ||
| 5-9 | Prelude & Fugue no. 9, BWV 854 | — | ||
| 5-10 | Prelude & Fugue no. 10, BWV 855 | — | ||
| 5-11 | Prelude & Fugue no. 11, BWV 856 | — | ||
| 5-12 | Prelude & Fugue no. 12, BWV 857 | — | ||
| 6-1 | Prelude & Fugue no. 13, BWV 858 | — | ||
| 6-2 | Prelude & Fugue no. 14, BWV 859 | — | ||
| 6-3 | Prelude & Fugue no. 15, BWV 860 | — | ||
| 6-4 | Prelude & Fugue no. 16, BWV 861 | — | ||
| 6-5 | Prelude & Fugue no. 17, BWV 862 | — | ||
| 6-6 | Prelude & Fugue no. 18, BWV 863 | — | ||
| 6-7 | Prelude & Fugue no. 19, BWV 864 | — | ||
| 6-8 | Prelude & Fugue no. 20, BWV 865 | — | ||
| 6-9 | Prelude & Fugue no. 21, BWV 866 | — | ||
| 6-10 | Prelude & Fugue no. 22, BWV 867 | — | ||
| 6-11 | Prelude & Fugue no. 23, BWV 868 | — | ||
| 6-12 | Prelude & Fugue no. 24, BWV 869 | — | ||
| 7-1 | Prelude & Fugue No.1 BWV 870 | — | ||
| 7-2 | Prelude & Fugue No.2 BWV 871 | — | ||
| 7-3 | Prelude & Fugue No.3 BWV 872 | — | ||
| 7-4 | Prelude & Fugue No.4 BWV 873 | — | ||
| 7-5 | Prelude & Fugue No.5 BWV 874 | — | ||
| 7-6 | Prelude & Fugue No.6 BWV 875 | — | ||
| 7-7 | Prelude & Fugue No.7 BWV 876 | — | ||
| 7-8 | Prelude & Fugue No.8 BWV 877 | — | ||
| 7-9 | Prelude & Fugue No.9 BWV 878 | — | ||
| 7-10 | Prelude & Fugue No.10 BWV 879 | — | ||
| 7-11 | Prelude & Fugue No.11 BWV 880 | — | ||
| 7-12 | Prelude & Fugue No.12 BWV 881 | — | ||
| 8-1 | Prelude & Fugue No.13 BWV 882 | — | ||
| 8-2 | Prelude & Fugue No.14 BWV 883 | — | ||
| 8-3 | Prelude & Fugue No.15 BWV 884 | — | ||
| 8-4 | Prelude & Fugue No.16 BWV 885 | — | ||
| 8-5 | Prelude & Fugue No.17 BWV 886 | — | ||
| 8-6 | Prelude & Fugue No.18 BWV 887 | — | ||
| 8-7 | Prelude & Fugue No.19 BWV 888 | — | ||
| 8-8 | Prelude & Fugue No.20 BWV 889 | — | ||
| 8-9 | Prelude & Fugue No.21 BWV 890 | — | ||
| 8-10 | Prelude & Fugue No.22 BWV 891 | — | ||
| 8-11 | Prelude & Fugue No.23 BWV 892 | — | ||
| 8-12 | Prelude & Fugue No.24 BWV 893 | — | ||
| 9-1 | THE ART OF FUGUE, BWV 1080: Fugues No.1 | — | ||
| 9-2 | THE ART OF FUGUE, BWV 1080: Fugues No.2 | — | ||
| 9-3 | THE ART OF FUGUE, BWV 1080: Fugues No.3 | — | ||
| 9-4 | THE ART OF FUGUE, BWV 1080: Fugues No.4 | — | ||
| 9-5 | THE ART OF FUGUE, BWV 1080: Fugues No.5 | — | ||
| 9-6 | THE ART OF FUGUE, BWV 1080: Fugues No.6 | — | ||
| 9-7 | THE ART OF FUGUE, BWV 1080: Fugues No.7 | — | ||
| 9-8 | THE ART OF FUGUE, BWV 1080: Fugues No.8 | — | ||
| 9-9 | THE ART OF FUGUE, BWV 1080: Fugues No.9 | — | ||
| 9-10 | ITALIAN CONCERTO IN F MAJOR, BWV 971: I. Allegro | — | ||
| 9-11 | ITALIAN CONCERTO IN F MAJOR, BWV 971: II. Adagio | — | ||
| 9-12 | ITALIAN CONCERTO IN F MAJOR, BWV 971: III. Presto | — | ||
| 10-1 | CONCERTO No.1 IN D MINOR, BWV 1052 (MONO): I. Allegro | — | ||
| 10-2 | CONCERTO No.1 IN D MINOR, BWV 1052 (MONO): II. Adagio | — | ||
| 10-3 | CONCERTO No.1 IN D MINOR, BWV 1052 (MONO): III. Allegro | — | ||
| 10-4 | CONCERTO No.2 IN E MAJOR, BWV 1053: I. Allegro | — | ||
| 10-5 | Concerto for Piano and Orchestra no. 2 in E major, BWV 1053: II. Siciliano | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 10-6 | CONCERTO No.2 IN E MAJOR, BWV 1053: III. Allegro | — | ||
| 10-7 | CONCERTO No.3 IN D MAJOR, BWV 1054: I. Allegro | — | ||
| 10-8 | CONCERTO No.3 IN D MAJOR, BWV 1054: II. Adagio e piano sempre | — | ||
| 10-9 | CONCERTO No.3 IN D MAJOR, BWV 1054: III. Allegro | — | ||
| 11-1 | CONCERTO No.4 IN A MAJOR, BWV 1055: I. Allegro | — | ||
| 11-2 | CONCERTO No.4 IN A MAJOR, BWV 1055: II. Larghetto | — | ||
| 11-3 | CONCERTO No.4 IN A MAJOR, BWV 1055: III. Allegro ma non tanto | — | ||
| 11-4 | CONCERTO No.5 IN F MINOR, BWV 1056: I. Allegro | — | ||
| 11-5 | CONCERTO No.5 IN F MINOR, BWV 1056: II. Largo | — | ||
| 11-6 | CONCERTO No.5 IN F MINOR, BWV 1056: III. Presto | — | ||
| 11-7 | CONCERTO No.7 IN G MINOR, BWV 1058: I. Allegro | — | ||
| 11-8 | CONCERTO No.7 IN G MINOR, BWV 1058: II. Andante | — | ||
| 11-9 | CONCERTO No.7 IN G MINOR, BWV 1058: III. Allegro assai | — | ||
| 12-1 | SONATA No.1 IN G MAJOR, BWV 1027: I. Adagio | — | ||
| 12-2 | SONATA No.1 IN G MAJOR, BWV 1027: II. Allegro ma non tanto | — | ||
| 12-3 | SONATA No.1 IN G MAJOR, BWV 1027: III. Andante | — | ||
| 12-4 | SONATA No.1 IN G MAJOR, BWV 1027: IV. Allegro moderato | — | ||
| 12-5 | SONATA No.2 IN D MAJOR, BWV 1028: I. Adagio | — | ||
| 12-6 | SONATA No.2 IN D MAJOR, BWV 1028: II. Allegro | — | ||
| 12-7 | SONATA No.2 IN D MAJOR, BWV 1028: III. Andante | — | ||
| 12-8 | SONATA No.2 IN D MAJOR, BWV 1028: IV. Allegro | — | ||
| 12-9 | SONATA No.3 IN G MINOR, BWV 1029: I. Vivace | — | ||
| 12-10 | SONATA No.3 IN G MINOR, BWV 1029: II. Adagio | — | ||
| 12-11 | SONATA No.3 IN G MINOR, BWV 1029: III. Allegro | — | ||
| 13-1 | No.1 IN D MINOR, BWV 812: I. Allemande | — | ||
| 13-2 | No.1 IN D MINOR, BWV 812: II. Courante | — | ||
| 13-3 | No.1 IN D MINOR, BWV 812: III. Sarabande | — | ||
| 13-4 | No.1 IN D MINOR, BWV 812: IV. Menuet I | — | ||
| 13-5 | No.1 IN D MINOR, BWV 812: V. Menuet II | — | ||
| 13-6 | No.1 IN D MINOR, BWV 812: V. Gigue | — | ||
| 13-7 | No.2 IN C MINOR, BWV 813: I. Allemande | — | ||
| 13-8 | No.2 IN C MINOR, BWV 813: II. Courante | — | ||
| 13-9 | No.2 IN C MINOR, BWV 813: III. Sarabande | — | ||
| 13-10 | No.2 IN C MINOR, BWV 813: IV. Air | — | ||
| 13-11 | No.2 IN C MINOR, BWV 813: V. Menuet | — | ||
| 13-12 | No.2 IN C MINOR, BWV 813: VI. Gigue | — | ||
| 13-13 | No.3 IN B MINOR, BWV 814: I. Allemande | — | ||
| 13-14 | No.3 IN B MINOR, BWV 814: II. Courante | — | ||
| 13-15 | No.3 IN B MINOR, BWV 814: III. Sarabande | — | ||
| 13-16 | No.3 IN B MINOR, BWV 814: IV. Menuet ; Trio | — | ||
| 13-17 | No.3 IN B MINOR, BWV 814: V. Anglaise | — | ||
| 13-18 | No.3 IN B MINOR, BWV 814: VI. Gigue | — | ||
| 13-19 | No.4 IN E-FLAT MAJOR, BWV 815: I. Allemande | — | ||
| 13-20 | No.4 IN E-FLAT MAJOR, BWV 815: II. Courante | — | ||
| 13-21 | No.4 IN E-FLAT MAJOR, BWV 815: III. Sarabande | — | ||
| 13-22 | No.4 IN E-FLAT MAJOR, BWV 815: IV. Menuet | — | ||
| 13-23 | No.4 IN E-FLAT MAJOR, BWV 815: V. Gavotte | — | ||
| 13-24 | No.4 IN E-FLAT MAJOR, BWV 815: VI. Air | — | ||
| 13-25 | No.4 IN E-FLAT MAJOR, BWV 815: VII. Gigue | — | ||
| 14-1 | No.5 IN G MAJOR, BWV 816: I. Allemande | — | ||
| 14-2 | No.5 IN G MAJOR, BWV 816: II. Courante | — | ||
| 14-3 | No.5 IN G MAJOR, BWV 816: III. Sarabande | — | ||
| 14-4 | No.5 IN G MAJOR, BWV 816: IV. Gavotte | — | ||
| 14-5 | No.5 IN G MAJOR, BWV 816: V. Bourrée | — | ||
| 14-6 | No.5 IN G MAJOR, BWV 816: VI. Loure | — | ||
| 14-7 | No.5 IN G MAJOR, BWV 816: VII. Gigue | — | ||
| 14-8 | No.6 IN E MAJOR, BWV 817: I. Allemande | — | ||
| 14-9 | No.6 IN E MAJOR, BWV 817: II. Courante | — | ||
| 14-10 | No.6 IN E MAJOR, BWV 817: III. Sarabande | — | ||
| 14-11 | No.6 IN E MAJOR, BWV 817: IV. Gavotte | — | ||
| 14-12 | No.6 IN E MAJOR, BWV 817: V. Polonaise | — | ||
| 14-13 | No.6 IN E MAJOR, BWV 817: VI. Menuet | — | ||
| 14-14 | No.6 IN E MAJOR, BWV 817: VII. Bourrée | — | ||
| 14-15 | No.6 IN E MAJOR, BWV 817: VIII. Gigue | — | ||
| 14-16 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: I. Overture | — | ||
| 14-17 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: II. Courante | — | ||
| 14-18 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: III. Gavotte I | — | ||
| 14-19 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: IV. Gavotte II | — | ||
| 14-20 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: V. Passepied I | — | ||
| 14-21 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: VI. Passepied II | — | ||
| 14-22 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: VII. Sarabande | — | ||
| 14-23 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: VIII. Bourrée I | — | ||
| 14-24 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: IX. Bourrée II | — | ||
| 14-25 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: X. Gigue | — | ||
| 14-26 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: XI. Echo | — | ||
| 15-1 | No.1 IN A MAJOR, BWV 806: I. Prélude | — | ||
| 15-2 | No.1 IN A MAJOR, BWV 806: II. Allemande | — | ||
| 15-3 | No.1 IN A MAJOR, BWV 806: III. Courante I | — | ||
| 15-4 | No.1 IN A MAJOR, BWV 806: IV. Courante II | — | ||
| 15-5 | No.1 IN A MAJOR, BWV 806: V. Double I | — | ||
| 15-6 | No.1 IN A MAJOR, BWV 806: VI. Double II | — | ||
| 15-7 | No.1 IN A MAJOR, BWV 806: VII. Sarabande | — | ||
| 15-8 | No.1 IN A MAJOR, BWV 806: VIII. Bourrée I | — | ||
| 15-9 | No.1 IN A MAJOR, BWV 806: IX. Bourrée II | — | ||
| 15-10 | No.1 IN A MAJOR, BWV 806: X. Gigue | — | ||
| 15-11 | No.4 IN F MAJOR, BWV 809: I. Prélude | — | ||
| 15-12 | No.4 IN F MAJOR, BWV 809: II. Allemande | — | ||
| 15-13 | No.4 IN F MAJOR, BWV 809: III. Courante | — | ||
| 15-14 | No.4 IN F MAJOR, BWV 809: IV. Sarabande | — | ||
| 15-15 | No.4 IN F MAJOR, BWV 809: V. Menuett I | — | ||
| 15-16 | No.4 IN F MAJOR, BWV 809: VI. Menuett II | — | ||
| 15-17 | No.4 IN F MAJOR, BWV 809: VII. Gigue | — | ||
| 15-18 | No.5 IN E MINOR, BWV 810: I. Prélude | — | ||
| 15-19 | No.5 IN E MINOR, BWV 810: II. Allemande | — | ||
| 15-20 | No.5 IN E MINOR, BWV 810: III. Courante | — | ||
| 15-21 | No.5 IN E MINOR, BWV 810: IV. Sarabande | — | ||
| 15-22 | No.5 IN E MINOR, BWV 810: V. Passepied I | — | ||
| 15-23 | No.5 IN E MINOR, BWV 810: VI. Passepied II | — | ||
| 15-24 | No.5 IN E MINOR, BWV 810: VII. Gigue | — | ||
| 16-1 | No.2 IN A MINOR, BWV 807: I. Prélude | — | ||
| 16-2 | No.2 IN A MINOR, BWV 807: II. Allemande | — | ||
| 16-3 | No.2 IN A MINOR, BWV 807: III. Courante | — | ||
| 16-4 | No.2 IN A MINOR, BWV 807: IV. Sarabande | — | ||
| 16-5 | No.2 IN A MINOR, BWV 807: V. Les Agréments de la même sarabande | — | ||
| 16-6 | No.2 IN A MINOR, BWV 807: VI. Bourrée I | — | ||
| 16-7 | No.2 IN A MINOR, BWV 807: VII. Bourrée II | — | ||
| 16-8 | No.2 IN A MINOR, BWV 807: VIII. Gigue | — | ||
| 16-9 | No.3 IN G MINOR, BWV 808: I. Prélude | — | ||
| 16-10 | No.3 IN G MINOR, BWV 808: II. Allemande | — | ||
| 16-11 | No.3 IN G MINOR, BWV 808: III. Courante | — | ||
| 16-12 | No.3 IN G MINOR, BWV 808: IV. Sarabande | — | ||
| 16-13 | No.3 IN G MINOR, BWV 808: V. Les Agréments de la même sarabande | — | ||
| 16-14 | No.3 IN G MINOR, BWV 808: VI. Gavotte I | — | ||
| 16-15 | No.3 IN G MINOR, BWV 808: VII. Gavotte II | — | ||
| 16-16 | No.3 IN G MINOR, BWV 808: VIII. Gigue | — | ||
| 16-17 | No.6 IN D MINOR, BWV 811: I. Prélude | — | ||
| 16-18 | No.6 IN D MINOR, BWV 811: II. Allemande | — | ||
| 16-19 | No.6 IN D MINOR, BWV 811: III. Courante | — | ||
| 16-20 | No.6 IN D MINOR, BWV 811: IV. Sarabande | — | ||
| 16-21 | No.6 IN D MINOR, BWV 811: V. Double | — | ||
| 16-22 | No.6 IN D MINOR, BWV 811: VI. Gavotte I | — | ||
| 16-23 | No.6 IN D MINOR, BWV 811: VII. Gavotte II | — | ||
| 16-24 | No.6 IN D MINOR, BWV 811: VIII. Gigue | — | ||
| 17-1 | TOCCATA IN D MAJOR, BWV 912 | — | ||
| 17-2 | TOCCATA IN F-SHARP MINOR, BWV 910 | — | ||
| 17-3 | TOCCATA IN D MINOR, BWV 913 | — | ||
| 18-1 | TOCCATA IN MINOR, BWV 911 | — | ||
| 18-2 | TOCCATA IN G MINOR, BWV 915 | — | ||
| 18-3 | TOCCATA IN G MAJOR, BWV 916 | — | ||
| 18-4 | TOCCATA IN E MINOR, BWV 914 | — | ||
| 19-1 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: I. Adagio | — | ||
| 19-2 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: II. Allegro | — | ||
| 19-3 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: III. Andante | — | ||
| 19-4 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: IV. Allegro | — | ||
| 19-5 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: I. Andante | — | ||
| 19-6 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: II. Allegro assai | — | ||
| 19-7 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: III. Andante un poco | — | ||
| 19-8 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: IV. Presto | — | ||
| 19-9 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: I. Adagio | — | ||
| 19-10 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: II. Allegro | — | ||
| 19-11 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: III. Adagio ma non tanto | — | ||
| 19-12 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: IV. Allegro | — | ||
| 20-1 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: I. Siciliano (Largo) | — | ||
| 20-2 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 20-3 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 20-4 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 20-5 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 20-6 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 20-7 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 20-8 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 20-9 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 20-10 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: II. Largo | — | ||
| 20-11 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 20-12 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 20-13 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 21-1 | SIX LITTLE PRELUDES IN C MAJOR, BWV 933 | — | ||
| 21-2 | SIX LITTLE PRELUDES IN C MINOR, BWV 934 | — | ||
| 21-3 | SIX LITTLE PRELUDES IN D MINOR, BWV 935 | — | ||
| 21-4 | SIX LITTLE PRELUDES IN D MAJOR, BWV 936 | — | ||
| 21-5 | SIX LITTLE PRELUDES IN E MAJOR, BWV 937 | — | ||
| 21-6 | SIX LITTLE PRELUDES IN E MINOR, BWV 938 | — | ||
| 21-7 | PRELUDE AND FUGHETTA IN D MINOR, BWV 899 | — | ||
| 21-8 | PRELUDES IN G MAJOR, BWV 902, 902A AND FUGHETTA, BWV 902 | — | ||
| 21-9 | SIX LITTLE PRELUDES IN C MAJOR, BWV 924 | — | ||
| 21-10 | SIX LITTLE PRELUDES IN F MAJOR, BWV 927 | — | ||
| 21-11 | SIX LITTLE PRELUDES IN D MINOR, BWV 926 | — | ||
| 21-12 | SIX LITTLE PRELUDES IN D MAJOR, BWV 925 | — | ||
| 21-13 | SIX LITTLE PRELUDES IN F MAJOR, BWV 928 | — | ||
| 21-14 | SIX LITTLE PRELUDES IN G MINOR, BWV 930 | — | ||
| 21-15 | FUGUE IN C MAJOR, BWV 952 | — | ||
| 21-16 | FUGUETTA IN C MINOR, BWV 961 | — | ||
| 21-17 | FUGUE IN C MAJOR, BWV 953 | — | ||
| 21-18 | PRELUDE AND FUGUE IN A MINOR, BWV 895 | — | ||
| 21-19 | PRELUDE AND FUGUE IN E MINOR, BWV 900 | — | ||
| 22-1 | Goldberg Variations, BWV 988: I. Aria | Glenn Gould | T-801.806.984-7 | |
| 22-2 | Variation 1 | — | ||
| 22-3 | Variation 2 | — | ||
| 22-4 | Variation 3 | — | ||
| 22-5 | Variation 4 | — | ||
| 22-6 | Variation 5 | — | ||
| 22-7 | Variation 6 | — | ||
| 22-8 | Variation 7 | — | ||
| 22-9 | Variation 8 | — | ||
| 22-10 | Variation 9 | — | ||
| 22-11 | Variation 10 | — | ||
| 22-12 | Variation 11 | — | ||
| 22-13 | Variation 12 | — | ||
| 22-14 | Variation 13 | — | ||
| 22-15 | Variation 14 | — | ||
| 22-16 | Variation 15 | — | ||
| 22-17 | Variation 16 | — | ||
| 22-18 | Variation 17 | — | ||
| 22-19 | Variation 18 | — | ||
| 22-20 | Variation 19 | — | ||
| 22-21 | Variation 20 | — | ||
| 22-22 | Variation 21 | — | ||
| 22-23 | Variation 22 | — | ||
| 22-24 | Variation 23 | — | ||
| 22-25 | Variation 24 | — | ||
| 22-26 | Variation 25 | — | ||
| 22-27 | Variation 26 | — | ||
| 22-28 | Variation 27 | — | ||
| 22-29 | Variation 28 | — | ||
| 22-30 | Variation 29 | — | ||
| 22-31 | Variation 30 | — | ||
| 22-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | Glenn Gould | T-801.806.984-7 | |
| 23-1 | In Conversation with John McClure - 1968 | — | ||
| 24-1 | PART 1: オープニング | — | ||
| 24-2 | PART 1: 再録音するということ | — | ||
| 24-3 | PART 1: アリアの聴きくらべ | — | ||
| 24-4 | PART 1: テンポの秘密 | — | ||
| 24-5 | PART 1: 第16変奏 〜 第18変奏（新録音） | — | ||
| 24-6 | PART 2: システムの必要性 | — | ||
| 24-7 | PART 2: 第25変奏への懐疑 | — | ||
| 24-8 | PART 2: 楽器に関する議論 | — | ||
| 24-9 | PART 2: 第1変奏 〜 第10変奏（新録音） | — | ||
| 24-10 | PART 2: エンディング（第13変奏、新録音） | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Glenn Gould | — |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
| Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — |
| Aria da capo | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4988009847221 is a Universal Product Code (UPC) assigned to GLENN GOULD BACH COLLECTION by Johann Sebastian Bach, Glenn Gould, Jaime Laredo, Leonard Rose, Leonard Bernstein, Vladimir Golschmann, Columbia Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 369 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
4988009847221 is the Universal Product Code (UPC barcode) for the release “GLENN GOULD BACH COLLECTION” by Johann Sebastian Bach, Glenn Gould, Jaime Laredo, Leonard Rose, Leonard Bernstein, Vladimir Golschmann, Columbia Symphony Orchestra, released 1991-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 369 tracks, each with its own ISRC. Tracks include HKI190701108, HKI190701139, USSM11409990.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Goldberg Variations, BWV 988: Aria | Glenn Gould | T-902.128.688-4 | |
| 2 | Variation 1 | — | ||
| 3 | Variation 2 | — | ||
| 4 | Variation 3 | — | ||
| 5 | Variation 4 | — | ||
| 6 | Variation 5 | — | ||
| 7 | Variation 6 | — | ||
| 8 | Variation 7 | — | ||
| 9 | Variation 8 | — | ||
| 10 | Variation 9 | — | ||
| 11 | Variation 10 | — | ||
| 12 | Variation 11 | — | ||
| 13 | Variation 12 | — | ||
| 14 | Variation 13 | — | ||
| 15 | Variation 14 | — | ||
| 16 | Variation 15 | — | ||
| 17 | Variation 16 | — | ||
| 18 | Variation 17 | — | ||
| 19 | Variation 18 | — | ||
| 20 | Variation 19 | — | ||
| 21 | Variation 20 | — | ||
| 22 | Variation 21 | — | ||
| 23 | Variation 22 | — | ||
| 24 | Variation 23 | — | ||
| 25 | Variation 24 | — | ||
| 26 | Variation 25 | — | ||
| 27 | Variation 26 | — | ||
| 28 | Variation 27 | — | ||
| 29 | Variation 28 | — | ||
| 30 | Variation 29 | — | ||
| 31 | Variation 30 | — | ||
| 32 | Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-902.128.688-4 | |
| 2-1 | No.1 in C Major | — | ||
| 2-2 | No.2 in C Minor | — | ||
| 2-3 | No.5 in E-Flat Major | — | ||
| 2-4 | No.14 in B-Flat Major | — | ||
| 2-5 | No.11 in G Minor | — | ||
| 2-6 | No.10 in G Major | — | ||
| 2-7 | No.15 in B Minor | — | ||
| 2-8 | No.7 in E Minor | — | ||
| 2-9 | No.6 in E Major | — | ||
| 2-10 | No.13 in A Minor | — | ||
| 2-11 | No.12 in A Major | — | ||
| 2-12 | No.3 in D Major | — | ||
| 2-13 | No.4 in D Minor | — | ||
| 2-14 | No.8 in F Major | — | ||
| 2-15 | No.9 in F Minor | — | ||
| 3-1 | No.1 IN B-FLAT MAJOR, BWV 825: I. I. Praeludium | — | ||
| 3-2 | No.1 IN B-FLAT MAJOR, BWV 825: II. Allemande | — | ||
| 3-3 | No.1 IN B-FLAT MAJOR, BWV 825: III. Courante | — | ||
| 3-4 | No.1 IN B-FLAT MAJOR, BWV 825: IV. Sarabande | — | ||
| 3-5 | No.1 IN B-FLAT MAJOR, BWV 825: V. Menuet I, II | — | ||
| 3-6 | Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — | |
| 3-7 | No.2 IN C MINOR, BWV 826: I. Sinfonia | — | ||
| 3-8 | No.2 IN C MINOR, BWV 826: II. Allemande | — | ||
| 3-9 | No.2 IN C MINOR, BWV 826: III. Courante | — | ||
| 3-10 | No.2 IN C MINOR, BWV 826: IV. Sarabande | — | ||
| 3-11 | No.2 IN C MINOR, BWV 826: V. Rondeux | — | ||
| 3-12 | No.2 IN C MINOR, BWV 826: VI. Capriccio | — | ||
| 3-13 | No.3 IN A MINOR, BWV 827: I. Fantasie | — | ||
| 3-14 | No.3 IN A MINOR, BWV 827: II. Allemande | — | ||
| 3-15 | No.3 IN A MINOR, BWV 827: III. Courante | — | ||
| 3-16 | No.3 IN A MINOR, BWV 827: IV. Sarabande | — | ||
| 3-17 | No.3 IN A MINOR, BWV 827: V. Burlesca | — | ||
| 3-18 | No.3 IN A MINOR, BWV 827: VI. Scherzo | — | ||
| 3-19 | No.3 IN A MINOR, BWV 827: VII. Gigue | — | ||
| 4-1 | No.4 IN D MAJOR, BWV 828 (STEREO): I. Overture | — | ||
| 4-2 | No.4 IN D MAJOR, BWV 828 (STEREO): II. Allemande | — | ||
| 4-3 | No.4 IN D MAJOR, BWV 828 (STEREO): III. Courante | — | ||
| 4-4 | No.4 IN D MAJOR, BWV 828 (STEREO): IV. Aria | — | ||
| 4-5 | No.4 IN D MAJOR, BWV 828 (STEREO): V. Sarabande | — | ||
| 4-6 | No.4 IN D MAJOR, BWV 828 (STEREO): VI. Menuet | — | ||
| 4-7 | No.4 IN D MAJOR, BWV 828 (STEREO): VII. Gigue | — | ||
| 4-8 | No.5 IN G MAJOR, BWV 829 (MONO): I. Praeambulum | — | ||
| 4-9 | No.5 IN G MAJOR, BWV 829 (MONO): II. Allemande | — | ||
| 4-10 | No.5 IN G MAJOR, BWV 829 (MONO): III. Courante | — | ||
| 4-11 | No.5 IN G MAJOR, BWV 829 (MONO): IV. Sarabande | — | ||
| 4-12 | No.5 IN G MAJOR, BWV 829 (MONO): V. Tempo di Minuetto | — | ||
| 4-13 | No.5 IN G MAJOR, BWV 829 (MONO): VI. Passepied | — | ||
| 4-14 | No.5 IN G MAJOR, BWV 829 (MONO): VII. Gigue | — | ||
| 4-15 | No.6 IN E MINOR, BWV 830 (MONO): I. Toccata | — | ||
| 4-16 | No.6 IN E MINOR, BWV 830 (MONO): II. Allemande | — | ||
| 4-17 | No.6 IN E MINOR, BWV 830 (MONO): III. Courante | — | ||
| 4-18 | No.6 IN E MINOR, BWV 830 (MONO): IV. Aria | — | ||
| 4-19 | No.6 IN E MINOR, BWV 830 (MONO): V. Sarabande | — | ||
| 4-20 | No.6 IN E MINOR, BWV 830 (MONO): VI. Tempo di Gavotta | — | ||
| 4-21 | No.6 IN E MINOR, BWV 830 (MONO): VII. Gigue | — | ||
| 5-1 | Prelude & Fugue no. 1, BWV 846 | — | ||
| 5-2 | Prelude & Fugue no. 2, BWV 847 | — | ||
| 5-3 | Prelude & Fugue no. 3, BWV 848 | — | ||
| 5-4 | Prelude & Fugue no. 4, BWV 849 | — | ||
| 5-5 | Prelude & Fugue no. 5, BWV 850 | — | ||
| 5-6 | Prelude & Fugue no. 6, BWV 851 | — | ||
| 5-7 | Prelude & Fugue no. 7, BWV 852 | — | ||
| 5-8 | Prelude & Fugue no. 8, BWV 853 | — | ||
| 5-9 | Prelude & Fugue no. 9, BWV 854 | — | ||
| 5-10 | Prelude & Fugue no. 10, BWV 855 | — | ||
| 5-11 | Prelude & Fugue no. 11, BWV 856 | — | ||
| 5-12 | Prelude & Fugue no. 12, BWV 857 | — | ||
| 6-1 | Prelude & Fugue no. 13, BWV 858 | — | ||
| 6-2 | Prelude & Fugue no. 14, BWV 859 | — | ||
| 6-3 | Prelude & Fugue no. 15, BWV 860 | — | ||
| 6-4 | Prelude & Fugue no. 16, BWV 861 | — | ||
| 6-5 | Prelude & Fugue no. 17, BWV 862 | — | ||
| 6-6 | Prelude & Fugue no. 18, BWV 863 | — | ||
| 6-7 | Prelude & Fugue no. 19, BWV 864 | — | ||
| 6-8 | Prelude & Fugue no. 20, BWV 865 | — | ||
| 6-9 | Prelude & Fugue no. 21, BWV 866 | — | ||
| 6-10 | Prelude & Fugue no. 22, BWV 867 | — | ||
| 6-11 | Prelude & Fugue no. 23, BWV 868 | — | ||
| 6-12 | Prelude & Fugue no. 24, BWV 869 | — | ||
| 7-1 | Prelude & Fugue No.1 BWV 870 | — | ||
| 7-2 | Prelude & Fugue No.2 BWV 871 | — | ||
| 7-3 | Prelude & Fugue No.3 BWV 872 | — | ||
| 7-4 | Prelude & Fugue No.4 BWV 873 | — | ||
| 7-5 | Prelude & Fugue No.5 BWV 874 | — | ||
| 7-6 | Prelude & Fugue No.6 BWV 875 | — | ||
| 7-7 | Prelude & Fugue No.7 BWV 876 | — | ||
| 7-8 | Prelude & Fugue No.8 BWV 877 | — | ||
| 7-9 | Prelude & Fugue No.9 BWV 878 | — | ||
| 7-10 | Prelude & Fugue No.10 BWV 879 | — | ||
| 7-11 | Prelude & Fugue No.11 BWV 880 | — | ||
| 7-12 | Prelude & Fugue No.12 BWV 881 | — | ||
| 8-1 | Prelude & Fugue No.13 BWV 882 | — | ||
| 8-2 | Prelude & Fugue No.14 BWV 883 | — | ||
| 8-3 | Prelude & Fugue No.15 BWV 884 | — | ||
| 8-4 | Prelude & Fugue No.16 BWV 885 | — | ||
| 8-5 | Prelude & Fugue No.17 BWV 886 | — | ||
| 8-6 | Prelude & Fugue No.18 BWV 887 | — | ||
| 8-7 | Prelude & Fugue No.19 BWV 888 | — | ||
| 8-8 | Prelude & Fugue No.20 BWV 889 | — | ||
| 8-9 | Prelude & Fugue No.21 BWV 890 | — | ||
| 8-10 | Prelude & Fugue No.22 BWV 891 | — | ||
| 8-11 | Prelude & Fugue No.23 BWV 892 | — | ||
| 8-12 | Prelude & Fugue No.24 BWV 893 | — | ||
| 9-1 | THE ART OF FUGUE, BWV 1080: Fugues No.1 | — | ||
| 9-2 | THE ART OF FUGUE, BWV 1080: Fugues No.2 | — | ||
| 9-3 | THE ART OF FUGUE, BWV 1080: Fugues No.3 | — | ||
| 9-4 | THE ART OF FUGUE, BWV 1080: Fugues No.4 | — | ||
| 9-5 | THE ART OF FUGUE, BWV 1080: Fugues No.5 | — | ||
| 9-6 | THE ART OF FUGUE, BWV 1080: Fugues No.6 | — | ||
| 9-7 | THE ART OF FUGUE, BWV 1080: Fugues No.7 | — | ||
| 9-8 | THE ART OF FUGUE, BWV 1080: Fugues No.8 | — | ||
| 9-9 | THE ART OF FUGUE, BWV 1080: Fugues No.9 | — | ||
| 9-10 | ITALIAN CONCERTO IN F MAJOR, BWV 971: I. Allegro | — | ||
| 9-11 | ITALIAN CONCERTO IN F MAJOR, BWV 971: II. Adagio | — | ||
| 9-12 | ITALIAN CONCERTO IN F MAJOR, BWV 971: III. Presto | — | ||
| 10-1 | CONCERTO No.1 IN D MINOR, BWV 1052 (MONO): I. Allegro | — | ||
| 10-2 | CONCERTO No.1 IN D MINOR, BWV 1052 (MONO): II. Adagio | — | ||
| 10-3 | CONCERTO No.1 IN D MINOR, BWV 1052 (MONO): III. Allegro | — | ||
| 10-4 | CONCERTO No.2 IN E MAJOR, BWV 1053: I. Allegro | — | ||
| 10-5 | Concerto for Piano and Orchestra no. 2 in E major, BWV 1053: II. Siciliano | Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann | — | |
| 10-6 | CONCERTO No.2 IN E MAJOR, BWV 1053: III. Allegro | — | ||
| 10-7 | CONCERTO No.3 IN D MAJOR, BWV 1054: I. Allegro | — | ||
| 10-8 | CONCERTO No.3 IN D MAJOR, BWV 1054: II. Adagio e piano sempre | — | ||
| 10-9 | CONCERTO No.3 IN D MAJOR, BWV 1054: III. Allegro | — | ||
| 11-1 | CONCERTO No.4 IN A MAJOR, BWV 1055: I. Allegro | — | ||
| 11-2 | CONCERTO No.4 IN A MAJOR, BWV 1055: II. Larghetto | — | ||
| 11-3 | CONCERTO No.4 IN A MAJOR, BWV 1055: III. Allegro ma non tanto | — | ||
| 11-4 | CONCERTO No.5 IN F MINOR, BWV 1056: I. Allegro | — | ||
| 11-5 | CONCERTO No.5 IN F MINOR, BWV 1056: II. Largo | — | ||
| 11-6 | CONCERTO No.5 IN F MINOR, BWV 1056: III. Presto | — | ||
| 11-7 | CONCERTO No.7 IN G MINOR, BWV 1058: I. Allegro | — | ||
| 11-8 | CONCERTO No.7 IN G MINOR, BWV 1058: II. Andante | — | ||
| 11-9 | CONCERTO No.7 IN G MINOR, BWV 1058: III. Allegro assai | — | ||
| 12-1 | SONATA No.1 IN G MAJOR, BWV 1027: I. Adagio | — | ||
| 12-2 | SONATA No.1 IN G MAJOR, BWV 1027: II. Allegro ma non tanto | — | ||
| 12-3 | SONATA No.1 IN G MAJOR, BWV 1027: III. Andante | — | ||
| 12-4 | SONATA No.1 IN G MAJOR, BWV 1027: IV. Allegro moderato | — | ||
| 12-5 | SONATA No.2 IN D MAJOR, BWV 1028: I. Adagio | — | ||
| 12-6 | SONATA No.2 IN D MAJOR, BWV 1028: II. Allegro | — | ||
| 12-7 | SONATA No.2 IN D MAJOR, BWV 1028: III. Andante | — | ||
| 12-8 | SONATA No.2 IN D MAJOR, BWV 1028: IV. Allegro | — | ||
| 12-9 | SONATA No.3 IN G MINOR, BWV 1029: I. Vivace | — | ||
| 12-10 | SONATA No.3 IN G MINOR, BWV 1029: II. Adagio | — | ||
| 12-11 | SONATA No.3 IN G MINOR, BWV 1029: III. Allegro | — | ||
| 13-1 | No.1 IN D MINOR, BWV 812: I. Allemande | — | ||
| 13-2 | No.1 IN D MINOR, BWV 812: II. Courante | — | ||
| 13-3 | No.1 IN D MINOR, BWV 812: III. Sarabande | — | ||
| 13-4 | No.1 IN D MINOR, BWV 812: IV. Menuet I | — | ||
| 13-5 | No.1 IN D MINOR, BWV 812: V. Menuet II | — | ||
| 13-6 | No.1 IN D MINOR, BWV 812: V. Gigue | — | ||
| 13-7 | No.2 IN C MINOR, BWV 813: I. Allemande | — | ||
| 13-8 | No.2 IN C MINOR, BWV 813: II. Courante | — | ||
| 13-9 | No.2 IN C MINOR, BWV 813: III. Sarabande | — | ||
| 13-10 | No.2 IN C MINOR, BWV 813: IV. Air | — | ||
| 13-11 | No.2 IN C MINOR, BWV 813: V. Menuet | — | ||
| 13-12 | No.2 IN C MINOR, BWV 813: VI. Gigue | — | ||
| 13-13 | No.3 IN B MINOR, BWV 814: I. Allemande | — | ||
| 13-14 | No.3 IN B MINOR, BWV 814: II. Courante | — | ||
| 13-15 | No.3 IN B MINOR, BWV 814: III. Sarabande | — | ||
| 13-16 | No.3 IN B MINOR, BWV 814: IV. Menuet ; Trio | — | ||
| 13-17 | No.3 IN B MINOR, BWV 814: V. Anglaise | — | ||
| 13-18 | No.3 IN B MINOR, BWV 814: VI. Gigue | — | ||
| 13-19 | No.4 IN E-FLAT MAJOR, BWV 815: I. Allemande | — | ||
| 13-20 | No.4 IN E-FLAT MAJOR, BWV 815: II. Courante | — | ||
| 13-21 | No.4 IN E-FLAT MAJOR, BWV 815: III. Sarabande | — | ||
| 13-22 | No.4 IN E-FLAT MAJOR, BWV 815: IV. Menuet | — | ||
| 13-23 | No.4 IN E-FLAT MAJOR, BWV 815: V. Gavotte | — | ||
| 13-24 | No.4 IN E-FLAT MAJOR, BWV 815: VI. Air | — | ||
| 13-25 | No.4 IN E-FLAT MAJOR, BWV 815: VII. Gigue | — | ||
| 14-1 | No.5 IN G MAJOR, BWV 816: I. Allemande | — | ||
| 14-2 | No.5 IN G MAJOR, BWV 816: II. Courante | — | ||
| 14-3 | No.5 IN G MAJOR, BWV 816: III. Sarabande | — | ||
| 14-4 | No.5 IN G MAJOR, BWV 816: IV. Gavotte | — | ||
| 14-5 | No.5 IN G MAJOR, BWV 816: V. Bourrée | — | ||
| 14-6 | No.5 IN G MAJOR, BWV 816: VI. Loure | — | ||
| 14-7 | No.5 IN G MAJOR, BWV 816: VII. Gigue | — | ||
| 14-8 | No.6 IN E MAJOR, BWV 817: I. Allemande | — | ||
| 14-9 | No.6 IN E MAJOR, BWV 817: II. Courante | — | ||
| 14-10 | No.6 IN E MAJOR, BWV 817: III. Sarabande | — | ||
| 14-11 | No.6 IN E MAJOR, BWV 817: IV. Gavotte | — | ||
| 14-12 | No.6 IN E MAJOR, BWV 817: V. Polonaise | — | ||
| 14-13 | No.6 IN E MAJOR, BWV 817: VI. Menuet | — | ||
| 14-14 | No.6 IN E MAJOR, BWV 817: VII. Bourrée | — | ||
| 14-15 | No.6 IN E MAJOR, BWV 817: VIII. Gigue | — | ||
| 14-16 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: I. Overture | — | ||
| 14-17 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: II. Courante | — | ||
| 14-18 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: III. Gavotte I | — | ||
| 14-19 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: IV. Gavotte II | — | ||
| 14-20 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: V. Passepied I | — | ||
| 14-21 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: VI. Passepied II | — | ||
| 14-22 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: VII. Sarabande | — | ||
| 14-23 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: VIII. Bourrée I | — | ||
| 14-24 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: IX. Bourrée II | — | ||
| 14-25 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: X. Gigue | — | ||
| 14-26 | OVERTURE IN THE FRENCH IN B MINOR, BWV 831: XI. Echo | — | ||
| 15-1 | No.1 IN A MAJOR, BWV 806: I. Prélude | — | ||
| 15-2 | No.1 IN A MAJOR, BWV 806: II. Allemande | — | ||
| 15-3 | No.1 IN A MAJOR, BWV 806: III. Courante I | — | ||
| 15-4 | No.1 IN A MAJOR, BWV 806: IV. Courante II | — | ||
| 15-5 | No.1 IN A MAJOR, BWV 806: V. Double I | — | ||
| 15-6 | No.1 IN A MAJOR, BWV 806: VI. Double II | — | ||
| 15-7 | No.1 IN A MAJOR, BWV 806: VII. Sarabande | — | ||
| 15-8 | No.1 IN A MAJOR, BWV 806: VIII. Bourrée I | — | ||
| 15-9 | No.1 IN A MAJOR, BWV 806: IX. Bourrée II | — | ||
| 15-10 | No.1 IN A MAJOR, BWV 806: X. Gigue | — | ||
| 15-11 | No.4 IN F MAJOR, BWV 809: I. Prélude | — | ||
| 15-12 | No.4 IN F MAJOR, BWV 809: II. Allemande | — | ||
| 15-13 | No.4 IN F MAJOR, BWV 809: III. Courante | — | ||
| 15-14 | No.4 IN F MAJOR, BWV 809: IV. Sarabande | — | ||
| 15-15 | No.4 IN F MAJOR, BWV 809: V. Menuett I | — | ||
| 15-16 | No.4 IN F MAJOR, BWV 809: VI. Menuett II | — | ||
| 15-17 | No.4 IN F MAJOR, BWV 809: VII. Gigue | — | ||
| 15-18 | No.5 IN E MINOR, BWV 810: I. Prélude | — | ||
| 15-19 | No.5 IN E MINOR, BWV 810: II. Allemande | — | ||
| 15-20 | No.5 IN E MINOR, BWV 810: III. Courante | — | ||
| 15-21 | No.5 IN E MINOR, BWV 810: IV. Sarabande | — | ||
| 15-22 | No.5 IN E MINOR, BWV 810: V. Passepied I | — | ||
| 15-23 | No.5 IN E MINOR, BWV 810: VI. Passepied II | — | ||
| 15-24 | No.5 IN E MINOR, BWV 810: VII. Gigue | — | ||
| 16-1 | No.2 IN A MINOR, BWV 807: I. Prélude | — | ||
| 16-2 | No.2 IN A MINOR, BWV 807: II. Allemande | — | ||
| 16-3 | No.2 IN A MINOR, BWV 807: III. Courante | — | ||
| 16-4 | No.2 IN A MINOR, BWV 807: IV. Sarabande | — | ||
| 16-5 | No.2 IN A MINOR, BWV 807: V. Les Agréments de la même sarabande | — | ||
| 16-6 | No.2 IN A MINOR, BWV 807: VI. Bourrée I | — | ||
| 16-7 | No.2 IN A MINOR, BWV 807: VII. Bourrée II | — | ||
| 16-8 | No.2 IN A MINOR, BWV 807: VIII. Gigue | — | ||
| 16-9 | No.3 IN G MINOR, BWV 808: I. Prélude | — | ||
| 16-10 | No.3 IN G MINOR, BWV 808: II. Allemande | — | ||
| 16-11 | No.3 IN G MINOR, BWV 808: III. Courante | — | ||
| 16-12 | No.3 IN G MINOR, BWV 808: IV. Sarabande | — | ||
| 16-13 | No.3 IN G MINOR, BWV 808: V. Les Agréments de la même sarabande | — | ||
| 16-14 | No.3 IN G MINOR, BWV 808: VI. Gavotte I | — | ||
| 16-15 | No.3 IN G MINOR, BWV 808: VII. Gavotte II | — | ||
| 16-16 | No.3 IN G MINOR, BWV 808: VIII. Gigue | — | ||
| 16-17 | No.6 IN D MINOR, BWV 811: I. Prélude | — | ||
| 16-18 | No.6 IN D MINOR, BWV 811: II. Allemande | — | ||
| 16-19 | No.6 IN D MINOR, BWV 811: III. Courante | — | ||
| 16-20 | No.6 IN D MINOR, BWV 811: IV. Sarabande | — | ||
| 16-21 | No.6 IN D MINOR, BWV 811: V. Double | — | ||
| 16-22 | No.6 IN D MINOR, BWV 811: VI. Gavotte I | — | ||
| 16-23 | No.6 IN D MINOR, BWV 811: VII. Gavotte II | — | ||
| 16-24 | No.6 IN D MINOR, BWV 811: VIII. Gigue | — | ||
| 17-1 | TOCCATA IN D MAJOR, BWV 912 | — | ||
| 17-2 | TOCCATA IN F-SHARP MINOR, BWV 910 | — | ||
| 17-3 | TOCCATA IN D MINOR, BWV 913 | — | ||
| 18-1 | TOCCATA IN MINOR, BWV 911 | — | ||
| 18-2 | TOCCATA IN G MINOR, BWV 915 | — | ||
| 18-3 | TOCCATA IN G MAJOR, BWV 916 | — | ||
| 18-4 | TOCCATA IN E MINOR, BWV 914 | — | ||
| 19-1 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: I. Adagio | — | ||
| 19-2 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: II. Allegro | — | ||
| 19-3 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: III. Andante | — | ||
| 19-4 | The Six Sonatas for Violin and Harpsichord: No. 1 in B minor, BWV 1014: IV. Allegro | — | ||
| 19-5 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: I. Andante | — | ||
| 19-6 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: II. Allegro assai | — | ||
| 19-7 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: III. Andante un poco | — | ||
| 19-8 | The Six Sonatas for Violin and Harpsichord: No. 2 in A major, BWV 1015: IV. Presto | — | ||
| 19-9 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: I. Adagio | — | ||
| 19-10 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: II. Allegro | — | ||
| 19-11 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: III. Adagio ma non tanto | — | ||
| 19-12 | The Six Sonatas for Violin and Harpsichord: No. 3 in E major, BWV 1016: IV. Allegro | — | ||
| 20-1 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: I. Siciliano (Largo) | — | ||
| 20-2 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 20-3 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 20-4 | The Six Sonatas for Violin and Harpsichord: No. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 20-5 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: I. Largo | — | ||
| 20-6 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 20-7 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 20-8 | The Six Sonatas for Violin and Harpsichord: No. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 20-9 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: I. Allegro | — | ||
| 20-10 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: II. Largo | — | ||
| 20-11 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: III. Allegro | — | ||
| 20-12 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 20-13 | The Six Sonatas for Violin and Harpsichord: No. 6 in G major, BWV 1019: V. Allegro | — | ||
| 21-1 | SIX LITTLE PRELUDES IN C MAJOR, BWV 933 | — | ||
| 21-2 | SIX LITTLE PRELUDES IN C MINOR, BWV 934 | — | ||
| 21-3 | SIX LITTLE PRELUDES IN D MINOR, BWV 935 | — | ||
| 21-4 | SIX LITTLE PRELUDES IN D MAJOR, BWV 936 | — | ||
| 21-5 | SIX LITTLE PRELUDES IN E MAJOR, BWV 937 | — | ||
| 21-6 | SIX LITTLE PRELUDES IN E MINOR, BWV 938 | — | ||
| 21-7 | PRELUDE AND FUGHETTA IN D MINOR, BWV 899 | — | ||
| 21-8 | PRELUDES IN G MAJOR, BWV 902, 902A AND FUGHETTA, BWV 902 | — | ||
| 21-9 | SIX LITTLE PRELUDES IN C MAJOR, BWV 924 | — | ||
| 21-10 | SIX LITTLE PRELUDES IN F MAJOR, BWV 927 | — | ||
| 21-11 | SIX LITTLE PRELUDES IN D MINOR, BWV 926 | — | ||
| 21-12 | SIX LITTLE PRELUDES IN D MAJOR, BWV 925 | — | ||
| 21-13 | SIX LITTLE PRELUDES IN F MAJOR, BWV 928 | — | ||
| 21-14 | SIX LITTLE PRELUDES IN G MINOR, BWV 930 | — | ||
| 21-15 | FUGUE IN C MAJOR, BWV 952 | — | ||
| 21-16 | FUGUETTA IN C MINOR, BWV 961 | — | ||
| 21-17 | FUGUE IN C MAJOR, BWV 953 | — | ||
| 21-18 | PRELUDE AND FUGUE IN A MINOR, BWV 895 | — | ||
| 21-19 | PRELUDE AND FUGUE IN E MINOR, BWV 900 | — | ||
| 22-1 | Goldberg Variations, BWV 988: I. Aria | Glenn Gould | T-801.806.984-7 | |
| 22-2 | Variation 1 | — | ||
| 22-3 | Variation 2 | — | ||
| 22-4 | Variation 3 | — | ||
| 22-5 | Variation 4 | — | ||
| 22-6 | Variation 5 | — | ||
| 22-7 | Variation 6 | — | ||
| 22-8 | Variation 7 | — | ||
| 22-9 | Variation 8 | — | ||
| 22-10 | Variation 9 | — | ||
| 22-11 | Variation 10 | — | ||
| 22-12 | Variation 11 | — | ||
| 22-13 | Variation 12 | — | ||
| 22-14 | Variation 13 | — | ||
| 22-15 | Variation 14 | — | ||
| 22-16 | Variation 15 | — | ||
| 22-17 | Variation 16 | — | ||
| 22-18 | Variation 17 | — | ||
| 22-19 | Variation 18 | — | ||
| 22-20 | Variation 19 | — | ||
| 22-21 | Variation 20 | — | ||
| 22-22 | Variation 21 | — | ||
| 22-23 | Variation 22 | — | ||
| 22-24 | Variation 23 | — | ||
| 22-25 | Variation 24 | — | ||
| 22-26 | Variation 25 | — | ||
| 22-27 | Variation 26 | — | ||
| 22-28 | Variation 27 | — | ||
| 22-29 | Variation 28 | — | ||
| 22-30 | Variation 29 | — | ||
| 22-31 | Variation 30 | — | ||
| 22-32 | Goldberg Variations, BWV 988: XXXII. Aria da capo | Glenn Gould | T-801.806.984-7 | |
| 23-1 | In Conversation with John McClure - 1968 | — | ||
| 24-1 | PART 1: オープニング | — | ||
| 24-2 | PART 1: 再録音するということ | — | ||
| 24-3 | PART 1: アリアの聴きくらべ | — | ||
| 24-4 | PART 1: テンポの秘密 | — | ||
| 24-5 | PART 1: 第16変奏 〜 第18変奏（新録音） | — | ||
| 24-6 | PART 2: システムの必要性 | — | ||
| 24-7 | PART 2: 第25変奏への懐疑 | — | ||
| 24-8 | PART 2: 楽器に関する議論 | — | ||
| 24-9 | PART 2: 第1変奏 〜 第10変奏（新録音） | — | ||
| 24-10 | PART 2: エンディング（第13変奏、新録音） | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Goldberg Variations, BWV 988: Aria | Glenn Gould | — |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
| Partita no. 1 in B-flat major, BWV 825: Gigue | Glenn Gould | — |
| Aria da capo | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria | Glenn Gould | T-801.806.984-7 |
| Goldberg Variations, BWV 988: Aria da capo | Glenn Gould | T-801.806.984-7 |
