UPC · Release
That’s the REVUE 1994 PART2 Live at YOKOHAMA ARENA 1994.8.7
東京パフォーマンスドール
Last verified:
4988010040987 is the Universal Product Code (UPC barcode) for the release “That’s the REVUE 1994 PART2 Live at YOKOHAMA ARENA 1994.8.7” by 東京パフォーマンスドール, released 1994-11-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ショウほど素敵な商売はない | — | ||
| 2 | OPDメドレー | — | ||
| 3 | 今夜はネヴァーストップ | — | ||
| 4 | 夏のススメ〜Summer Vacation〜 | — | ||
| 5 | SOUL DOCTOR | — | ||
| 6 | Go Go Paradise | — | ||
| 7 | DOUBT〜きょうの貴方はよく喋る〜 | — | ||
| 8 | 恋のSEXY MOVING (DO WHAT U WANT IT) | — | ||
| 9 | JUMP! KEEP ON! | — | ||
| 10 | 二人はライバル | — | ||
| 11 | ブギウギ・ダンシング・シューズ | — | ||
| 12 | 炎のように 嵐のように | — | ||
| 13 | 愛は愛のままに | — | ||
| 14 | 最後にMY LOVE | — | ||
| 15 | マリオネット | — | ||
| 16 | 東京ハッカーズ・ナイトグルーヴ | — | ||
| 17 | ジャングル・ビート | — | ||
| 18 | ビバ!ケ・セラ・セラ | — | ||
| 19 | FIRE | — | ||
| 20 | FAME | — | ||
| 21 | CATCH!! | — | ||
| 22 | Can’t Stop the Music | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 4988010040987?
4988010040987 is a Universal Product Code (UPC) assigned to That’s the REVUE 1994 PART2 Live at YOKOHAMA ARENA 1994.8.7 by 東京パフォーマンスドール. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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