UPC · Release
キャロル/燃えつきる=キャロル・ラスト・ライヴ!1975 4.13
CAROL
Last verified:
4988011504655 is the Universal Product Code (UPC barcode) for the release “キャロル/燃えつきる=キャロル・ラスト・ライヴ!1975 4.13” by CAROL, released 1992-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ファンキー・モンキー・ベイビー(ライヴ) | — | ||
| 2 | 憎いあの娘(ライヴ) | — | ||
| 3 | グッド・オールド・ロックン・ロール(ライヴ) | — | ||
| 4 | メンフィス・テネシー(ライヴ) | — | ||
| 5 | 涙のテディー・ボーイ(ライヴ) | — | ||
| 6 | やりきれない気持(ライヴ) | — | ||
| 7 | 変わり得ぬ愛(ライヴ) | — | ||
| 8 | ビブロス・ピープル(ライヴ) | — | ||
| 9 | ユーヴ・リアリー・ガッタ・ホールド・オン・ミー(ライヴ) | — | ||
| 10 | 愛の叫び(ライヴ) | — | ||
| 11 | ヘイ・ママ・ロックン・ロール(ライヴ) | — | ||
| 12 | ヘイ・タクシー(ライヴ) | — | ||
| 13 | 夏の終り(ライヴ) | — | ||
| 14 | ゲスト紹介(ライヴ) | — | ||
| 15 | ジョニー・B・グッド(ライヴ) | — | ||
| 16 | ズッコケ娘〜スローダウン(ライヴ) | — | ||
| 17 | ルイジアンナ(ライヴ) | — | ||
| 18 | エニタイム・ウーマン(ライヴ) | — | ||
| 19 | ファンキー・モンキー・ベイビー(ライヴ) | — | ||
| 20 | ラスト・チャンス(ライヴ) | — |
Credits Graph
People also ask
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What is UPC 4988011504655?
4988011504655 is a Universal Product Code (UPC) assigned to キャロル/燃えつきる=キャロル・ラスト・ライヴ!1975 4.13 by CAROL. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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