UPC · Release
WATANABABY SESSION
ワタナベイビー
Last verified:
4988013045903 is the Universal Product Code (UPC barcode) for the release “WATANABABY SESSION” by ワタナベイビー, released 1999-01-01 on Pony Canyon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro. | — | ||
| 2 | エブリモーニング | — | ||
| 3 | キミが気になるんだ | — | ||
| 4 | イッツ・ア・スモール・ブルース | — | ||
| 5 | 好きよ!ババさん | — | ||
| 6 | 事実上のNo.2 | — | ||
| 7 | やり直せる男 | — | ||
| 8 | ヒツジ | — | ||
| 9 | 会っておくれよ | — | ||
| 10 | 電話をくれよ | — | ||
| 11 | 外は寒いよ | — | ||
| 12 | サーフィンUSA | — | ||
| 13 | アルファベットな夢 | — | ||
| 14 | 大粒の涙 | — | ||
| 2-1 | さぼる | — | ||
| 2-2 | キミにまいった | — | ||
| 2-3 | 電話をするよ | — | ||
| 2-4 | 頭の中はどうなんだ | — | ||
| 2-5 | 1ラウンドでノック・ミー・ダウン | — | ||
| 2-6 | トマト・ケチャップ | — | ||
| 2-7 | あの娘は外人 | — | ||
| 2-8 | 異国でハネムーン | — | ||
| 2-9 | 土曜日の団地妻 | — | ||
| 2-10 | 誰にも言えない | — | ||
| 2-11 | 僕はひとりさ | — | ||
| 2-12 | 坂道 | — | ||
| 2-13 | Outro. | — |
Credits Graph
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What is UPC 4988013045903?
4988013045903 is a Universal Product Code (UPC) assigned to WATANABABY SESSION by ワタナベイビー. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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