UPC · Release
クロムクロ OST
堤博明
Last verified:
4988013048591 is the Universal Product Code (UPC barcode) for the release “クロムクロ OST” by 堤博明, released 2016-08-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 鬼の降る空 | — | ||
| 2 | 450年 | — | ||
| 3 | 始まりの風と戯れて | — | ||
| 4 | 黒部Bossa | — | ||
| 5 | 不揃いの言葉 | — | ||
| 6 | 異世代交流 | — | ||
| 7 | 由希奈の侵入作戦 | — | ||
| 8 | キューブ | — | ||
| 9 | 最初の合戦 | — | ||
| 10 | クロムクロ、参る! | — | ||
| 11 | 雪姫 | — | ||
| 12 | 矛盾 | — | ||
| 13 | 木漏れ日は今も変わらず | — | ||
| 14 | 視線の先 | — | ||
| 15 | 鎮具破具 | — | ||
| 16 | カレーライス愛 | — | ||
| 17 | 侍脱走劇 | — | ||
| 18 | 虚しき時の流れ | — | ||
| 19 | エフィドルグ | — | ||
| 20 | 邂逅 | — | ||
| 21 | 危急存亡の秋 | — | ||
| 22 | 守るべき者 | — | ||
| 23 | 正面突破 | — | ||
| 24 | 凍らせた記憶 | — | ||
| 25 | 憂愁の影に添う涙 | — | ||
| 26 | 共に生きる | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Verified on
Credits Graph
People also ask
What is UPC 4988013048591?
4988013048591 is a Universal Product Code (UPC) assigned to クロムクロ OST by 堤博明. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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