UPC · Release
マニュアル・オブ・エラーズ
Last verified:
4988013096288 is the Universal Product Code (UPC barcode) for the release “まじもじるるも オリジナル・サウンドトラック” by マニュアル・オブ・エラーズ, released 2014-10-15. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | せいいっぱい、つたえたい! (TVサイズ) | — | |
| 2 | 魔法のチケット | — | |
| 3 | 不思議発見クラブのテーマ | — | |
| 4 | 盛り上がる柴木 | — | |
| 5 | はしゃぐ男子たち | — | |
| 6 | くすぐったい日常 | — | |
| 7 | 残されたチャンス | — | |
| 8 | ホロリとさせられて | — | |
| 9 | 儀式 | — | |
| 10 | 走り出せ! | — | |
| 11 | おぼろげな魔力 | — | |
| 12 | 潜入 | — | |
| 13 | トキメキ | — | |
| 14 | 登場 | — | |
| 15 | 同棲時代 | — | |
| 16 | ほのぼの妄想中 | — | |
| 17 | 二人のため息 | — | |
| 18 | 探せ! 探せ! 探せ! | — | |
| 19 | 魔力の門 | — | |
| 20 | 悲しい言葉 | — | |
| 21 | しりもち | — | |
| 22 | 青春 | — | |
| 23 | 過去の栄光 | — | |
| 24 | ドジっ子るるも | — | |
| 25 | 魔法発動 | — | |
| 26 | 魔女っ娘 | — | |
| 27 | しんみり | — | |
| 28 | ひとつ屋根の下 | — | |
| 29 | 不審者 | — | |
| 30 | 追跡 | — | |
| 31 | 優しい物語 | — | |
| 32 | おんなのこたち | — | |
| 33 | シバキ・ライブラリー | — | |
| 34 | チロといっしょ | — | |
| 35 | 想い出 | — | |
| 36 | 逃走中 | — | |
| 37 | 幸せな時間 | — | |
| 38 | ミコミコストラップ | — | |
| 39 | FHK不思議発見の歌 | — | |
| 40 | FHK不思議発見の歌 (ピアノver.) | — | |
| 41 | ふたりのクロノスタシス (TVサイズ) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
4988013096288 is a Universal Product Code (UPC) assigned to まじもじるるも オリジナル・サウンドトラック by マニュアル・オブ・エラーズ. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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