アンジェラス~悪魔の福音~

UPC · Release

アンジェラス~悪魔の福音~

すぎやまこういち

4988015018967
44 tracksReleased 1988-09-21

Last verified:

4988015018967 is the Universal Product Code (UPC barcode) for the release アンジェラス~悪魔の福音~ by すぎやまこういち, released 1988-09-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC.

Format

498GS1 prefix
8015Company prefix
01896Product
7Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCアンジェラス~悪魔の福音~
IPI1 songwriter

Track List (44)

PROLOGUE(プロローグ)
PROLOGUE(プロローグ)
SYMPATHY 〜ANGELUS THEME〜(愛のシンパシー〜アンジェラスのテーマ〜)
SYMPATHY 〜ANGELUS THEME〜(愛のシンパシー〜アンジェラスのテーマ〜)
BLUE STONE(青い石のきらめき)
BLUE STONE(青い石のきらめき)
BRIAN AND ERIS(ブライアンとエリス)
BRIAN AND ERIS(ブライアンとエリス)
METAMORPHOSIS(変貌〜セヴァの警告〜)
METAMORPHOSIS(変貌〜セヴァの警告〜)
BLUE objet(ブルー・オブジェ〜郷愁〜)
BLUE objet(ブルー・オブジェ〜郷愁〜)
EVANGEL ON GNOSIS(エヴァンジェル・オン・グノーシス)
EVANGEL ON GNOSIS(エヴァンジェル・オン・グノーシス)
NOCTURNE(悲しみのノクターン)
NOCTURNE(悲しみのノクターン)
ERIS IN JAPAN(エリス・イン・ジャパン)
ERIS IN JAPAN(エリス・イン・ジャパン)
JIGSAW TOWN(ペルーのテーマ〜ジグソー・タウン〜)
JIGSAW TOWN(ペルーのテーマ〜ジグソー・タウン〜)
SYMPATHY 〜VersionII〜(愛のシンパシー〜ヴァージョンⅡ〜)
SYMPATHY 〜VersionII〜(愛のシンパシー〜ヴァージョンⅡ〜)
HARD DAYS(ハード・デイズ)
HARD DAYS(ハード・デイズ)
ERIS IN GERMANY(エリス・イン・ジャーマニー)
ERIS IN GERMANY(エリス・イン・ジャーマニー)
METAMORPHOSIS 〜VersionII〜(変貌〜ヴァージョンⅡ〜)
METAMORPHOSIS 〜VersionII〜(変貌〜ヴァージョンⅡ〜)
PROPHET(予言者)
PROPHET(予言者)
SYMPATHY 〜VersionIII〜(愛のシンパシー〜ヴァージョンⅢ〜)
SYMPATHY 〜VersionIII〜(愛のシンパシー〜ヴァージョンⅢ〜)
PSYCHE(彷徨いのプシュケ)
PSYCHE(彷徨いのプシュケ)
FALLEN ANGEL(崩壊の彼方)
FALLEN ANGEL(崩壊の彼方)
EPILOGUE(エピローグ)
EPILOGUE(エピローグ)
PROLOGUE(プロローグ)
PROLOGUE(プロローグ)
SYMPATHY(愛のシンパシー)
SYMPATHY(愛のシンパシー)
BRIAN AND ERIS(ブライアンとエリス)
BRIAN AND ERIS(ブライアンとエリス)
METAMORPHOSIS(変貌)
METAMORPHOSIS(変貌)
BLUE objet(ブルー・オブジェ)
BLUE objet(ブルー・オブジェ)
EVANGEL ON GNOSIS(エヴァンジェル・オン・グノーシス)
EVANGEL ON GNOSIS(エヴァンジェル・オン・グノーシス)
NOCTURNE(悲しみのノクターン)
NOCTURNE(悲しみのノクターン)
ERIS IN JAPAN(エリス・イン・ジャパン)
ERIS IN JAPAN(エリス・イン・ジャパン)
JIGSAW TOWN(ジグソー・タウン)
JIGSAW TOWN(ジグソー・タウン)
ERIS IN GERMANY(エリス・イン・ジャーマニー)
ERIS IN GERMANY(エリス・イン・ジャーマニー)
PROPHET(予言者)
PROPHET(予言者)
PSYCHE(彷徨いのプシュケ)
PSYCHE(彷徨いのプシュケ)
FALLEN ANGEL(崩壊の彼方)
FALLEN ANGEL(崩壊の彼方)
EPILOGUE(エピローグ)
EPILOGUE(エピローグ)
A
A
B
B
C
C
D
D
E
E
F
F
G
G
H
H
I
I
IN PERU PARK(ペルー公園にて)
IN PERU PARK(ペルー公園にて)
UNUSED TUNE(ゲーム・未収録曲)
UNUSED TUNE(ゲーム・未収録曲)

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 4988015018967?
UPC 4988015018967 is the Universal Product Code (barcode) for "アンジェラス~悪魔の福音~" by すぎやまこういち.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4988015018967?
UPC 4988015018967 contains 44 tracks.
SourcesMusicBrainz

Verified on

What is UPC 4988015018967?

4988015018967 is a Universal Product Code (UPC) assigned to アンジェラス~悪魔の福音~ by すぎやまこういち. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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