UPC · Release
エルフを狩るモノたちII オリジナルサウンドトラックアルバム
堤秀樹, 横山剛, 桐生千弘
Last verified:
4988015074659 is the Universal Product Code (UPC barcode) for the release “エルフを狩るモノたちII オリジナルサウンドトラックアルバム” by 堤秀樹, 横山剛, 桐生千弘, released 1997-12-16. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Round 11 <TV SIZE VERSION> | — | ||
| 2 | 風のゆくえ | — | ||
| 3 | 陽のあたる道 | — | ||
| 4 | エルフのささやきを聞いた | — | ||
| 5 | 一秒先の未来へ | — | ||
| 6 | 「だからファンタジーは嫌いだ〜!!」 | — | ||
| 7 | 夢の果てまでも | — | ||
| 8 | 胸さわぎ | — | ||
| 9 | メタモルフォーゼ | — | ||
| 10 | さすらいびと | — | ||
| 11 | 夢追いかけて〜AIRI | — | ||
| 12 | 白と黒のレシピ～セルシア・パンダ | — | ||
| 13 | 人生かかとおとし | — | ||
| 14 | Defence Force Girl | — | ||
| 15 | フロム・ダークサイド | — | ||
| 16 | パワー・ゲーム | — | ||
| 17 | ヒート! | — | ||
| 18 | カウント・ゼロ | — | ||
| 19 | ロイヤル・ストレート・フラッシュ | — | ||
| 20 | シエスタ | — | ||
| 21 | エルフを狩るモノたちの長い午後 | — | ||
| 22 | PASSION | — | ||
| 23 | 明日にとどく | — | ||
| 24 | エルフに進路を取れ! | — | ||
| 25 | 奇跡の向こう側へ <TV SIZE VERSION> | — | ||
| 26 | Round 11 <FULL SIZE VERSION> | — | ||
| 27 | 奇跡の向こう側へ <FULL SIZE VERSION> | — |
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What is UPC 4988015074659?
4988015074659 is a Universal Product Code (UPC) assigned to エルフを狩るモノたちII オリジナルサウンドトラックアルバム by 堤秀樹, 横山剛, 桐生千弘. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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