UPC · Release
ベストコレクション 1977〜1981
LAZY
Last verified:
4988015083767 is the Universal Product Code (UPC barcode) for the release “ベストコレクション 1977〜1981” by LAZY, released 1999-02-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 61 tracks, each with its own ISRC. Tracks include JPBV07800110, JPBV09501794, JPBV07800140.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (61)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | レイジーのテーマ (Lazy Theme) | — | ||
| 2 | ヘイ!アイ・ラブ・ユー! | LAZY | T-101.608.698-7 | |
| 3 | 赤頭巾ちゃん御用心 (Akazukinchan Goyojin) | — | ||
| 4 | 燃えろロックン・ロール・ファイアー | LAZY | — | |
| 5 | レターでキッス | LAZY | T-101.587.695-4 | |
| 6 | カムフラージュ (Camouflage) | — | ||
| 7 | クィーンにふさわしい | LAZY | T-101.207.853-2 | |
| 8 | ハローハローハロー | LAZY | — | |
| 9 | OK! | LAZY | T-101.608.158-4 | |
| 10 | 恋のピエロ | LAZY | T-101.232.304-3 | |
| 11 | 二人の宝島 (Futari no Takarajima) | — | ||
| 12 | 地獄の天使 (Jigoku no Tenshi) | — | ||
| 13 | ダンス・ウィズ・ミー | LAZY | T-101.338.967-6 | |
| 14 | 恋はアクション映画 | LAZY | T-101.232.305-4 | |
| 15 | 青春の1ページ (Seishun No 1 Page) | — | ||
| 16 | 愛には愛を (Ai Ni Wa Ai Wo) | — | ||
| 17 | 失なわれた伝説 (Ushinawareta Densetsu) | — | ||
| 18 | ハロー・ロスアンジェルス | LAZY | T-101.502.184-6 | |
| 2-1 | ベイビー・アイ・メイク・ア・モーション (Baby, I Make a Motion) | — | ||
| 2-2 | Midnight Boxer | LAZY | — | |
| 2-3 | ロックン・ロールさえやってりゃ (Rock'n'roll Sae Yatterya) | — | ||
| 2-4 | Stop the Music | — | ||
| 2-5 | Guitar Man | — | ||
| 2-6 | フルカウント (Full Count) | — | ||
| 2-7 | 内気な夏 (Uchiki Na Natsu) | — | ||
| 2-8 | My Angel | — | ||
| 2-9 | 真昼のメインストリート (Mahiru no Main Street) | — | ||
| 2-10 | 100%の片想い (100% No Kataomoi) | — | ||
| 2-11 | Sweet Good-Bye | — | ||
| 2-12 | Bye Bye Baby | — | ||
| 2-13 | Funny Show | — | ||
| 2-14 | ハート・ビート (Heartbeat) | — | ||
| 2-15 | Free | — | ||
| 3-1 | お前はハウジ (Omae Wa Howat) | — | ||
| 3-2 | Good-by, My Baby | — | ||
| 3-3 | Rock'n Roll Party | — | ||
| 3-4 | 君はロンリーエンジェル (Kimi Wa Lonely Angel) | — | ||
| 3-5 | 好きさ、好きさ、好きさ (Sukisa, Sukisa, Sukisa) | — | ||
| 3-6 | HOTEL | LAZY | — | |
| 3-7 | 海を見つめて (Umi O Mitsumete) | — | ||
| 3-8 | どら猫ミーコの大失恋 (Doraneko Mieco No Daishitsuren) | — | ||
| 3-9 | We Are Star | — | ||
| 3-10 | プレリュード (Prelude) | — | ||
| 3-11 | Goin' Back to China | — | ||
| 3-12 | ワイルド・フラワー (Wildflower) | — | ||
| 3-13 | 哀しみのLonely Town (Kanashimi No Lonely Town) | — | ||
| 3-14 | 哀愁R&R (Aishuu R&R) | — | ||
| 3-15 | 悲しみをぶっとばせ | LAZY | — | |
| 3-16 | ゴールデン・ゲート (Golden Gate) | — | ||
| 4-1 | 感じてナイト | LAZY | T-101.142.262-9 | |
| 4-2 | DREAMER | LAZY | T-101.606.341-3 | |
| 4-3 | DREAMY EXPRESS TRIP | LAZY | T-101.411.651-7 | |
| 4-4 | 天使が見たものは | LAZY | T-101.402.535-3 | |
| 4-5 | TIME GAP | LAZY | T-101.606.372-0 | |
| 4-6 | 遥かなるマザーランド (Harukanaru Mother Land) | — | ||
| 4-7 | EARTH ARK (宇宙船地球号) | LAZY | T-101.606.342-4 | |
| 4-8 | 僕らの国でも | LAZY | T-101.530.643-9 | |
| 4-9 | 美しい予感 | LAZY | T-101.074.818-0 | |
| 4-10 | LONELY STAR | LAZY | T-101.026.362-2 | |
| 4-11 | ガラスのハート (Glass no Heart) | — | ||
| 4-12 | 星のハーティー・ロード (Hoshi no Hearty Road) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Identifier Graph
People also ask
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What is UPC 4988015083767?
4988015083767 is a Universal Product Code (UPC) assigned to ベストコレクション 1977〜1981 by LAZY. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 61 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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