UPC · Release
ON AND ON
福山雅治
Last verified:
4988017048146 is the Universal Product Code (UPC barcode) for the release “ON AND ON” by 福山雅治, released 1994-01-01 on Air Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include JPBV09400982, JPBV09400983, JPBV09400984.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ON AND ON | 福山雅治 | T-101.187.935-7 | |
| 2 | IT'S ONLY LOVE(アルバム・ミックス) | 福山雅治 | T-902.483.143-4 | |
| 3 | BLOOD | 福山雅治 | T-101.187.939-1 | |
| 4 | 1985年 Factory Street 夏 | 福山雅治 | T-101.187.942-6 | |
| 5 | 熱いくちづけ | 福山雅治 | — | |
| 6 | 雨を聴きながら | 福山雅治 | T-101.187.940-4 | |
| 7 | Dear | 福山雅治 | T-101.187.941-5 | |
| 8 | ダンスしないか | 福山雅治 | T-101.187.938-0 | |
| 9 | 明日へのマーチ | 福山雅治 | — | |
| 10 | GLOAMING WAY | 福山雅治 | T-101.187.943-7 | |
| 11 | ぼくの朝 | 福山雅治 | T-101.187.944-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4988017048146?
4988017048146 is a Universal Product Code (UPC) assigned to ON AND ON by 福山雅治. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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