UPC · Release
映画 ST 赤と白の捜査ファイル オリジナル・サウンドトラック
木村秀彬
Last verified:
4988021818230 is the Universal Product Code (UPC barcode) for the release “映画 ST 赤と白の捜査ファイル オリジナル・サウンドトラック” by 木村秀彬, released 2014-12-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | テロリスト鏑木徹 vs 赤城左門 | — | ||
| 2 | ST 赤と白の捜査ファイル -Main Theme- LA mix | — | ||
| 3 | 赤と白の聞き込み LA mix | — | ||
| 4 | オレ様分析官 LA mix | — | ||
| 5 | テロリスト鏑木徹 | — | ||
| 6 | ST -科学特捜班- LA mix | — | ||
| 7 | 「3」LA mix | — | ||
| 8 | 容疑者赤城左門 | — | ||
| 9 | 百合根の分析 | — | ||
| 10 | 赤と白の逃亡劇 | — | ||
| 11 | 青山の秘策 | — | ||
| 12 | 立ちふさがる最強の男・黒崎 | — | ||
| 13 | キャップのために | — | ||
| 14 | 凸凹コンビ -わちゃわちゃ version- | — | ||
| 15 | 青山のプロファイル | — | ||
| 16 | 真相 -guitar version- | — | ||
| 17 | 深まる疑念 | — | ||
| 18 | 犯人を追え! | — | ||
| 19 | 百合根の想い -guitar version- | — | ||
| 20 | あ"あ"あ"謎"がずべで解"げでじま"っ"だぁ" | — | ||
| 21 | 真相 -piano version- | — |
Verified on
Credits Graph
People also ask
What is UPC 4988021818230?
4988021818230 is a Universal Product Code (UPC) assigned to 映画 ST 赤と白の捜査ファイル オリジナル・サウンドトラック by 木村秀彬. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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