UPC · Release
ブライ全曲集
藤岡千尋
Last verified:
4988023010014 is the Universal Product Code (UPC barcode) for the release “ブライ全曲集” by 藤岡千尋, released 1989-11-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (31)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ダールの復活 | — | ||
| 2 | BURAIのテーマ | — | ||
| 3 | 三銃士哀歌 | — | ||
| 4 | ハヤテのテーマ | — | ||
| 5 | 左京のテーマ | — | ||
| 6 | プロット兄弟のテーマ | — | ||
| 7 | リリアンのテーマ | — | ||
| 8 | アレックのテーマ | — | ||
| 9 | クークのテーマ | — | ||
| 10 | ロマールのテーマ | — | ||
| 11 | 闘いのテーマ | — | ||
| 12 | 一時の休息 | — | ||
| 13 | ジエンド | — | ||
| 14 | やすらぎ | — | ||
| 15 | 勇士結集 | — | ||
| 16 | ライバル登場〜1 | — | ||
| 17 | ライバル登場〜2 | — | ||
| 18 | ライバル登場〜3 | — | ||
| 19 | 一触即発〜1 | — | ||
| 20 | 一触即発〜2 | — | ||
| 21 | 一触即発〜3 | — | ||
| 22 | 戦い済んで〜1 | — | ||
| 23 | 戦い済んで〜2 | — | ||
| 24 | 戦い済んで〜3 | — | ||
| 25 | 新たな希望〜1 | — | ||
| 26 | 新たな希望〜2 | — | ||
| 27 | 新たな希望〜3 | — | ||
| 28 | 戦士の休息 | — | ||
| 29 | 七獣士凱旋 | — | ||
| 30 | キプロス城にて | — | ||
| 31 | 新たなる旅立ち | — |
Credits Graph
People also ask
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What is UPC 4988023010014?
4988023010014 is a Universal Product Code (UPC) assigned to ブライ全曲集 by 藤岡千尋. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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