UPC · Release
SUPER BOMBERMAN 3 Original Sound Track
JUN CHIKI CHIKUMA, KEITA "KRP" HOSHI
Last verified:
4988023029979 is the Universal Product Code (UPC barcode) for the release “SUPER BOMBERMAN 3 Original Sound Track” by JUN CHIKI CHIKUMA, KEITA "KRP" HOSHI, released 1995-08-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | SELECT 1 | — | ||
| 2 | SELECT 2 | — | ||
| 3 | TITLE | — | ||
| 4 | BGM 1 | — | ||
| 5 | OPENING | — | ||
| 6 | BATTLE | — | ||
| 7 | BGM 2 | — | ||
| 8 | PASSWORD | — | ||
| 9 | GAMEOVER | — | ||
| 10 | STAFFROLL | — | ||
| 11 | BGM 6 | — | ||
| 12 | BGM 3 | — | ||
| 13 | BGM 5 | — | ||
| 14 | SELECT 4 | — | ||
| 15 | BGM 4 | — | ||
| 16 | ENDING | — | ||
| 17 | CLEAR | — | ||
| 18 | BOSS 1 | — | ||
| 19 | BOSS 2 | — | ||
| 20 | VICTORY | — | ||
| 21 | SELECT 3 | — | ||
| 22 | 106 EFFECTS - 7 JINGLES - 21 VOICES | — |
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Creative Contributors (ISNI)
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What is UPC 4988023029979?
4988023029979 is a Universal Product Code (UPC) assigned to SUPER BOMBERMAN 3 Original Sound Track by JUN CHIKI CHIKUMA, KEITA "KRP" HOSHI. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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