UPC · Release
坂本龍一
Last verified:
The UPC for “未来派野郎” by 坂本龍一 is 4988034201883. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-07-01. This release contains 10 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Broadway Boogie Woogie | — | ||
| 2 | 黄土高原 | — | ||
| 3 | Ballet Mécanique | — | ||
| 4 | G.T.IIº | — | ||
| 5 | Milan, 1909 | — | ||
| 6 | Variety Show | — | ||
| 7 | 大航海 Verso lo schermo | — | ||
| 8 | Water is Life | — | ||
| 9 | Parolibre | — | ||
| 10 | G.T. | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
4988034201883 is a Universal Product Code (UPC) assigned to 未来派野郎 by 坂本龍一. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “未来派野郎” by 坂本龍一 is 4988034201883. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-07-01. This release contains 10 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Broadway Boogie Woogie | — | ||
| 2 | 黄土高原 | — | ||
| 3 | Ballet Mécanique | — | ||
| 4 | G.T.IIº | — | ||
| 5 | Milan, 1909 | — | ||
| 6 | Variety Show | — | ||
| 7 | 大航海 Verso lo schermo | — | ||
| 8 | Water is Life | — | ||
| 9 | Parolibre | — | ||
| 10 | G.T. | — |
