UPC · Release
Ryuichi Sakamoto Collection
Ryuichi Sakamoto
Last verified:
4988034202378 is the Universal Product Code (UPC barcode) for the release “Ryuichi Sakamoto Collection” by Ryuichi Sakamoto, released 1993-05-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 122 tracks, each with its own ISRC. Tracks include JPA308100001, JPA308100002, JPA308100003.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (122)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 春咲小紅 | 矢野顕子 | T-101.503.841-0 | |
| 2 | Saru to Yuki to Gomi no Kodomo | 坂本龍一 | T-101.269.859-6 | |
| 3 | Kachakuchane | 坂本龍一 | — | |
| 4 | The Garden of Poppies | 坂本龍一 | — | |
| 5 | Relâché | — | ||
| 6 | Tell 'M to Me | 坂本龍一 | — | |
| 7 | Living in the Dark | 坂本龍一 | — | |
| 8 | Slat Dance | 坂本龍一 | — | |
| 9 | Venezia | 坂本龍一 | — | |
| 10 | Saru No Ie | 坂本龍一 | — | |
| 2-1 | Tibetan Dance | 坂本龍一 | T-101.594.434-8 | |
| 2-2 | Etude | 坂本龍一 | T-101.594.380-1 | |
| 2-3 | Paradise Lost | 坂本龍一 | — | |
| 2-4 | Self Portrait | 坂本龍一 | T-101.594.426-8 | |
| 2-5 | 旅の極北 | 坂本龍一 | T-101.341.458-7 | |
| 2-6 | M.A.Y in the Backyard | 坂本龍一 | T-101.594.409-7 | |
| 2-7 | 羽の林で | 坂本龍一 | — | |
| 2-8 | 森の人 | 坂本龍一 | — | |
| 2-9 | A Tribute to N.J.P. | 坂本龍一 | T-101.594.435-9 | |
| 2-10 | Replica | 坂本龍一 | — | |
| 2-11 | マ・メール・ロワ | 坂本龍一 | T-914.749.822-4 | |
| 2-12 | きみについて | — | ||
| 3-1 | A WONGGA DANCE SONG | 坂本龍一 | T-101.597.029-1 | |
| 3-2 | The “Dreaming” | Ryuichi Sakamoto | T-307.452.978-1 | |
| 3-3 | A Rain Song | Ryuichi Sakamoto | — | |
| 3-4 | Dolphins | Ryuichi Sakamoto | — | |
| 3-5 | A Human Tube | Ryuichi Sakamoto | — | |
| 3-6 | Adelic Penguins | Ryuichi Sakamoto | T-101.597.033-7 | |
| 3-7 | A Carved Stone | Ryuichi Sakamoto | T-101.597.049-5 | |
| 3-8 | Ulu Watu | Ryuichi Sakamoto | T-101.597.022-4 | |
| 4-1 | Broadway Boogie Woogie | — | ||
| 4-2 | 黄土高原 | — | ||
| 4-3 | Ballet Méchanique | — | ||
| 4-4 | G.T.IIº | — | ||
| 4-5 | Milan, 1909 | — | ||
| 4-6 | Variety Show | — | ||
| 4-7 | 大航海 Verso lo schermo | — | ||
| 4-8 | Water Is Life | — | ||
| 4-9 | Parolibre | — | ||
| 4-10 | G.T. | — | ||
| 5-1 | G.T. | — | ||
| 5-2 | Ballet Mécanique | — | ||
| 5-3 | Stepping Into Asia | — | ||
| 5-4 | Sleep On My Baby | — | ||
| 5-5 | Gymnopedies | — | ||
| 5-6 | ゴリラがバナナをくれる日 | — | ||
| 5-7 | A Tribute To N.J.P. | — | ||
| 5-8 | Dear Liz | — | ||
| 5-9 | Thatness And Thereness | — | ||
| 5-10 | Merry Christmas Mr. Lawrence | — | ||
| 5-11 | Behind The Mask | — | ||
| 5-12 | Field Work | — | ||
| 5-13 | Ongaku | — | ||
| 5-14 | 黄土高原 | — | ||
| 5-15 | Self Portrait | — | ||
| 5-16 | Ex-Jazz | — | ||
| 5-17 | Parolibre-Etude | — | ||
| 6-1 | Merry Christmas, Mr. Lawrence | 坂本龍一 | T-101.618.476-0 | |
| 6-2 | Batavia | 坂本龍一 | — | |
| 6-3 | Germination | 坂本龍一 | T-101.618.510-5 | |
| 6-4 | A Hearty Breakfast | 坂本龍一 | — | |
| 6-5 | Before the War | 坂本龍一 | — | |
| 6-6 | The Seed and the Sower | 坂本龍一 | T-101.618.396-1 | |
| 6-7 | A Brief Encounter | 坂本龍一 | T-101.618.497-5 | |
| 6-8 | Ride, Ride, Ride (Celliers’ Brother’s Song) | 坂本龍一 | — | |
| 6-9 | The Fight | 坂本龍一 | — | |
| 6-10 | Father Christmas | 坂本龍一 | T-101.618.507-0 | |
| 6-11 | Dismissed | 坂本龍一 | — | |
| 6-12 | Assembly | 坂本龍一 | — | |
| 6-13 | Beyond Reason | 坂本龍一 | — | |
| 6-14 | Sowing the Seed | 坂本龍一 | — | |
| 6-15 | 23rd Psalm | 坂本龍一 | — | |
| 6-16 | Last Regrets | — | ||
| 6-17 | Ride, Ride, Ride (reprise) | 坂本龍一 | — | |
| 6-18 | The Seed | 坂本龍一 | T-329.130.262-6 | |
| 6-19 | Forbidden Colours | 坂本龍一, David Sylvian | T-900.019.811-8 | |
| 7-1 | Merry Christmas Mr. Lawrence | 坂本龍一 | — | |
| 7-2 | Batavia | 坂本龍一 | T-101.618.493-1 | |
| 7-3 | Germination | Ryuichi Sakamoto | T-101.618.510-5 | |
| 7-4 | A Hearty Breakfast | 坂本龍一 | — | |
| 7-5 | Before the War | 坂本龍一 | — | |
| 7-6 | The Seed and the Sower | 坂本龍一 | T-101.618.396-1 | |
| 7-7 | A Brief Encounter | 坂本龍一 | — | |
| 7-8 | Ride Ride Ride | 坂本龍一 | — | |
| 7-9 | The Fight | 坂本龍一 | — | |
| 7-10 | Dismissed! Assembly | 坂本龍一 | — | |
| 7-11 | Beyond Reason | 坂本龍一 | — | |
| 7-12 | Sowing the Seed | 坂本龍一 | — | |
| 7-13 | Last Regrets | 坂本龍一 | — | |
| 7-14 | The Seed | 坂本龍一 | T-329.130.262-6 | |
| 7-15 | Japan | 坂本龍一 | T-101.620.368-0 | |
| 7-16 | Coda | 坂本龍一 | T-101.620.335-1 | |
| 8-1 | メイン・テーマ | — | ||
| 8-2 | リイクニのテーマ | — | ||
| 8-3 | 国防総省 | — | ||
| 8-4 | 喧騒 | — | ||
| 8-5 | 無駄 | — | ||
| 8-6 | 歌曲「アニャモ」 | — | ||
| 8-7 | グノォム博士の葬式 | — | ||
| 8-8 | 聖なるリイクニ | — | ||
| 8-9 | 遠雷 | — | ||
| 8-10 | シロッグの決意 | — | ||
| 8-11 | 最終段階 | — | ||
| 8-12 | 戦争 | — | ||
| 8-13 | 離床 | — | ||
| 8-14 | OUT TO SPACE | — | ||
| 8-15 | FADE | — | ||
| 9-1 | Behind The Mask | — | ||
| 9-2 | Risky | — | ||
| 9-3 | Field Work | — | ||
| 9-4 | Steppin' Into Asia | — | ||
| 9-5 | Field Work (Edit) | — | ||
| 9-6 | 両眼微笑 | — | ||
| 10-1 | Field Work (Long-Lon) | — | ||
| 10-2 | Field Work (Long-Tyo) | — | ||
| 10-3 | Exhibition | — | ||
| 10-4 | Steppin' Into Asia | — | ||
| 10-6 | M2 Bill | 坂本龍一 | — | |
| 10-7 | The Arrangement | Riuichi Sakamoto, Robin Scott | — | |
| 10-8 | Just About Enough | — | ||
| 10-9 | Once in a Lifetime | Riuichi Sakamoto, Robin Scott | T-900.058.921-9 | |
| 10-11 | Field Work | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tibetan Dance (version) | 坂本龍一 | T-101.594.434-8 |
What other identifiers does this connect to?
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People also ask
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What is UPC 4988034202378?
4988034202378 is a Universal Product Code (UPC) assigned to Ryuichi Sakamoto Collection by Ryuichi Sakamoto. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 122 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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