UPC · Release
And yet BiSH moves.
BiSH
Last verified:
4988064928873 is the Universal Product Code (UPC barcode) for the release “And yet BiSH moves.” by BiSH, released 2020-01-01 on Avex Trax. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | [OP] | — | ||
| 2 | BUDOKANかもしくはTAMANEGI (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 3 | GiANT KiLLERS (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 4 | MONSTERS (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 5 | DEADMAN (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 6 | [MC 1] | — | ||
| 7 | PAiNT it BLACK (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 8 | MORE THAN LiKE (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 9 | HiDE the BLUE (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 10 | I am me. (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 11 | [MC 2] | — | ||
| 12 | SHARR (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 13 | OTNK (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 14 | NON TiE-UP (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 15 | stereo future (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 16 | FOR HiM (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 17 | [コント] | — | ||
| 18 | DiSTANCE (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 19 | [Interlude] | — | ||
| 20 | FREEZE DRY THE PASTS (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 21 | [Interlude] | — | ||
| 22 | My landscape (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 23 | [MC 3] | — | ||
| 24 | Nothing. (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 25 | SMACK baby SMACK (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 26 | オーケストラ (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 27 | プロミスザスター (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 28 | beautifulさ (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 29 | [Encore] | — | ||
| 30 | GRUNGE WORLD (ENCORE) (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 31 | BiSH-星が瞬く夜に- (ENCORE) (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 32 | [Encore] | — | ||
| 33 | ALL YOU NEED IS LOVE (W.ENCORE) (2019.09.23 And yet BiSH moves.at OSAKA-JO HALL) | — | ||
| 34 | [ED] | — | ||
| 35 | GRUNGE WORLD [Document MV -Long Ver.] (Bonus Movie) | — | ||
| 2-1 | BUDOKANかもしくはTAMANEGI | — | ||
| 2-2 | GiANT KiLLERS | — | ||
| 2-3 | MONSTERS | — | ||
| 2-4 | DEADMAN | — | ||
| 2-5 | PAiNT it BLACK | — | ||
| 2-6 | MORE THAN LiKE | — | ||
| 2-7 | HiDE the BLUE | — | ||
| 2-8 | I am me. | — | ||
| 2-9 | SHARR | — | ||
| 2-10 | OTNK | — | ||
| 2-11 | NON TiE-UP | — | ||
| 2-12 | stereo future | — | ||
| 2-13 | FOR HiM | — | ||
| 3-1 | DiSTANCE | — | ||
| 3-2 | FREEZE DRY THE PASTS | — | ||
| 3-3 | My landscape | — | ||
| 3-4 | Nothing. | — | ||
| 3-5 | SMACK baby SMACK | — | ||
| 3-6 | オーケストラ | — | ||
| 3-7 | プロミスザスター | — | ||
| 3-8 | beautifulさ | — | ||
| 3-9 | GRUNGE WORLD | — | ||
| 3-10 | BiSH-星が瞬く夜に- | — | ||
| 3-11 | ALL YOU NEED IS LOVE | — |
Credits Graph
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What is UPC 4988064928873?
4988064928873 is a Universal Product Code (UPC) assigned to And yet BiSH moves. by BiSH. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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