UPC · Release
La Storia ブラック★ロックシューター オリジナルサウンドトラック
森英治
Last verified:
4988104072009 is the Universal Product Code (UPC barcode) for the release “La Storia ブラック★ロックシューター オリジナルサウンドトラック” by 森英治, released 2012-06-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (25)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Storia | — | ||
| 2 | La Tavolozza | — | ||
| 3 | おはよう | — | ||
| 4 | 歪んだ街 | — | ||
| 5 | 大切なもの | — | ||
| 6 | 蒼い炎 | — | ||
| 7 | 孤独のワルツ | — | ||
| 8 | 約束 | — | ||
| 9 | 未来へ | — | ||
| 10 | すれ違い | — | ||
| 11 | 見えない鎖 | — | ||
| 12 | La Storia 〜 il destino | — | ||
| 13 | ねじれた記憶 | — | ||
| 14 | 帰り道 | — | ||
| 15 | 孤独のワルツ 〜 喪失 | — | ||
| 16 | La Storia 〜 lo specchio | — | ||
| 17 | ひび割れた空 | — | ||
| 18 | となりにいるよ | — | ||
| 19 | 蝕まれる風景 | — | ||
| 20 | 二度目の約束 | — | ||
| 21 | 昼休み | — | ||
| 22 | 失われた記憶 | — | ||
| 23 | 孤独のワルツ 〜 業火 | — | ||
| 24 | Il Paradiso | — | ||
| 25 | 証 | — |
Credits Graph
People also ask
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What is UPC 4988104072009?
4988104072009 is a Universal Product Code (UPC) assigned to La Storia ブラック★ロックシューター オリジナルサウンドトラック by 森英治. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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