UPC · Release
いとしのナナ
木の実ナナ
Last verified:
4995879015414 is the Universal Product Code (UPC barcode) for the release “いとしのナナ” by 木の実ナナ, released 1997-01-01 on P-Vine Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ティーンエイジ・クレオパトラ | — | ||
| 2 | 太陽の下の18才 | — | ||
| 3 | ジュディー・ジュディー | — | ||
| 4 | アイスクリーム・ジョー | — | ||
| 5 | ママとパパのテレビ | — | ||
| 6 | お部屋でデイト | — | ||
| 7 | テル・ミー・ママ | — | ||
| 8 | 日曜日の恋人（サンデー・ラヴァー） | — | ||
| 9 | 東京キカンボ娘 | — | ||
| 10 | かわいいキューピー | — | ||
| 11 | 小象の行進 | — | ||
| 12 | ホイ・ホイ・ルック | — | ||
| 13 | ポッ・ポ・ポパイ | — | ||
| 14 | マンハッタン・スキャンダル | — | ||
| 15 | おじいちゃまハイ | — | ||
| 16 | サタデイ・ナイト | — | ||
| 17 | 悪口はやめて | — | ||
| 18 | サミーのマーチ | — | ||
| 19 | 涙をこらえて | — | ||
| 20 | からかわないで | — | ||
| 21 | 愛はふたりぼっち | — | ||
| 22 | 恋のかたみ | — | ||
| 23 | 恋は宝 | — | ||
| 24 | モンキーズのテーマ | — | ||
| 25 | オーケイ！ | — | ||
| 26 | ダンス天国 | — | ||
| 27 | バラバラ | — | ||
| 28 | 青空のある限り | — |
Credits Graph
People also ask
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What is UPC 4995879015414?
4995879015414 is a Universal Product Code (UPC) assigned to いとしのナナ by 木の実ナナ. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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