UPC · Release
Songs & Dances From Shakespeare
The Broadside Band, Jeremy Barlow, Deborah Roberts and 1 more
Last verified:
5013133440921 is the Universal Product Code (UPC barcode) for the release “Songs & Dances From Shakespeare” by The Broadside Band, Jeremy Barlow, Deborah Roberts, John Potter, released 1995-01-01 on Saydisc. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (39)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Full Fathom Five Thy Father Lies (The Tempest) | — | ||
| 2 | Where the Bee Sucks, There Suck (The Tempest) | — | ||
| 3 | O Mistress Mine Where Are You Roaming? (Twelfth Night) | — | ||
| 4 | The Poor Soul Sat Sighing (The Willow Song) (Othello) | — | ||
| 5 | It Was a Lover, and His Lass (As You Like It) | — | ||
| 6 | Sellengers Round (A Midsummer Night’s Dream) | — | ||
| 7 | Scottish Jigge ‘Scotch Jig’ (Much Ado About Nothing) | — | ||
| 8 | Hoboken Brawl ‘Brawl’ (Love’s Labour’s Lost) | — | ||
| 9 | Staines Morris (Henry IV, All’s Well That Ends Well) | — | ||
| 10 | How Should I Your True Love Know (Hamlet) | — | ||
| 11 | Tomorrow Is St. Valentine’s Day (Hamlet) | — | ||
| 12 | And Will He Not Come Again (Hamlet) | — | ||
| 13 | In Youth When I Did Love (Hamlet) | — | ||
| 14 | The Woosell Cock, So Black of Hue (A Midsummer Night’s Dream) | — | ||
| 15 | O Sweet Oliver (As You Like It) | — | ||
| 16 | When Daffodils Begin to Peer (The Winter’s Tale) | — | ||
| 17 | Jog On, Jog On, the Footpath Way (The Winter’s Tale) | — | ||
| 18 | When That I Was and a Little Tine [sic] Boy (Twelfth Night) | — | ||
| 19 | Kemp’s Jig (Love’s Labour’s Lost, Hamlet, Twelfth Night) | — | ||
| 20 | Passamezzo Pavan (Twelfth Night) | — | ||
| 21 | Bergamaca (A Midsummer Night’s Dream) | — | ||
| 22 | QM (Queen Mary’s) Dumpe (The Taming of the Shrew, The Two Gentlemen of Verona, Romeo and Juliet, The Rape of Lucrece) | — | ||
| 23 | As You Came From That Holy Land (Hamlet) | — | ||
| 24 | I Loathe That I Did Love (Hamlet) | — | ||
| 25 | Bonny Sweet Robin (Hamlet) | — | ||
| 26 | Come Live With Me (The Merry Wives of Windsor) | — | ||
| 27 | There Dwelt a Man in Babylon (Twelfth Night) | — | ||
| 28 | Farewell Dear Love (Twelfth Night) | — | ||
| 29 | Fortune My Foe (The Merry Wives of Windsor) | — | ||
| 30 | The Earl of Essex Measure (Love’s Labour’s Lost, Romeo and Juliet, Richard II, Much Ado About Nothing, As You Like It, Henry VIII) | — | ||
| 31 | La Volta (Troilus and Cressida) | — | ||
| 32 | The Sinkapace Galliard (Much Ado About Nothing, Henry V, Twelfth Night) | — | ||
| 33 | Coranto (Henry V, Much Ado About Nothing) | — | ||
| 34 | Take, O Take Those Lips Away (Measure for Measure) | — | ||
| 35 | Sigh No More Ladies (Much Ado About Nothing) | — | ||
| 36 | Hark, Hark, the Lark (Cymbeline) | — | ||
| 37 | Lawn as White as Driven Snow (The Winter’s Tale) | — | ||
| 38 | Get Ye Hence (The Winter’s Tale) | — | ||
| 39 | When That I Was and a Little Tiny Boy (Twelfth Night) | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 5013133440921?
5013133440921 is a Universal Product Code (UPC) assigned to Songs & Dances From Shakespeare by The Broadside Band, Jeremy Barlow, Deborah Roberts, John Potter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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