UPC · Release
Return to Fantasy
Uriah Heep
Last verified:
5013428781753 is the Universal Product Code (UPC barcode) for the release “Return to Fantasy” by Uriah Heep, released 1989-01-01 on Castle Communications. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include GBAJE7500462, GBAJE7500463, GBAJE7500466.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Return to Fantasy | Uriah Heep | T-010.175.968-5 | |
| 2 | Shady Lady | Uriah Heep | T-010.461.346-8 | |
| 3 | Devil's Daughter | — | ||
| 4 | Beautiful Dream | — | ||
| 5 | Prima Donna | Uriah Heep | T-010.461.345-7 | |
| 6 | Your Turn to Remember | — | ||
| 7 | Showdown | — | ||
| 8 | Why Did You Go | — | ||
| 9 | A Year or A Day | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5013428781753?
5013428781753 is a Universal Product Code (UPC) assigned to Return to Fantasy by Uriah Heep. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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