UPC · Release
Harold Melvin & The Blue Notes
Last verified:
5013929088801 is the Universal Product Code (UPC barcode) for the release “Be for Real: The P.I.R. Recordings (1972-1975)” by Harold Melvin & The Blue Notes, released 2019-01-01 on SoulMusic Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include USSM10025951, USSM11001981, USSM11001982.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Miss You | Harold Melvin & The Blue Notes | T-070.240.838-5 | |
| 2 | Ebony Woman | Harold Melvin & The Blue Notes | — | |
| 3 | Yesterday I Had the Blues | Harold Melvin & The Blue Notes | T-071.017.476-7 | |
| 4 | If You Don’t Know Me by Now | Harold Melvin & The Blue Notes | T-070241104-8 | |
| 5 | Be for Real | Harold Melvin & The Blue Notes | T-700.001.720-1 | |
| 6 | Let Me Into Your World | Harold Melvin & The Blue Notes | T-700.036.557-3 | |
| 7 | Let It Be You | Harold Melvin & The Blue Notes | T-071.170.419-6 | |
| 8 | Cabaret | Harold Melvin & The Blue Notes | T-070.880.975-9 | |
| 9 | The Love I Lost | Harold Melvin & The Blue Notes | T-071.000.834-6 | |
| 10 | It All Depends on You | Harold Melvin & The Blue Notes | T-700.030.593-3 | |
| 11 | Concentrate on Me | Harold Melvin & The Blue Notes | T-700.006.844-2 | |
| 12 | Satisfaction Guaranteed (or Take Your Love Back) | Harold Melvin & The Blue Notes | T-070.243.358-6 | |
| 13 | Is There a Place for Me | Harold Melvin & The Blue Notes | T-700.030.458-7 | |
| 14 | I’m Weak for You | Harold Melvin & The Blue Notes | T-700.027.335-0 | |
| 15 | I’m Comin’ Home Tomorrow | Harold Melvin & The Blue Notes | T-700.026.538-5 | |
| 2-1 | Where Are All My Friends | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-700.079.771-9 | |
| 2-2 | To Be True | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-700.073.051-0 | |
| 2-3 | Pretty Flower | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-700.055.261-6 | |
| 2-4 | Hope That We Can Be Together Soon | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-070.240.374-4 | |
| 2-5 | Nobody Could Take Your Place | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-700.048.785-6 | |
| 2-6 | Somewhere Down the Line | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-700.065.313-6 | |
| 2-7 | Bad Luck | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-070.232.891-3 | |
| 2-8 | It’s All Because of a Woman | Harold Melvin & The Blue Notes, Theodore Pendergrass | T-070.939.563-0 | |
| 2-9 | Wake Up Everybody | Harold Melvin & The Blue Notes | T-070247628-5 | |
| 2-10 | Keep on Lovin’ You | Harold Melvin & The Blue Notes | T-700.034.048-9 | |
| 2-11 | You Know How to Make Me Feel So Good | Harold Melvin & The Blue Notes | T-700.083.216-8 | |
| 2-12 | Don’t Leave Me This Way | Harold Melvin & The Blue Notes | T-070233736-7 | |
| 2-13 | Tell the World How I Feel About ’cha Baby | Harold Melvin & The Blue Notes | T-700.070.363-1 | |
| 2-14 | To Be Free to Be Who We Are | Harold Melvin & The Blue Notes | T-700.073.043-0 | |
| 2-15 | I’m Searching for a Love | Harold Melvin & The Blue Notes | T-700.027.144-5 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ebony Woman | Harold Melvin & The Blue Notes | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5013929088801 is a Universal Product Code (UPC) assigned to Be for Real: The P.I.R. Recordings (1972-1975) by Harold Melvin & The Blue Notes. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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