UPC · Release
I’ll Give You My Heart I’ll Give You My Heart: The Cherry Red Singles Collection 1978–1983
Various Artists
Last verified:
5013929100404 is the Universal Product Code (UPC barcode) for the release “I’ll Give You My Heart I’ll Give You My Heart: The Cherry Red Singles Collection 1978–1983” by Various Artists, released 2008-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 184 tracks, each with its own ISRC. Tracks include GBBLY7800001, GBBLY9200047, GBBLY9100258.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (184)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bad Hearts | The Tights | — | |
| 2 | It | — | ||
| 3 | Cracked | — | ||
| 4 | Howard Hughes | Momus | T-010.338.839-1 | |
| 5 | China’s Eternal | — | ||
| 6 | Bored | Destroy All Monsters | T-902.573.665-6 | |
| 7 | You’re Gonna Die | — | ||
| 8 | Crazy Weekend | — | ||
| 9 | P.V.S. (Pleasant Valley Sunday) | — | ||
| 10 | Genéve | — | ||
| 11 | Roll Away the Stone ’78 | — | ||
| 12 | Sleeper | — | ||
| 13 | Lydian Theme | — | ||
| 14 | Then He Kissed Me | — | ||
| 15 | SICK ON YOU | Hollywood Brats | T-071.521.378-7 | |
| 16 | Meet the Creeper | — | ||
| 17 | Nov. 22nd 1968 | — | ||
| 18 | Right Now | — | ||
| 19 | Black Leather | — | ||
| 20 | What Do I Get? | — | ||
| 21 | Nobody Knows | — | ||
| 22 | International Language | — | ||
| 23 | Kiss Goodbye Tomorrow | — | ||
| 2-1 | MacArthur Park | The Burtons | T-070.112.536-1 | |
| 2-2 | Wuthering Heights | — | ||
| 2-3 | D’Ya Think I’m Sexy | British Standard Unit | T-070.042.262-3 | |
| 2-4 | Catch a F‐Falling Star | — | ||
| 2-5 | Holiday in Cambodia | Dead Kennedys | T-070.918.814-6 | |
| 2-6 | Police Truck | Dead Kennedys | T-700.054.480-1 | |
| 2-7 | They Say Space Is Cold | — | ||
| 2-8 | Rescue Remedy | — | ||
| 2-9 | Music to Save the World By | Alan Burnham | — | |
| 2-10 | Science Fiction | — | ||
| 2-11 | Kill the Poor | — | ||
| 2-12 | In‐Sight | Dead Kennedys | T-072.585.823-0 | |
| 2-13 | Happy Xmas (War Is Over) | — | ||
| 2-14 | Holly and Ivy | — | ||
| 2-15 | Hungry, So Angry | Medium Medium | — | |
| 2-16 | Nadsat Dream | Medium Medium | — | |
| 2-17 | Another Reason | Five or Six | — | |
| 2-18 | The Trial | Five or Six | T-011.683.614-6 | |
| 2-19 | Invisibility | — | ||
| 2-20 | Three Kittens | — | ||
| 2-21 | Plague of Years | — | ||
| 2-22 | Courts or Wars | — | ||
| 2-23 | Fixation | — | ||
| 3-1 | Children of the Sun | — | ||
| 3-2 | Who Do You Love | — | ||
| 3-3 | I Can Take You to the Sun | — | ||
| 3-4 | Polar Exposure | Five or Six | T-011.682.833-1 | |
| 3-5 | Inclination | — | ||
| 3-6 | Outward Conversation | — | ||
| 3-7 | Dreams I Cannot Keep | Five or Six | — | |
| 3-8 | Building Kind | — | ||
| 3-9 | Shifting | — | ||
| 3-10 | Lost Cause | — | ||
| 3-11 | Mud Clay and Sticks | — | ||
| 3-12 | Concoction | — | ||
| 3-13 | Cold Climate | — | ||
| 3-14 | Too Drunk to Fuck | Dead Kennedys | T-070.940.605-2 | |
| 3-15 | The Prey | Dead Kennedys | T-700.055.321-1 | |
| 3-16 | Can’t | Ben Watt | T-010.836.112-1 | |
| 3-17 | Tower of Silence | Ben Watt | T-011.282.637-5 | |
| 3-18 | Aubade | Ben Watt | T-010.601.141-9 | |
| 3-19 | Something Sends Me to Sleep | Felt | T-011.282.712-9 | |
| 3-20 | Red Indians | Felt | T-011.282.711-8 | |
| 3-21 | Tribes | — | ||
| 3-22 | Love | — | ||
| 4-1 | Don’t | — | ||
| 4-2 | Letter From America | — | ||
| 4-3 | Tight as a Drum | — | ||
| 4-4 | West End | — | ||
| 4-5 | You Scare Me to Death | — | ||
| 4-6 | The Perfumed Garden of Gulliver Smith | — | ||
| 4-7 | Taboo | — | ||
| 4-8 | Taboodub | — | ||
| 4-9 | Others | — | ||
| 4-10 | Jane Dancing | — | ||
| 4-11 | Ever Present | — | ||
| 4-12 | Avenue With Trees | — | ||
| 4-13 | Cat Black | — | ||
| 4-14 | Jasper C Debussy | — | ||
| 4-15 | 4 Countries | The Reflections | — | |
| 4-16 | The Coroner and the Inquest | The Reflections | — | |
| 4-17 | Inside Out | The Nightingales | T-070.250.037-5 | |
| 4-18 | Under the Lash | The Nightingales | — | |
| 4-19 | Use Your Loaf | — | ||
| 4-20 | XOYO | — | ||
| 4-21 | Animal in Me | — | ||
| 4-22 | Born Every Minute | The Passage | — | |
| 5-1 | Walter and John | Ben Watt, Robert Wyatt | T-011.284.190-3 | |
| 5-2 | Aquamarine | Ben Watt, Robert Wyatt | T-010.413.906-1 | |
| 5-3 | Slipping Slowly | Ben Watt, Robert Wyatt | T-011.284.191-4 | |
| 5-4 | Another Conversation With Myself | Ben Watt, Robert Wyatt | T-011.284.192-5 | |
| 5-5 | A Girl in Winter | Ben Watt, Robert Wyatt | T-011.284.193-6 | |
| 5-6 | Night and Day | Everything but the Girl | T-070.152.461-9 | |
| 5-7 | Feeling Dizzy | Everything but the Girl | T-011.284.220-2 | |
| 5-8 | On My Mind | Everything but the Girl, Marine Girls | T-010.412.103-0 | |
| 5-9 | Paraffin Brain | — | ||
| 5-10 | Elvis, the Last Ten Days | — | ||
| 5-11 | The Wizard | Marc Bolan | T-010.167.067-0 | |
| 5-12 | Beyond the Risin’ Sun | Marc Bolan | T-010.480.076-1 | |
| 5-14 | The Lure of the Rockpools | — | ||
| 5-15 | Love I Can Feel | Creation Rebel | T-070.079.064-2 | |
| 5-16 | Read and Learn | — | ||
| 5-17 | The Mating Game | The Monochrome Set | T-072.978.311-2 | |
| 5-18 | J.D.H.A.N.E.Y. | — | ||
| 5-19 | This Is for the Moment | Five or Six | T-071.226.469-1 | |
| 5-20 | Think | Five or Six | T-070.247.263-6 | |
| 5-21 | Rushes | Five or Six | T-010.894.306-1 | |
| 5-22 | Theme | Five or Six | T-904.905.392-1 | |
| 6-1 | Which Hi‐Fi? | — | ||
| 6-2 | Give Em Time | — | ||
| 6-3 | My Brilliant Career | The Nightingales | — | |
| 6-4 | Son of God’s Mate | The Nightingales | T-304.253.845-0 | |
| 6-5 | My Face Is on Fire | Felt | T-011.284.137-8 | |
| 6-6 | Trails of Colour Dissolve | — | ||
| 6-7 | Cocktails | — | ||
| 6-8 | Contributory Negligence | — | ||
| 6-9 | The Night I Slept With Seething Wells | — | ||
| 6-10 | Fifth Column | — | ||
| 6-11 | The Oracle | — | ||
| 6-12 | Veil Like Calm | — | ||
| 6-13 | Taking Steps | — | ||
| 6-14 | Compulsion | Joe Crow | T-010.976.122-9 | |
| 6-15 | Absent Friends | Joe Crow | T-329.458.485-9 | |
| 6-16 | So Strange | — | ||
| 6-17 | Father, Dear Father | — | ||
| 6-18 | Wave | — | ||
| 6-19 | Drugface | — | ||
| 6-20 | Angleland | — | ||
| 6-21 | Cast a Long Shadow | — | ||
| 6-22 | The Bridge | The Monochrome Set | T-070.886.307-3 | |
| 6-23 | All About You | Thomas Leer | T-070.007.333-1 | |
| 6-24 | Saving Grace | — | ||
| 7-1 | Plain Sailing | Tracey Thorn | T-010.302.903-3 | |
| 7-2 | Goodbye Joe | Tracey Thorn | — | |
| 7-3 | Don’t Come Back | — | ||
| 7-4 | You Must Be Mad | — | ||
| 7-5 | Some Things Don’t Matter | Ben Watt | T-011.284.168-5 | |
| 7-6 | On Box Hill | — | ||
| 7-7 | Urban Ospreys | — | ||
| 7-8 | Cakehole | — | ||
| 7-9 | Moonshake | Can | T-800.128.197-7 | |
| 7-10 | Turtles Have Short Legs | — | ||
| 7-11 | One More Night | Can | T-803.196.747-3 | |
| 7-12 | Sharp Tongue | — | ||
| 7-13 | BRD USA DDR JFK | — | ||
| 7-14 | Penelope Tree | Felt | T-010.311.621-7 | |
| 7-15 | A Preacher in New England | — | ||
| 7-16 | Now Summer’s Spread Its Wings Again | — | ||
| 7-17 | Jet Set Junta | The Monochrome Set | T-305.785.579-1 | |
| 7-18 | Love Goes Down the Drain | — | ||
| 7-19 | Noise (Eine kleine Symphonie) | — | ||
| 7-20 | If She Doesn’t Smile (It’ll Rain) | Fantastic Something | — | |
| 7-21 | The Thousand Guitars of St. Dominiques | Fantastic Something | — | |
| 8-1 | The Sleeper Wakes | — | ||
| 8-2 | Do You Remember | — | ||
| 8-3 | Chase the Dragon | — | ||
| 8-4 | No Way of Knowing | — | ||
| 8-5 | (Extract From) Mzui | — | ||
| 8-6 | Threat to Creation | — | ||
| 8-7 | Modi 2 (extract) | Piero Milesi | — | |
| 8-8 | Pretty Little Girl | — | ||
| 8-9 | Feathering the Nest | Kevin Hewick | — | |
| 8-10 | The Look of Love | — | ||
| 8-11 | Mine Tonight | — | ||
| 8-12 | Rangers in the Night | — | ||
| 8-13 | Sounds That Saved My Life | — | ||
| 8-14 | Miniature | — | ||
| 8-15 | The History of Rock ’n’ Roll | — | ||
| 8-16 | Brooch Boat | — | ||
| 8-17 | N’Tutu | — | ||
| 8-18 | Glory Halleluya | — | ||
| 8-19 | Tightrope Walker | The Reflections | — | |
| 8-20 | Flasher | — | ||
| 8-21 | Europeans | — | ||
| 8-22 | Christine Keeler | Glaxo Babies | — | |
| 8-23 | She Said Go | — | ||
| 8-24 | The Car | — | ||
| 8-25 | Nobody Loves Me | — | ||
| 8-26 | Showing Off to Impress the Girls | — | ||
| 8-27 | Birdsong | — | ||
| 8-28 | Extract From “The Compassion and Humanity of Margaret Thatcher” | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| On My Mind | Marine Girls | T-010.412.103-0 |
What other identifiers does this connect to?
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People also ask
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What is UPC 5013929100404?
5013929100404 is a Universal Product Code (UPC) assigned to I’ll Give You My Heart I’ll Give You My Heart: The Cherry Red Singles Collection 1978–1983 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 184 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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