UPC · Release
Very Yeah - The Director's Cut: Complete Compositions 1992-1996
Corduroy
Last verified:
5013929100909 is the Universal Product Code (UPC barcode) for the release “Very Yeah - The Director's Cut: Complete Compositions 1992-1996” by Corduroy, released 2013-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chowdown | — | ||
| 2 | Long Cool & Bubbly | — | ||
| 3 | The Girl Who Was Death | — | ||
| 4 | How to Steal the World | — | ||
| 5 | Frug in G Major | — | ||
| 6 | Electric Soup | — | ||
| 7 | Ponytail | — | ||
| 8 | Harry Palmer | — | ||
| 9 | E-Type | — | ||
| 10 | Skirt Alert | — | ||
| 11 | Six Plus One | — | ||
| 12 | Money Is | — | ||
| 13 | Goober Grape (demo) | — | ||
| 14 | Hikky Burr (demo) | — | ||
| 15 | Funky Freedom (demo) | — | ||
| 16 | Happy Shopper (demo) | — | ||
| 17 | Sesame Street (demo) | — | ||
| 18 | E-Type (demo) | — | ||
| 2-1 | High Havoc | — | ||
| 2-2 | London, England | — | ||
| 2-3 | The Corduroy Orgasm Club | — | ||
| 2-4 | The Frighteners | — | ||
| 2-5 | You’re a Great Way to Fly | — | ||
| 2-6 | Something in My Eye | — | ||
| 2-7 | Lovely Lonely and Loaded | — | ||
| 2-8 | Breakfast in Love | — | ||
| 2-9 | One Born Every Minute | — | ||
| 2-10 | Follow That Arab | — | ||
| 2-11 | Nobody Move | — | ||
| 2-12 | Very Yeah | — | ||
| 2-13 | Clearing Up Music | — | ||
| 2-14 | Simon’s Tune | — | ||
| 2-15 | Paper Money | — | ||
| 2-16 | 10.28 From Shibuya | — | ||
| 2-17 | Emmanuelle in the Jaws of the Dragon | — | ||
| 2-18 | Summer in My Eye | — | ||
| 2-19 | Man Alive (Milo Sessions) | — | ||
| 2-20 | The Mandelbrot Set (Milo Sessions) | — | ||
| 2-21 | Get Ron Carter (Milo Sessions) | — | ||
| 2-22 | Very Yeah (vocal version) | — | ||
| 3-1 | Don’t Wait for Monday | — | ||
| 3-2 | Practice What You Preach | — | ||
| 3-3 | Red Mercury | — | ||
| 3-4 | End of the Rainbow | — | ||
| 3-5 | Out of Here | — | ||
| 3-6 | The Diceman | — | ||
| 3-7 | Magic Carpet | — | ||
| 3-8 | January Woman | — | ||
| 3-9 | Mini | — | ||
| 3-10 | Along the Rooftops | — | ||
| 3-11 | Ayrton Senna | — | ||
| 3-12 | Motorhead | — | ||
| 3-13 | Clockwork Man (Fast version) | — | ||
| 3-14 | The Impossibile Smile (demo) | — | ||
| 3-15 | Preacher (demo) | — | ||
| 3-16 | Another Hundred Years (demo) | — | ||
| 3-17 | Apple Pipe (demo) | — | ||
| 3-18 | Original Sin (demo) | — | ||
| 3-19 | Finally Atlanta (demo) | — | ||
| 4-1 | High Havoc | — | ||
| 4-2 | E-Type | — | ||
| 4-3 | The Frighteners | — | ||
| 4-4 | Don’t Wait for Monday | — | ||
| 4-5 | Chowdown | — | ||
| 4-6 | Very Yeah | — | ||
| 4-7 | Along the Rooftops | — | ||
| 4-8 | Something in My Eye | — | ||
| 4-9 | Mini | — | ||
| 4-10 | Motorhead | — | ||
| 4-11 | Electric Soup | — | ||
| 4-12 | London, England | — | ||
| 4-13 | The Corduroy Orgasm Club | — | ||
| 4-14 | Skirt Alert | — | ||
| 4-15 | Money Is | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 5013929100909?
5013929100909 is a Universal Product Code (UPC) assigned to Very Yeah - The Director's Cut: Complete Compositions 1992-1996 by Corduroy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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