UPC · Release
Scared to Get Happy: A Story of Indie-Pop 1980–1989
Various Artists
5013929101005
133 tracksReleased 2018-01-01Cherry Red
Last verified:
5013929101005 is the Universal Product Code (UPC barcode) for the release “Scared to Get Happy: A Story of Indie-Pop 1980–1989” by Various Artists, released 2018-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC. Tracks include GBBLY1301255, GBBLY8200130, GBBLY1301256.
Format
501GS1 prefix
3929Company prefix
10100Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCScared to Get Happy: A Story of Indie-Pop 1980–1989
ISRC19 recordings
ISWC29 works
IPI2 songwriters
Track List (133)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Revolutionary Spirit | — | ||
| 2 | Getting Nowhere Fast | — | ||
| 3 | Showing Off to Impress the Girls | — | ||
| 4 | (There’s Always) Something on My Mind | — | ||
| 5 | The Missionary | Josef K | T-010.866.103-5 | |
| 6 | Jet Set Junta | The Monochrome Set | T-305.785.579-1 | |
| 7 | Dumb Magician | — | ||
| 8 | Don’t Come Back | — | ||
| 9 | Candyskin | Fire Engines | T-010.477.173-4 | |
| 10 | Ambition | — | ||
| 11 | Everything and More | Dolly Mixture | — | |
| 12 | Paraffin Brain | — | ||
| 13 | All About You | — | ||
| 14 | It's a Fine Day | Jane, Barton | T-010.375.823-1 | |
| 15 | I Think I Need Help | — | ||
| 16 | Things Have Learnt to Walk That Ought to Crawl | — | ||
| 17 | Summerdays | — | ||
| 18 | Lions in My Own Garden (Exit Someone) | Prefab Sprout | T-010.303.784-8 | |
| 19 | Nerve Pylon | — | ||
| 20 | Feeling Dizzy | Everything but the Girl | T-011.284.220-2 | |
| 21 | The Lost and the Lonely | — | ||
| 22 | Human Features | — | ||
| 23 | Roll on Summertime | — | ||
| 24 | Happy Birthday | — | ||
| 25 | Norman and Narcissus | — | ||
| 26 | A Picture of Dorian Gray | — | ||
| 2-1 | The Sun Shines Here | — | ||
| 2-2 | If She Doesn’t Smile (It’ll Rain) | — | ||
| 2-3 | Everybody’s Problem | Pulp | T-010.870.335-0 | |
| 2-4 | Dark 7 | — | ||
| 2-5 | Stop the Rain | — | ||
| 2-6 | I’m Used Now | — | ||
| 2-7 | Sense Sickness | — | ||
| 2-8 | Honey at the Core | — | ||
| 2-9 | Oblivious | Aztec Camera | T-011.289.093-3 | |
| 2-10 | Are You Ready to Be Heartbroken? | — | ||
| 2-11 | Kardomah Café | — | ||
| 2-12 | This Brilliant Evening | — | ||
| 2-13 | Dolly | Microdisney | T-011.446.074-0 | |
| 2-14 | Plenty | — | ||
| 2-15 | Southern Mark Smith | — | ||
| 2-16 | Where the Traffic Goes | — | ||
| 2-17 | Forever | — | ||
| 2-18 | Every Conversation | The June Brides | T-010.312.619-7 | |
| 2-19 | In the Afternoon | — | ||
| 2-20 | Hymn From a Villiage | — | ||
| 2-21 | Just Like Honey | — | ||
| 2-22 | The Chocolate Elephant Man | — | ||
| 2-23 | Temple of Convenience | — | ||
| 2-24 | God Bless | — | ||
| 2-25 | Debra | — | ||
| 2-26 | Up the Hill and Down the Slope | The Loft | — | |
| 3-1 | Velocity Girl | — | ||
| 3-2 | Go Out and Get ’em Boy! | The Wedding Present | T-011.612.445-8 | |
| 3-3 | Thru the Flowers | — | ||
| 3-4 | Sad? | — | ||
| 3-5 | All Day Long | — | ||
| 3-6 | Something Happens | — | ||
| 3-7 | X X Sex | — | ||
| 3-8 | Is There Anyone Out There? | — | ||
| 3-9 | Quite Content | — | ||
| 3-10 | Red Sleeping Beauty | — | ||
| 3-11 | Motor City | Age of Chance | — | |
| 3-12 | Completely & Utterly | — | ||
| 3-13 | Cut the Cake | — | ||
| 3-14 | Loggerheads | — | ||
| 3-15 | Don’t Worry | — | ||
| 3-16 | Sick Little Girl | — | ||
| 3-17 | Big Pink Cake | — | ||
| 3-18 | It’s a Good Thing | — | ||
| 3-19 | Almost Prayed | — | ||
| 3-20 | Vote for Love | — | ||
| 3-21 | Beatnik Boy | — | ||
| 3-22 | She Dazzled Me With Basil | — | ||
| 3-23 | A Gentle Sound | — | ||
| 3-25 | The Rain Fell Down | — | ||
| 3-26 | (Whatever Happened to) Alice? | — | ||
| 3-27 | Balloon Song | 14 Iced Bears | T-010.595.339-6 | |
| 3-28 | A Wonderful Day | The Wonder Stuff | — | |
| 4-1 | Shine On | — | ||
| 4-2 | Something About You | — | ||
| 4-3 | The Album of Jacks | — | ||
| 4-4 | Albert Parker | — | ||
| 4-5 | Love Is Blue | — | ||
| 4-6 | Heaven Forbid | — | ||
| 4-7 | Delilah Sands | — | ||
| 4-8 | Shimmer | The Flatmates | T-070.256.078-8 | |
| 4-9 | Gruesome Castle | The Wake | — | |
| 4-10 | Engine Failure | — | ||
| 4-11 | If I Said | — | ||
| 4-12 | Tidalwave | — | ||
| 4-13 | She Looks Right Through Me | — | ||
| 4-14 | Room in Your Heart | — | ||
| 4-15 | Love Resistance | — | ||
| 4-16 | Take Your Time Yeah! | — | ||
| 4-17 | She’s a Nurse but She’s Alright | — | ||
| 4-18 | Toy | — | ||
| 4-19 | Tranquil | — | ||
| 4-20 | You Make My Head Explode | — | ||
| 4-21 | My Favorite Wet Wednesday Afternoon | — | ||
| 4-22 | Tug–boat Line | — | ||
| 4-23 | The World Is | — | ||
| 4-24 | One of Those Things | — | ||
| 4-25 | Be Small Again | — | ||
| 4-26 | Lee Remick | — | ||
| 4-27 | Son of a Gun | — | ||
| 5-1 | The Hardest Thing in the World | The Stone Roses | — | |
| 5-2 | Keep the Circle Around | — | ||
| 5-3 | Indiepop Ain’t Noise Polution | — | ||
| 5-4 | Solace | — | ||
| 5-5 | Only (A Prawn in Whitby) | — | ||
| 5-6 | Landslide | — | ||
| 5-7 | All Aboard the Love–mobile | — | ||
| 5-8 | I’m in Love With a Girl Who Doesn’t Know I Exist | — | ||
| 5-9 | Strawberry Window | — | ||
| 5-10 | Choirboys Gas (Hack the Cassock) | — | ||
| 5-11 | Circle Line | — | ||
| 5-12 | I’ve Got a Habit | — | ||
| 5-13 | Skin Storm | — | ||
| 5-14 | Are You Happy Now | — | ||
| 5-15 | Picking Up the Bitter Little Pieces | — | ||
| 5-16 | Dreamabout | — | ||
| 5-17 | Adam’s Song (pour Fenella) | — | ||
| 5-18 | Jesse Man Rae | — | ||
| 5-19 | Cecil Beaton’s Scrapbook | — | ||
| 5-20 | Speak to Me Rochelle | — | ||
| 5-21 | Dry the Rain | — | ||
| 5-22 | Forever Holiday | — | ||
| 5-23 | Suburban Love Songs | — | ||
| 5-24 | Roses | — | ||
| 5-25 | Sun Is in the Sky | — | ||
| 5-26 | The Perfect Needle | — | ||
| 5-27 | Catweazle | — |
Revolutionary Spirit
—
Getting Nowhere Fast
—
Showing Off to Impress the Girls
—
(There’s Always) Something on My Mind
—
Dumb Magician
—
Don’t Come Back
—
Ambition
—
Everything and More
Dolly Mixture
—
Paraffin Brain
—
All About You
—
I Think I Need Help
—
Things Have Learnt to Walk That Ought to Crawl
—
Summerdays
—
Nerve Pylon
—
The Lost and the Lonely
—
Human Features
—
Roll on Summertime
—
Happy Birthday
—
Norman and Narcissus
—
A Picture of Dorian Gray
—
The Sun Shines Here
—
If She Doesn’t Smile (It’ll Rain)
—
Dark 7
—
Stop the Rain
—
I’m Used Now
—
Sense Sickness
—
Honey at the Core
—
Are You Ready to Be Heartbroken?
—
Kardomah Café
—
This Brilliant Evening
—
Plenty
—
Southern Mark Smith
—
Where the Traffic Goes
—
Forever
—
In the Afternoon
—
Hymn From a Villiage
—
Just Like Honey
—
The Chocolate Elephant Man
—
Temple of Convenience
—
God Bless
—
Debra
—
Up the Hill and Down the Slope
The Loft
—
Velocity Girl
—
Thru the Flowers
—
Sad?
—
All Day Long
—
Something Happens
—
X X Sex
—
Is There Anyone Out There?
—
Quite Content
—
Red Sleeping Beauty
—
Motor City
Age of Chance
—
Completely & Utterly
—
Cut the Cake
—
Loggerheads
—
Don’t Worry
—
Sick Little Girl
—
Big Pink Cake
—
It’s a Good Thing
—
Almost Prayed
—
Vote for Love
—
Beatnik Boy
—
She Dazzled Me With Basil
—
A Gentle Sound
—
The Rain Fell Down
—
(Whatever Happened to) Alice?
—
A Wonderful Day
The Wonder Stuff
—
Shine On
—
Something About You
—
The Album of Jacks
—
Albert Parker
—
Love Is Blue
—
Heaven Forbid
—
Delilah Sands
—
Gruesome Castle
The Wake
—
Engine Failure
—
If I Said
—
Tidalwave
—
She Looks Right Through Me
—
Room in Your Heart
—
Love Resistance
—
Take Your Time Yeah!
—
She’s a Nurse but She’s Alright
—
Toy
—
Tranquil
—
You Make My Head Explode
—
My Favorite Wet Wednesday Afternoon
—
Tug–boat Line
—
The World Is
—
One of Those Things
—
Be Small Again
—
Lee Remick
—
Son of a Gun
—
The Hardest Thing in the World
The Stone Roses
—
Keep the Circle Around
—
Indiepop Ain’t Noise Polution
—
Solace
—
Only (A Prawn in Whitby)
—
Landslide
—
All Aboard the Love–mobile
—
I’m in Love With a Girl Who Doesn’t Know I Exist
—
Strawberry Window
—
Choirboys Gas (Hack the Cassock)
—
Circle Line
—
I’ve Got a Habit
—
Skin Storm
—
Are You Happy Now
—
Picking Up the Bitter Little Pieces
—
Dreamabout
—
Adam’s Song (pour Fenella)
—
Jesse Man Rae
—
Cecil Beaton’s Scrapbook
—
Speak to Me Rochelle
—
Dry the Rain
—
Forever Holiday
—
Suburban Love Songs
—
Roses
—
Sun Is in the Sky
—
The Perfect Needle
—
Catweazle
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Hardest Thing in the World | The Stone Roses | — |
The Hardest Thing in the World
The Stone Roses
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005577889X00000000864199290000000093632920000000009824214700000001029707380000000105007736000000010567844100000001067610950000000107203634000000010723131X
+32 more
0000000107242289000000010727951600000001094421450000000114860034000000011512573600000001152322080000000115239987000000011551343X0000000121074584000000012114037700000001215508430000000121796341000000012181707700000001218888010000000122488228000000012271116X00000001229067250000000123153526000000012324878700000001233746870000000123426010000000012984570X0000000439844358000000046922073000000004698493950000000470042249000000047019087400000004703726510000000470375422000000047039978200000004706817960000000471091966
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People also ask
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What is UPC 5013929101005?
5013929101005 is a Universal Product Code (UPC) assigned to Scared to Get Happy: A Story of Indie-Pop 1980–1989 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 133 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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