UPC · Release
Original Albums Collection
Demented Are Go
Last verified:
5013929101395 is the Universal Product Code (UPC barcode) for the release “Original Albums Collection” by Demented Are Go, released 2014-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Be Bop a Lula | — | ||
| 2 | Pervy in the Park | — | ||
| 3 | (I Was Born on a) Busted Hymen | — | ||
| 4 | Holy Hack Jack | — | ||
| 5 | Frenzied Beat | — | ||
| 6 | Pickled and Preserved | — | ||
| 7 | Crazy Horses | — | ||
| 8 | Transvestite Blues | — | ||
| 9 | Rubber Buccaneer | — | ||
| 10 | Vibrate | — | ||
| 11 | Rubber Love | — | ||
| 12 | Nuke Mutants | — | ||
| 13 | PVC Chair | — | ||
| 14 | Don't Go in the Woods | — | ||
| 2-1 | Satan's Rejects | — | ||
| 2-2 | Human Slug | — | ||
| 2-3 | Cripple in the Woods | — | ||
| 2-4 | Decomposition | — | ||
| 2-5 | Cast Iron Arm | — | ||
| 2-6 | Call of the Wired | — | ||
| 2-7 | Rubber Plimsoles | — | ||
| 2-8 | Shadow Crypt | — | ||
| 2-9 | Surf Ride to Oblivion | — | ||
| 2-10 | Old Black Joe | — | ||
| 2-11 | Sick Spasmoid | — | ||
| 2-12 | Vietnam | — | ||
| 2-13 | Jet Tone Boogie | — | ||
| 3-1 | Country Woman | — | ||
| 3-2 | Brain Damaged Chile (Slight Retard) | — | ||
| 3-3 | One Sharp Knife | — | ||
| 3-4 | Flight 103 | — | ||
| 3-5 | Termite Man | — | ||
| 3-6 | Skitzoid Brain | — | ||
| 3-7 | Life's a Bitch | — | ||
| 3-8 | Now She's Dead | — | ||
| 3-9 | Holy Hack Jack | — | ||
| 3-10 | Human Slug | — | ||
| 3-11 | Surf Ride to Oblivion | — | ||
| 3-12 | One Sharp Knife | — | ||
| 3-13 | Rubber Rock | — | ||
| 3-14 | Busted Hymen | — | ||
| 3-15 | Be Bop a Lula | — | ||
| 3-16 | Pervy in the Park | — | ||
| 3-17 | Cripple in the Woods | — | ||
| 3-18 | Cast Iron Arm | — | ||
| 3-19 | Sick Spasmoid | — | ||
| 3-20 | PVC Chair | — | ||
| 3-21 | Transvestite Blues | — | ||
| 3-22 | Anal Wonderland | — | ||
| 4-1 | Rubber Love | — | ||
| 4-2 | Bee Bop a Lula | — | ||
| 4-3 | PVC Chair | — | ||
| 4-4 | Vibrate | — | ||
| 4-5 | Midnight Blues | — | ||
| 4-6 | Do the Slug | — | ||
| 4-7 | Cast Iron Arm | — | ||
| 4-8 | Rubber Buccaneer | — | ||
| 4-9 | Pervy in the Park | — | ||
| 4-10 | Pickled & Preserved | — | ||
| 4-11 | Holy Hack Jack | — | ||
| 4-12 | Love Seeps Like a Festering Sore | — | ||
| 4-13 | House of Blood | — | ||
| 4-14 | Queen of Disease | — | ||
| 4-15 | Call of the Wired | — | ||
| 4-16 | One Sharp Knife | — | ||
| 4-17 | Clitoris Bite Boogie | — | ||
| 4-18 | Zombie Stalk | — | ||
| 4-19 | Brand New Corpse | — | ||
| 4-20 | Mongaloid | — | ||
| 4-21 | Holy Hack Jack | — | ||
| 4-22 | Where You Gonna Go | — | ||
| 4-23 | Busted Hymen | — | ||
| 4-24 | Beast in the Cellar | — | ||
| 4-25 | PVC Chair | — | ||
| 4-26 | Nightlife | — | ||
| 4-27 | Surf Ride to Oblivion | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 5013929101395?
5013929101395 is a Universal Product Code (UPC) assigned to Original Albums Collection by Demented Are Go. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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