UPC · Release
Various Artists
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5013929103801 is the Universal Product Code (UPC barcode) for the release “Manchester North of England: A Story of Independent Music Greater Manchester 1977-1993” by Various Artists, released 2017-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 140 tracks, each with its own ISRC. Tracks include GBAAP0600165, GBHBR0400578, GBHBR0402066.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Breakdown (demo) | — | ||
| 2 | Cranked Up Really High | — | ||
| 3 | Ain’t Bin to No Music School | — | ||
| 4 | Just Want to Be Myself (LP version) | — | ||
| 5 | Psycle Sluts Pts. 1 & 2 | — | ||
| 6 | Going Steady | — | ||
| 7 | Louie Louie (edit) | — | ||
| 8 | Heads Down, No Nonsense, Mindless Boogie | — | ||
| 9 | The Light Pours Out of Me | — | ||
| 10 | The Kill | — | ||
| 11 | Up and About | — | ||
| 12 | Man in the Box | — | ||
| 13 | Maybe It’s Love | — | ||
| 14 | Stay Awake | — | ||
| 15 | Voice in the Dark | — | ||
| 16 | She’s Lost Control | Joy Division | T-010.182.745-5 | |
| 17 | Baiser | — | ||
| 18 | To You | — | ||
| 19 | Manchester Boys | — | ||
| 20 | Snap It Around | — | ||
| 21 | Downpour | — | ||
| 22 | Warren Row | — | ||
| 23 | English Black Boys (edit) | — | ||
| 24 | Dem a Sus (In the Moss) | — | ||
| 2-1 | Rowche Rumble | — | ||
| 2-2 | The Kids Just Wanna Dance | — | ||
| 2-3 | Does It Matter Irene? | — | ||
| 2-4 | Yesterday’s Love | — | ||
| 2-5 | Big Noise in the Jungle | — | ||
| 2-6 | No Forgetting | — | ||
| 2-7 | Faith | — | ||
| 2-8 | Edward Fox | — | ||
| 2-9 | Some Like It Hot | — | ||
| 2-10 | Lips That Would Kiss | — | ||
| 2-11 | The Flood | — | ||
| 2-12 | I’m in Love With the Girl on the Manchester Virgin Megastore Checkout Desk | — | ||
| 2-13 | Cloud of Flies | — | ||
| 2-14 | Acid Tabla Dub | — | ||
| 2-15 | The Fox | — | ||
| 2-16 | Deaf | Crispy Ambulance | T-060.101.703-1 | |
| 2-17 | My Cherry Is in Sherry | Ludus | — | |
| 2-18 | Bricks | — | ||
| 2-19 | Subliminal | — | ||
| 2-20 | Valium Girls | — | ||
| 2-21 | In Shreds | — | ||
| 3-2 | Marking Time | — | ||
| 3-3 | Rosemary | — | ||
| 3-4 | Sugar Daddy | — | ||
| 3-5 | You’ve Got Me Beat | — | ||
| 3-6 | Discipline | — | ||
| 3-7 | Procession | — | ||
| 3-8 | Cool as Ice (U.S. 7″ edit) | — | ||
| 3-9 | Sharp Tongue | — | ||
| 3-10 | Aair Care | — | ||
| 3-11 | Of All - Leaves Were Falling | — | ||
| 3-12 | Working and Shopping | — | ||
| 3-13 | Love Tempo (Benelux edit) | — | ||
| 3-14 | Grunt Cadillac Hotel | — | ||
| 3-15 | Reach for Love | — | ||
| 3-16 | Looking From a Hilltop | — | ||
| 3-17 | Tell Me | — | ||
| 3-18 | All at Once | — | ||
| 3-19 | Spike Milligan’s Tape Recorder | — | ||
| 3-20 | Kitchen Sink Drama | — | ||
| 3-21 | Love at the Haçienda | — | ||
| 4-1 | Chain Mail | James | — | |
| 4-2 | Belle Vue | — | ||
| 4-3 | Whistling in the Dark | — | ||
| 4-4 | Scar Tissue | — | ||
| 4-5 | Why Popstars Can’t Dance | — | ||
| 4-6 | China Doll | — | ||
| 4-7 | Get High | — | ||
| 4-8 | Sharp | — | ||
| 4-9 | Me and My Mini | — | ||
| 4-10 | D’You Think I Look Like Elvis Presley? | — | ||
| 4-12 | Days of the Week | — | ||
| 4-13 | Let Go | — | ||
| 4-14 | Drive Drive Drive (Twenty Two and Still in Love with You) | — | ||
| 4-15 | Falling Upstairs | — | ||
| 4-16 | Spend My Whole Life Loving You | — | ||
| 4-17 | Take Me Down | — | ||
| 4-18 | This Is How I Feel | — | ||
| 4-19 | A Peck on the Cheek À La Politiqué | — | ||
| 4-20 | Kill All the Boys | — | ||
| 4-21 | Meat Mouth Is Murder | — | ||
| 4-22 | Cariño | — | ||
| 5-1 | 24 Hour Party People | Happy Mondays | T-010.148.929-5 | |
| 5-2 | Man in a Suit | — | ||
| 5-3 | Skin Storm | — | ||
| 5-5 | Hurry On Down (When Will I See You Again) | — | ||
| 5-6 | Pessimistic Man | — | ||
| 5-7 | The Deepest | — | ||
| 5-8 | Nice Time at the Disco | — | ||
| 5-9 | Subway Life | — | ||
| 5-10 | In Salford the Sun Doesn’t Shine | — | ||
| 5-11 | Passion in the Afternoon | — | ||
| 5-12 | The Last of the Famous International Playboys | — | ||
| 5-13 | Fanciable Headcase | — | ||
| 5-14 | C’est la vie | — | ||
| 5-15 | Chorus of the Lost | — | ||
| 5-16 | The Man With the Golden Arm | — | ||
| 5-17 | Ooh! This Feeling | — | ||
| 5-18 | All This and Heaven Too (radio edit) | — | ||
| 5-19 | Voodoo Ray | A Guy Called Gerald | T-010.325.262-5 | |
| 5-20 | Born in the North | — | ||
| 6-1 | What the World Is Waiting For | — | ||
| 6-2 | Vein | — | ||
| 6-3 | Swerve | — | ||
| 6-4 | Hold On | — | ||
| 6-5 | Waterskin | — | ||
| 6-6 | And Then She Smiles | — | ||
| 6-7 | 7 Reasons (demo) | — | ||
| 6-8 | Getting Away With It... | Electronic | T-011.382.966-5 | |
| 6-10 | The Only Rhyme That Bites | — | ||
| 6-11 | Big (edit) | — | ||
| 6-12 | Shall We Take a Trip | Northside | T-011.413.918-2 | |
| 6-13 | Get Ready | — | ||
| 6-14 | Perfume | — | ||
| 6-15 | Box Set Go | — | ||
| 6-16 | 18 Daze | — | ||
| 6-17 | Dazed | — | ||
| 6-18 | And It Wasn't a Dream | — | ||
| 6-19 | Coming Through Clear | — | ||
| 7-1 | Sproston Green | — | ||
| 7-2 | Giant Sea | — | ||
| 7-3 | Sons of the Stage | — | ||
| 7-4 | Dream Beam (7″ edit) | — | ||
| 7-6 | Space Face | — | ||
| 7-7 | Camper Van | — | ||
| 7-8 | Fly | — | ||
| 7-9 | Murder | — | ||
| 7-10 | Caterpillars | — | ||
| 7-11 | Soup | — | ||
| 7-12 | Lionrock | — | ||
| 7-13 | Song to the Siren | — | ||
| 7-14 | Can You Fly Like You Mean It (Gungadin) | — | ||
| 7-15 | Offshore | — | ||
| 7-16 | Dirt and Soul | — | ||
| 7-17 | Barny | — | ||
| 7-18 | Columbia (demo) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Temptation (7″ version) | New Order | T-010.206.456-1 |
| My Cherry Is in Sherry | Ludus | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5013929103801 is a Universal Product Code (UPC) assigned to Manchester North of England: A Story of Independent Music Greater Manchester 1977-1993 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 140 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5013929103801 is the Universal Product Code (UPC barcode) for the release “Manchester North of England: A Story of Independent Music Greater Manchester 1977-1993” by Various Artists, released 2017-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 140 tracks, each with its own ISRC. Tracks include GBAAP0600165, GBHBR0400578, GBHBR0402066.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Breakdown (demo) | — | ||
| 2 | Cranked Up Really High | — | ||
| 3 | Ain’t Bin to No Music School | — | ||
| 4 | Just Want to Be Myself (LP version) | — | ||
| 5 | Psycle Sluts Pts. 1 & 2 | — | ||
| 6 | Going Steady | — | ||
| 7 | Louie Louie (edit) | — | ||
| 8 | Heads Down, No Nonsense, Mindless Boogie | — | ||
| 9 | The Light Pours Out of Me | — | ||
| 10 | The Kill | — | ||
| 11 | Up and About | — | ||
| 12 | Man in the Box | — | ||
| 13 | Maybe It’s Love | — | ||
| 14 | Stay Awake | — | ||
| 15 | Voice in the Dark | — | ||
| 16 | She’s Lost Control | Joy Division | T-010.182.745-5 | |
| 17 | Baiser | — | ||
| 18 | To You | — | ||
| 19 | Manchester Boys | — | ||
| 20 | Snap It Around | — | ||
| 21 | Downpour | — | ||
| 22 | Warren Row | — | ||
| 23 | English Black Boys (edit) | — | ||
| 24 | Dem a Sus (In the Moss) | — | ||
| 2-1 | Rowche Rumble | — | ||
| 2-2 | The Kids Just Wanna Dance | — | ||
| 2-3 | Does It Matter Irene? | — | ||
| 2-4 | Yesterday’s Love | — | ||
| 2-5 | Big Noise in the Jungle | — | ||
| 2-6 | No Forgetting | — | ||
| 2-7 | Faith | — | ||
| 2-8 | Edward Fox | — | ||
| 2-9 | Some Like It Hot | — | ||
| 2-10 | Lips That Would Kiss | — | ||
| 2-11 | The Flood | — | ||
| 2-12 | I’m in Love With the Girl on the Manchester Virgin Megastore Checkout Desk | — | ||
| 2-13 | Cloud of Flies | — | ||
| 2-14 | Acid Tabla Dub | — | ||
| 2-15 | The Fox | — | ||
| 2-16 | Deaf | Crispy Ambulance | T-060.101.703-1 | |
| 2-17 | My Cherry Is in Sherry | Ludus | — | |
| 2-18 | Bricks | — | ||
| 2-19 | Subliminal | — | ||
| 2-20 | Valium Girls | — | ||
| 2-21 | In Shreds | — | ||
| 3-2 | Marking Time | — | ||
| 3-3 | Rosemary | — | ||
| 3-4 | Sugar Daddy | — | ||
| 3-5 | You’ve Got Me Beat | — | ||
| 3-6 | Discipline | — | ||
| 3-7 | Procession | — | ||
| 3-8 | Cool as Ice (U.S. 7″ edit) | — | ||
| 3-9 | Sharp Tongue | — | ||
| 3-10 | Aair Care | — | ||
| 3-11 | Of All - Leaves Were Falling | — | ||
| 3-12 | Working and Shopping | — | ||
| 3-13 | Love Tempo (Benelux edit) | — | ||
| 3-14 | Grunt Cadillac Hotel | — | ||
| 3-15 | Reach for Love | — | ||
| 3-16 | Looking From a Hilltop | — | ||
| 3-17 | Tell Me | — | ||
| 3-18 | All at Once | — | ||
| 3-19 | Spike Milligan’s Tape Recorder | — | ||
| 3-20 | Kitchen Sink Drama | — | ||
| 3-21 | Love at the Haçienda | — | ||
| 4-1 | Chain Mail | James | — | |
| 4-2 | Belle Vue | — | ||
| 4-3 | Whistling in the Dark | — | ||
| 4-4 | Scar Tissue | — | ||
| 4-5 | Why Popstars Can’t Dance | — | ||
| 4-6 | China Doll | — | ||
| 4-7 | Get High | — | ||
| 4-8 | Sharp | — | ||
| 4-9 | Me and My Mini | — | ||
| 4-10 | D’You Think I Look Like Elvis Presley? | — | ||
| 4-12 | Days of the Week | — | ||
| 4-13 | Let Go | — | ||
| 4-14 | Drive Drive Drive (Twenty Two and Still in Love with You) | — | ||
| 4-15 | Falling Upstairs | — | ||
| 4-16 | Spend My Whole Life Loving You | — | ||
| 4-17 | Take Me Down | — | ||
| 4-18 | This Is How I Feel | — | ||
| 4-19 | A Peck on the Cheek À La Politiqué | — | ||
| 4-20 | Kill All the Boys | — | ||
| 4-21 | Meat Mouth Is Murder | — | ||
| 4-22 | Cariño | — | ||
| 5-1 | 24 Hour Party People | Happy Mondays | T-010.148.929-5 | |
| 5-2 | Man in a Suit | — | ||
| 5-3 | Skin Storm | — | ||
| 5-5 | Hurry On Down (When Will I See You Again) | — | ||
| 5-6 | Pessimistic Man | — | ||
| 5-7 | The Deepest | — | ||
| 5-8 | Nice Time at the Disco | — | ||
| 5-9 | Subway Life | — | ||
| 5-10 | In Salford the Sun Doesn’t Shine | — | ||
| 5-11 | Passion in the Afternoon | — | ||
| 5-12 | The Last of the Famous International Playboys | — | ||
| 5-13 | Fanciable Headcase | — | ||
| 5-14 | C’est la vie | — | ||
| 5-15 | Chorus of the Lost | — | ||
| 5-16 | The Man With the Golden Arm | — | ||
| 5-17 | Ooh! This Feeling | — | ||
| 5-18 | All This and Heaven Too (radio edit) | — | ||
| 5-19 | Voodoo Ray | A Guy Called Gerald | T-010.325.262-5 | |
| 5-20 | Born in the North | — | ||
| 6-1 | What the World Is Waiting For | — | ||
| 6-2 | Vein | — | ||
| 6-3 | Swerve | — | ||
| 6-4 | Hold On | — | ||
| 6-5 | Waterskin | — | ||
| 6-6 | And Then She Smiles | — | ||
| 6-7 | 7 Reasons (demo) | — | ||
| 6-8 | Getting Away With It... | Electronic | T-011.382.966-5 | |
| 6-10 | The Only Rhyme That Bites | — | ||
| 6-11 | Big (edit) | — | ||
| 6-12 | Shall We Take a Trip | Northside | T-011.413.918-2 | |
| 6-13 | Get Ready | — | ||
| 6-14 | Perfume | — | ||
| 6-15 | Box Set Go | — | ||
| 6-16 | 18 Daze | — | ||
| 6-17 | Dazed | — | ||
| 6-18 | And It Wasn't a Dream | — | ||
| 6-19 | Coming Through Clear | — | ||
| 7-1 | Sproston Green | — | ||
| 7-2 | Giant Sea | — | ||
| 7-3 | Sons of the Stage | — | ||
| 7-4 | Dream Beam (7″ edit) | — | ||
| 7-6 | Space Face | — | ||
| 7-7 | Camper Van | — | ||
| 7-8 | Fly | — | ||
| 7-9 | Murder | — | ||
| 7-10 | Caterpillars | — | ||
| 7-11 | Soup | — | ||
| 7-12 | Lionrock | — | ||
| 7-13 | Song to the Siren | — | ||
| 7-14 | Can You Fly Like You Mean It (Gungadin) | — | ||
| 7-15 | Offshore | — | ||
| 7-16 | Dirt and Soul | — | ||
| 7-17 | Barny | — | ||
| 7-18 | Columbia (demo) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Temptation (7″ version) | New Order | T-010.206.456-1 |
| My Cherry Is in Sherry | Ludus | — |
