UPC · Release
Revolutionary Spirit: The Sound of Liverpool 1976–1988
Various Artists
5013929103900
22 tracksReleased 2018-01-01Cherry Red
Last verified:
5013929103900 is the Universal Product Code (UPC barcode) for the release “Revolutionary Spirit: The Sound of Liverpool 1976–1988” by Various Artists, released 2018-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBBLY1707738, GBBLY1707739, GBAHW0500638.
Format
501GS1 prefix
3929Company prefix
10390Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCRevolutionary Spirit: The Sound of Liverpool 1976–1988
ISRC22 recordings
ISWC27 works
IPI2 songwriters
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | What a Way to End It All | Deaf School | — | |
| 2 | Big in Japan | Big in Japan | — | |
| 3 | Suffice to Say | Yachts | — | |
| 4 | The Pictures on My Wall | Echo and the Bunnymen | — | |
| 5 | Lil’s Gone to Paris | Ded Byrds | — | |
| 6 | Breakthrough in Grey Room | 051 | — | |
| 7 | Today’s Mystery Is… | The Dance Party | T9112406812 | |
| 8 | Sleeping Gas | The Teardrop Explodes | T-010.473.273-1 | |
| 9 | Faction | Faction | — | |
| 10 | Touch | Lori & the Chameleons | T9064878246 | |
| 11 | Black Leather | Nightmares in Wax | — | |
| 12 | Bunker Soldiers | Orchestral Manoeuvres in the Dark | T-010.473.886-4 | |
| 13 | 194 Radio City | Jaqui & Jeanette | — | |
| 14 | Lovely Evening | Clive Langer & The Boxes | T0108592397 | |
| 15 | Morning, Noon and Night | Glass Torpedoes | — | |
| 16 | Could This Be Heaven | Original Mirrors | — | |
| 17 | Heads I Win | The Moondogs | — | |
| 18 | Break It to Me Gently | The Planets | T9245841558 | |
| 19 | Do the Chud | The Chuddy Nuddies | — | |
| 20 | British Refugee | Spitfire Boys | — | |
| 21 | The Doctor | Geisha Girls | — | |
| 22 | Don’t Stop the World | Deaf School | T0104666547 |
What a Way to End It All
Deaf School
—
Big in Japan
Big in Japan
—
Suffice to Say
Yachts
—
The Pictures on My Wall
Echo and the Bunnymen
—
Lil’s Gone to Paris
Ded Byrds
—
Breakthrough in Grey Room
051
—
Faction
Faction
—
Black Leather
Nightmares in Wax
—
194 Radio City
Jaqui & Jeanette
—
Morning, Noon and Night
Glass Torpedoes
—
Could This Be Heaven
Original Mirrors
—
Heads I Win
The Moondogs
—
Do the Chud
The Chuddy Nuddies
—
British Refugee
Spitfire Boys
—
The Doctor
Geisha Girls
—
Additional database matches (85)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | T-011295553-9 |
| She’s Locked My Life Up in Her Suitcase | Steve Lindsey | — |
| Telecommunication | A Flock of Seagulls | T0113565142 |
| African and White | China Crisis | T-010.477.919-2 |
| Too Late to Fly the Flag | Hambi and the Dance | — |
| Jean’s Not Happening | The Pale Fountains | — |
| Rescue | Echo and the Bunnymen | — |
| Rescue | Echo and the Bunnymen | — |
| Rescue | Echo and the Bunnymen | T-928924340-9 |
| Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 |
| Flaming Sword | Care | — |
| The First Picture of You | The Lotus Eaters | T-011290259-6 |
| Valley of Evergreen | Alternative Radio | — |
| Birds Fly (Whisper to a Scream) | The Icicle Works | T0101351170 |
| Sons Of | Thomas Lang | T9003290060 |
| Misty Circles | Dead or Alive | — |
| Hit the Moon | Ellery Bop | — |
| Human Features | Black | — |
| Total Recall | Systems | — |
| Touch | Freeze Frame | — |
| Superman | Attempted Moustache | T0053236831 |
| Intercontinental | Afraid of Mice | — |
| Piggie in the Middle Eight | Cook the Books | — |
| Creation Rebel | Windows | — |
| My Motive | Chinese Religion | — |
| Soldiers | Egypt for Now | — |
| Down at the Zoo | Those Naughty Lumps | — |
| Launderette | A Formal Sigh | — |
| Nightlife | The Moderates | — |
| Don’t Let Go | Pink Industry | T8005023304 |
| Obsessions | Passion Polka | — |
| I’m Thinking of You Now | Box of Toys | — |
| Dorian Gray | The Bamboo Fringe | — |
| Oceanic Explorers | Ex-Post Facto | — |
| Some Aspects | Chain of Command | — |
| He’s Dead Alright | Ambrose Reynolds | — |
| Art on 45 | Royal Family and the Poor | — |
| Themes for ‘Grind’ Scene V | Will Sergeant | — |
| A Gigantic Raft in the Philippines | It’s Immaterial | — |
| Toxteth | Public Disgrace | — |
| Playing for Time | Send No Flowers | — |
| Things Have Learnt to Walk That Ought to Crawl | The Room | — |
| She Keeps Her Secret | The Balcony (Mk 1) | — |
| Burst Balloons | The Turquoise Swimming Pools | — |
| Reasons to Live | Mr Amir | — |
| Every Day Another Dream | Brenda and the Beach Balls | — |
| Are You Ready (For That Feeling)? | Virgin Dance | — |
| Jimmy’s Grin | Margox | — |
| Kardomah Café (2017 mix) | The Cherry Boys | — |
| Contrasting Strangers | The Light | — |
| It’s a Wonderful Life | The Balcony (Mk II) | — |
| Working for the Man | The High Five | T0709408683 |
| James Where Are You Now? | The Press Gang | — |
| My War | Western Promise | — |
| Don’t Cry Darling (Daddy Had to Drown the Cat) | Old Ma Cuxsom and the Soapchoppers | — |
| Happen | The Riotous Hues | — |
| Bomb Sutra | The Mel-O-Tones | — |
| Hell | Marshmallow Overcoat | — |
| Always the Bridesmaid | Jegsy Dodd and the Sons of Harry Cross | — |
| Get Down Over | The La’s | T9012323261 |
| Hipe and Her Cheek Electric (demo) | Barbel | — |
| A Trick of Fate | Magic Carpets | — |
| Devil Laughing | Benny Profane | — |
| The Tallest Man | Jactars | — |
| Didn’t We Have a Nice Time (and All My Friends Are Here) | The Tempest | — |
| Precious Love | The Onset | T0113578838 |
| Pat Nevin’s Eyes | The Tractors | — |
| Dance | Cyclic Amp | — |
| When You’re In | The DaVincis | — |
| Tantric Wipeout | The Walking Seeds | — |
| Burnin’ and Lootin’ | The Ministry of Love | T-070.015.164-9 |
| Big Bad Money World | A Game of Soldiers | — |
| Only in America | Exhibit B | — |
| Come Holy Spirit | Revolutionary Army of the Infant Jesus | — |
| Skateaway | Dire Straits | T-010.474.553-0 |
| Telecommunication | A Flock of Seagulls | — |
| Dalek I Love You (Destiny) | Dalek I | — |
| Way Out | The La’s | T0103352153 |
| Euthenics | Modern Eon | — |
| Nuclear Summer | The Nice Men | — |
| Revolutionary Spirit (stereo mix) | The Wild Swans | — |
| Through the Glass | Shiny Two Shiny | — |
| Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | T-011.295.553-9 |
| Telecommunication | A Flock of Seagulls | T-011356514-2 |
| Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 |
Frankie Goes to Hollywood
She’s Locked My Life Up in Her Suitcase
Steve Lindsey
—
A Flock of Seagulls
China Crisis
Too Late to Fly the Flag
Hambi and the Dance
—
Jean’s Not Happening
The Pale Fountains
—
Rescue
Echo and the Bunnymen
—
Rescue
Echo and the Bunnymen
—
Echo and the Bunnymen
Frankie Goes to Hollywood
Flaming Sword
Care
—
The Lotus Eaters
Valley of Evergreen
Alternative Radio
—
The Icicle Works
Thomas Lang
Misty Circles
Dead or Alive
—
Hit the Moon
Ellery Bop
—
Human Features
Black
—
Total Recall
Systems
—
Touch
Freeze Frame
—
Attempted Moustache
Intercontinental
Afraid of Mice
—
Piggie in the Middle Eight
Cook the Books
—
Creation Rebel
Windows
—
My Motive
Chinese Religion
—
Soldiers
Egypt for Now
—
Down at the Zoo
Those Naughty Lumps
—
Launderette
A Formal Sigh
—
Nightlife
The Moderates
—
Pink Industry
Obsessions
Passion Polka
—
I’m Thinking of You Now
Box of Toys
—
Dorian Gray
The Bamboo Fringe
—
Oceanic Explorers
Ex-Post Facto
—
Some Aspects
Chain of Command
—
He’s Dead Alright
Ambrose Reynolds
—
Art on 45
Royal Family and the Poor
—
Themes for ‘Grind’ Scene V
Will Sergeant
—
A Gigantic Raft in the Philippines
It’s Immaterial
—
Toxteth
Public Disgrace
—
Playing for Time
Send No Flowers
—
Things Have Learnt to Walk That Ought to Crawl
The Room
—
She Keeps Her Secret
The Balcony (Mk 1)
—
Burst Balloons
The Turquoise Swimming Pools
—
Reasons to Live
Mr Amir
—
Every Day Another Dream
Brenda and the Beach Balls
—
Are You Ready (For That Feeling)?
Virgin Dance
—
Jimmy’s Grin
Margox
—
Kardomah Café (2017 mix)
The Cherry Boys
—
Contrasting Strangers
The Light
—
It’s a Wonderful Life
The Balcony (Mk II)
—
The High Five
James Where Are You Now?
The Press Gang
—
My War
Western Promise
—
Don’t Cry Darling (Daddy Had to Drown the Cat)
Old Ma Cuxsom and the Soapchoppers
—
Happen
The Riotous Hues
—
Bomb Sutra
The Mel-O-Tones
—
Hell
Marshmallow Overcoat
—
Always the Bridesmaid
Jegsy Dodd and the Sons of Harry Cross
—
The La’s
Hipe and Her Cheek Electric (demo)
Barbel
—
A Trick of Fate
Magic Carpets
—
Devil Laughing
Benny Profane
—
The Tallest Man
Jactars
—
Didn’t We Have a Nice Time (and All My Friends Are Here)
The Tempest
—
The Onset
Pat Nevin’s Eyes
The Tractors
—
Dance
Cyclic Amp
—
When You’re In
The DaVincis
—
Tantric Wipeout
The Walking Seeds
—
The Ministry of Love
Big Bad Money World
A Game of Soldiers
—
Only in America
Exhibit B
—
Come Holy Spirit
Revolutionary Army of the Infant Jesus
—
Dire Straits
Telecommunication
A Flock of Seagulls
—
Dalek I Love You (Destiny)
Dalek I
—
The La’s
Euthenics
Modern Eon
—
Nuclear Summer
The Nice Men
—
Revolutionary Spirit (stereo mix)
The Wild Swans
—
Through the Glass
Shiny Two Shiny
—
Frankie Goes to Hollywood
A Flock of Seagulls
Frankie Goes to Hollywood
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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Verified on
What is UPC 5013929103900?
5013929103900 is a Universal Product Code (UPC) assigned to Revolutionary Spirit: The Sound of Liverpool 1976–1988 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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