UPC · Release
Various Artists
Last verified:
The UPC for “Third Noise Principle: Formative North American Electronica 1975–1984” by Various Artists is 5013929107007. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Cherry Red. This release contains 59 tracks, each with its own ISRC. Tracks include GBBLY1900001, GBBLY1900002, GBBLY1900003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Devil Makes the Loudest Noise | Tone Set | — | |
| 2 | Creators | Data-Bank-A | — | |
| 3 | Mambopolis | Richard Bone | — | |
| 4 | Logarithms | Geoffrey Landers | — | |
| 5 | Current Slaughter | Rhythm And Noise | — | |
| 6 | The Metal Benders | Dark Day | — | |
| 7 | Push Me, Pull You (Pt 2) | Futurisk | — | |
| 8 | Dancing Hairpiece Wears Two Left Shoes | Smegma | — | |
| 9 | Rocket USA | Suicide | T-902.822.470-6 | |
| 10 | Intermission: “Pop” | Lon C. Diehl | — | |
| 11 | First Mutation | Kevin Lazar | — | |
| 12 | AM City | Voice Farm | — | |
| 13 | Donkeys Bearing Cups | Craig Leon | — | |
| 14 | I Adore You | German Shepherds | — | |
| 15 | SlabYard | Psyclones | — | |
| 2-1 | 99 Space Music | The Residents | — | |
| 2-2 | Hands Across the Sea (Pt 2) | K7SS | — | |
| 2-3 | Archie’s Dub | K. Leimer | — | |
| 2-4 | Simulation/Stimulation | Hunting Lodge | — | |
| 2-5 | Hello Greg | Short-Term Memory | — | |
| 2-6 | Be Good | Blackhouse | — | |
| 2-7 | Ange des orages | Philip Glass | T-011.144.993-4 | |
| 2-8 | Primordial Landscape | Patrick Cowley | — | |
| 2-9 | Mind Over Matter (demo) | Psyche | — | |
| 2-10 | Lowdown | Galen Herod | — | |
| 2-11 | Max Pale Red | Cyrnai | — | |
| 2-12 | Mode of Infection | NON | — | |
| 2-13 | Oleo Strut | Marc Barreca | — | |
| 2-14 | Electric Piece | F/i | — | |
| 2-15 | Drums | Laurie Spiegel | — | |
| 3-1 | Across the Lake of the Ancient Word | Terry Riley | — | |
| 3-2 | Unwinding | Michael William Gilbert | — | |
| 3-3 | Mrs Laura | If, Bwana | — | |
| 3-4 | Inacontact | Chrome | — | |
| 3-5 | Slimy Stew and Pussy Gruel (Extract) | Dog as Master | — | |
| 3-6 | Evening Thoughts | Anode | — | |
| 3-7 | Damarc | XX Committee | — | |
| 3-8 | Cat Vomit Punk House | Girls On Fire | — | |
| 3-9 | United We Fall | Problemist | — | |
| 3-10 | 1981–83 Source Mix | Mystery Hearsay | — | |
| 3-11 | What the Peeper Saw | Smersh | — | |
| 3-12 | Catalyze (Subjection to Catalyst) | Boy Dirt Car | — | |
| 3-13 | AO 01 ‘Reagent’ | Architects Office | — | |
| 3-14 | Sad Horror Film | Mental Anguish | — | |
| 3-15 | Untitled #3 | Controlled Bleeding | — | |
| 4-1 | Geomancy | Joel Graham | — | |
| 4-2 | Thirty Years | Executive Slacks | — | |
| 4-3 | Madness | Lou Champagne System | — | |
| 4-4 | Nite and Day (Homage à Cole Porter) | Tuxedomoon | T-070.152.461-9 | |
| 4-5 | Anemone Housing | Factrix | — | |
| 4-7 | Police Story | Sequencer People | — | |
| 4-8 | Dancing on the Berlin Wall (demo) | Rational Youth | — | |
| 4-9 | Untitled | F/i, Boy Dirt Car | — | |
| 4-10 | Possibly Winston | Isosceles | — | |
| 4-11 | Worlds | Steve Roach | — | |
| 4-12 | Ice Floe | Young Scientist | — | |
| 4-13 | 36A3 | John Bender | — | |
| 4-14 | Work for Love (dub) | Ministry | — | |
| 4-15 | Clerk Charade | Moev | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Womble (45rpm version) | Nash the Slash | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5013929107007 is a Universal Product Code (UPC) assigned to Third Noise Principle: Formative North American Electronica 1975–1984 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Third Noise Principle: Formative North American Electronica 1975–1984” by Various Artists is 5013929107007. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Cherry Red. This release contains 59 tracks, each with its own ISRC. Tracks include GBBLY1900001, GBBLY1900002, GBBLY1900003.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Devil Makes the Loudest Noise | Tone Set | — | |
| 2 | Creators | Data-Bank-A | — | |
| 3 | Mambopolis | Richard Bone | — | |
| 4 | Logarithms | Geoffrey Landers | — | |
| 5 | Current Slaughter | Rhythm And Noise | — | |
| 6 | The Metal Benders | Dark Day | — | |
| 7 | Push Me, Pull You (Pt 2) | Futurisk | — | |
| 8 | Dancing Hairpiece Wears Two Left Shoes | Smegma | — | |
| 9 | Rocket USA | Suicide | T-902.822.470-6 | |
| 10 | Intermission: “Pop” | Lon C. Diehl | — | |
| 11 | First Mutation | Kevin Lazar | — | |
| 12 | AM City | Voice Farm | — | |
| 13 | Donkeys Bearing Cups | Craig Leon | — | |
| 14 | I Adore You | German Shepherds | — | |
| 15 | SlabYard | Psyclones | — | |
| 2-1 | 99 Space Music | The Residents | — | |
| 2-2 | Hands Across the Sea (Pt 2) | K7SS | — | |
| 2-3 | Archie’s Dub | K. Leimer | — | |
| 2-4 | Simulation/Stimulation | Hunting Lodge | — | |
| 2-5 | Hello Greg | Short-Term Memory | — | |
| 2-6 | Be Good | Blackhouse | — | |
| 2-7 | Ange des orages | Philip Glass | T-011.144.993-4 | |
| 2-8 | Primordial Landscape | Patrick Cowley | — | |
| 2-9 | Mind Over Matter (demo) | Psyche | — | |
| 2-10 | Lowdown | Galen Herod | — | |
| 2-11 | Max Pale Red | Cyrnai | — | |
| 2-12 | Mode of Infection | NON | — | |
| 2-13 | Oleo Strut | Marc Barreca | — | |
| 2-14 | Electric Piece | F/i | — | |
| 2-15 | Drums | Laurie Spiegel | — | |
| 3-1 | Across the Lake of the Ancient Word | Terry Riley | — | |
| 3-2 | Unwinding | Michael William Gilbert | — | |
| 3-3 | Mrs Laura | If, Bwana | — | |
| 3-4 | Inacontact | Chrome | — | |
| 3-5 | Slimy Stew and Pussy Gruel (Extract) | Dog as Master | — | |
| 3-6 | Evening Thoughts | Anode | — | |
| 3-7 | Damarc | XX Committee | — | |
| 3-8 | Cat Vomit Punk House | Girls On Fire | — | |
| 3-9 | United We Fall | Problemist | — | |
| 3-10 | 1981–83 Source Mix | Mystery Hearsay | — | |
| 3-11 | What the Peeper Saw | Smersh | — | |
| 3-12 | Catalyze (Subjection to Catalyst) | Boy Dirt Car | — | |
| 3-13 | AO 01 ‘Reagent’ | Architects Office | — | |
| 3-14 | Sad Horror Film | Mental Anguish | — | |
| 3-15 | Untitled #3 | Controlled Bleeding | — | |
| 4-1 | Geomancy | Joel Graham | — | |
| 4-2 | Thirty Years | Executive Slacks | — | |
| 4-3 | Madness | Lou Champagne System | — | |
| 4-4 | Nite and Day (Homage à Cole Porter) | Tuxedomoon | T-070.152.461-9 | |
| 4-5 | Anemone Housing | Factrix | — | |
| 4-7 | Police Story | Sequencer People | — | |
| 4-8 | Dancing on the Berlin Wall (demo) | Rational Youth | — | |
| 4-9 | Untitled | F/i, Boy Dirt Car | — | |
| 4-10 | Possibly Winston | Isosceles | — | |
| 4-11 | Worlds | Steve Roach | — | |
| 4-12 | Ice Floe | Young Scientist | — | |
| 4-13 | 36A3 | John Bender | — | |
| 4-14 | Work for Love (dub) | Ministry | — | |
| 4-15 | Clerk Charade | Moev | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Womble (45rpm version) | Nash the Slash | — |
