UPC · Album
Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981
Various Artists
Last verified:
5013929107403 is the Universal Product Code (UPC barcode) for the release “Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981” by Various Artists, released 2019-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 105 tracks, each with its own ISRC. Tracks include DEG930690193, DES011500091, DES011600012.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (113)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Launderette | Vivien Goldman | DEG930690193 |
| Launderette | Vivien Goldman | DES011500091 |
| Launderette | Vivien Goldman | DES011600012 |
| Every Day I Die | The Frantic Elevators | GB5KW1900561 |
| The Damage Done | The Sisters of Mercy | GBAHS1000065 |
| Suspended Sentence | John Cooper Clarke | GBAJE0507143 |
| Domestic Departure | Au Pairs | GBAJE0602390 |
| Black Velvet | Swell Maps | GBAJH0401433 |
| Them or Me | Medium Medium | GBBLY0100064 |
| The Feeling’s Mutual | Eyeless in Gaza | GBBLY0200171 |
| The Competition | The Passage | GBBLY0602254 |
| O Levels | ‘O’ Level | GBBLY0700767 |
| H‐Eyes | The Ruts | GBBLY0800867 |
| Politics! | Girls at Our Best! | GBBLY0900590 |
| Freeway | The Outsiders | GBBLY1200382 |
| No Message | The Mystere Fives | GBBLY1500741 |
| Launderette | Vivien Goldman | GBBLY1600707 |
| Bingo‐Master | The Fall | GBBLY1602592 |
| Fashionable Junkies | The Membranes | GBBLY1700323 |
| Shangri‐La | Nightmares in Wax | GBBLY1805149 |
| Hard Times | Attrix | GBBLY1902594 |
| Fruitless | Devil's Dykes | GBBLY1902595 |
| The Ultimate System | Murder the Disturbed | GBBLY1902596 |
| Metal Sheet | Second Layer | GBBLY1902597 |
| Reconstruction | English Subtitles | GBBLY1902598 |
| You Get Everywhere | The Chefs | GBBLY1902599 |
| Get | Blurt | GBBLY1902600 |
| You Get What You Deserve (A Love Song) | Charge | GBBLY1902601 |
| Motorway | Emma Sharpe | GBBLY1902602 |
| The Russians Are Coming | The Red Squares | GBBLY1902603 |
| Nobody’s Scared | Subway Sect | GBBLY1902624 |
| Washed Up | The Freshies | GBBLY1902625 |
| Wolf | pragVec | GBBLY1902626 |
| 01‐01‐212 | Vice Creems | GBBLY1902627 |
| Times Encounter | Nigel Simpkins | GBBLY1902628 |
| I Don’t Want to Work for British Airways | Scissor Fits | GBBLY1902629 |
| Heathen | The Pack | GBBLY1902630 |
| In Love | The Raincoats | GBBLY1902631 |
| Sing Song | The Tea Set | GBBLY1902632 |
| Mother Moon | Artery | GBBLY1902633 |
| Nagasaki’s Children | They Must Be Russians | GBBLY1902634 |
| Cold Rebellion | Metrophase | GBBLY1902635 |
| God’s Got Religion | The Steppes | GBBLY1902636 |
| Top of the Pops | The Disco Zombies | GBBLY1902637 |
| Exhibition | Pneumania | GBBLY1902638 |
| Masochistic Opposite | Mo-Dettes | GBBLY1902639 |
| Art Nouveau | The Bodies | GBBLY1902640 |
| Oscar Automobile | Weird Strings | GBBLY1902641 |
| Self Employed | Again Again | GBBLY1902642 |
| Authophagous | Manic Jabs | GBBLY1902643 |
| Could Be Her, Could Be You | Thompson Twins | GBBLY1902644 |
| Everything's Roses | Fire Engines | GBBLY1902645 |
| Should Be More Ideal | The 49 Americans | GBBLY1902646 |
| I Remember | Cult Figures | GBBLY1902647 |
| Chips for Tea | The Laughing Apple | GBBLY1902648 |
| Defeated | The Legendary Pink Dots | GBBLY1902649 |
| Shades of Black | Screen 3 | GBBLY1902650 |
| Plan 9 From Outer Space | The Happy Few | GBBLY1902651 |
| Break the Ice at Parties | The Tesco Bombers | GBBLY1902652 |
| I Wanna Be Around (Paul) | …and the Native Hipsters | GBBLY1902653 |
| Choreography | Modern Eon | GBBLY1902654 |
| You’ll Lose | The Drones | GBBLY7700015 |
| It | The Tights | GBBLY7800002 |
| Girl Gets Nervous | Nicky & the Dots | GBBLY7800026 |
| Lord Lucan Is Missing | The Dodgems | GBBLY7800028 |
| Hey Operator | The Lillettes | GBBLY7900064 |
| Christine Keeler | Glaxo Babies | GBBLY7900077 |
| Zigzagging | The Reflections | GBBLY8100129 |
| Holiday Song | Marine Girls | GBBLY8100210 |
| Bloody | The Golinski Brothers | GBBLY8100268 |
| When I See You | Sad Lovers and Giants | GBBLY8200568 |
| He’s Frank | The Monochrome Set | GBBLY8300079 |
| Lean on Me | The Distributors | GBBLY8500288 |
| Short Time | Rhythm Clicks | GBBLY8500290 |
| The Return | Normil Hawaiians | GBBLY8500298 |
| Love Lies Limp | Alternative TV | GBBLY8900060 |
| Michael’s Monetary System | Eater | GBBLY9300255 |
| International | Thomas Leer | GBBLY9400025 |
| Optimism/Reject | Patrik Fitzgerald | GBBLY9400208 |
| The Demon | Punishment of Luxury | GBBLY9600139 |
| Commuter Man | The Molesters | GBBLY9600144 |
| Beautiful Pictures | Fatal Microbes | GBBLY9600150 |
| Cold City | Spizzoil | GBBLY9600299 |
| Mixed Up World | Victim | GBBNU0300524 |
| Subculture Fashion Slaves | The Door and the Window | GBBNU0300562 |
| Situations Vacant | The Cravats | GBBNU1201128 |
| Neutron Bomb | The Art Attacks | GBBNU7800002 |
| Stereo Love | Proles | GBBNU7800012 |
| Chimneys | Tagmemics | GBBNU8000004 |
| Cool | Jerks | GBBNU9710051 |
| (I Saw) Batman (In the Launderette) | The Shapes | GBBNU9800152 |
| Final Day | Young Marble Giants | GBCEL0700262 |
| Nobody’s Scared | Subway Sect | GBCFK7805501 |
| Justice Not Vengeance | A Popular History of Signs | GBCST1321702 |
| I Don’t Believe | Disturbed | GBCST1390901 |
| Domino Theory | To the Finland Station | GBCST1990201 |
| Playing Golf (With My Flesh Crawling) | Family Fodder | GBCST7926204 |
| Is and Ought the Western World | Scritti Politti | GBCVZ0300974 |
| Chance Meeting | Josef K | GBHBR0400343 |
| Motion | The Room | GBHBR0400402 |
| Ethics | 23 Skidoo | GBHBR0404302 |
| Chance Meeting | Josef K | GBHBR0405474 |
| Chance Meeting | Josef K | GBHBR0406135 |
| Insect Love | The Higsons | GBJQR0300022 |
| Police Oppression | Angelic Upstarts | GBPYM1010049 |
| Charles | Skids | GBUM71405706 |
| Modichy in Aneration | Blancmange | QMBZ91308693 |
| Aerosol Burns | Essential Logic | UK8RE1500277 |
| Boys Keep Swinging | The Associates | UKCUL1600017 |
| On the Air | The Lines | US22N0821002 |
| Minstrel Radio Yoghurt | The Deep Freeze Mice | USCGJ1775471 |
| In Love | The Raincoats | USGF19362210 |
| Aerosol Burns | Essential Logic | USKRS0339901 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
What is UPC 5013929107403?
5013929107403 is a Universal Product Code (UPC) assigned to Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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