UPC · Release
Various Artists
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The UPC for “Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981” by Various Artists is 5013929107403. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Cherry Red. This release contains 105 tracks, each with its own ISRC. Tracks include GBBLY9300255, GBBLY7700015, GBBLY8900060.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Michael’s Monetary System | Eater | — | |
| 2 | You’ll Lose | The Drones | T-070.211.937-6 | |
| 3 | Love Lies Limp | Alternative TV | — | |
| 4 | Freeway | The Outsiders | T-070.058.645-3 | |
| 5 | Suspended Sentence | John Cooper Clarke | — | |
| 6 | O Levels | ‘O’ Level | T-909.348.342-2 | |
| 7 | Black Velvet | Swell Maps | — | |
| 8 | Optimism/Reject | Patrik Fitzgerald | T-011.468.235-7 | |
| 9 | Hard Times | Attrix | — | |
| 10 | Nobody’s Scared | Subway Sect | — | |
| 11 | Washed Up | The Freshies | — | |
| 12 | Charles | Skids | T-010.417.467-5 | |
| 13 | Police Oppression | Angelic Upstarts | — | |
| 14 | Neutron Bomb | The Art Attacks | — | |
| 15 | Mixed Up World | Victim | — | |
| 16 | Aerosol Burns | Essential Logic | — | |
| 17 | It | The Tights | T-926.766.637-5 | |
| 18 | The Demon | Punishment of Luxury | T-309.124.715-9 | |
| 19 | Bingo‐Master | The Fall | — | |
| 20 | Situations Vacant | The Cravats | — | |
| 21 | Is and Ought the Western World | Scritti Politti | — | |
| 22 | Wolf | pragVec | T-923.166.764-4 | |
| 23 | Cool | Jerks | — | |
| 24 | He’s Frank | The Monochrome Set | T-901.924.806-7 | |
| 25 | International | Thomas Leer | — | |
| 26 | Fruitless | Devil's Dykes | — | |
| 27 | 01‐01‐212 | Vice Creems | — | |
| 28 | Times Encounter | Nigel Simpkins | — | |
| 2-1 | H‐Eyes | The Ruts | T-011.586.035-9 | |
| 2-2 | Lord Lucan Is Missing | The Dodgems | T-010.057.714-7 | |
| 2-3 | The Competition | The Passage | — | |
| 2-4 | Girl Gets Nervous | Nicky & the Dots | — | |
| 2-5 | I Don’t Want to Work for British Airways | Scissor Fits | — | |
| 2-6 | Cold City | Spizzoil | T-010.600.903-3 | |
| 2-7 | (I Saw) Batman (In the Launderette) | The Shapes | — | |
| 2-8 | Stereo Love | Proles | — | |
| 2-9 | Commuter Man | The Molesters | — | |
| 2-10 | Heathen | The Pack | T-010.476.094-2 | |
| 2-11 | In Love | The Raincoats | — | |
| 2-12 | Sing Song | The Tea Set | T-071.874.434-3 | |
| 2-13 | Mother Moon | Artery | — | |
| 2-14 | The Ultimate System | Murder the Disturbed | — | |
| 2-15 | Playing Golf (With My Flesh Crawling) | Family Fodder | — | |
| 2-16 | Every Day I Die | The Frantic Elevators | — | |
| 2-17 | Nagasaki’s Children | They Must Be Russians | — | |
| 2-18 | Metal Sheet | Second Layer | — | |
| 2-19 | Cold Rebellion | Metrophase | — | |
| 2-20 | I Don’t Believe | Disturbed | T-072.106.585-5 | |
| 2-21 | Subculture Fashion Slaves | The Door and the Window | — | |
| 2-22 | God’s Got Religion | The Steppes | — | |
| 2-23 | Christine Keeler | Glaxo Babies | — | |
| 2-24 | Boys Keep Swinging | The Associates | T-900.017.868-7 | |
| 2-25 | Beautiful Pictures | Fatal Microbes | — | |
| 2-26 | Top of the Pops | The Disco Zombies | — | |
| 2-27 | Exhibition | Pneumania | — | |
| 3-1 | Domestic Departure | Au Pairs | T-011.282.282-8 | |
| 3-2 | Reconstruction | English Subtitles | — | |
| 3-3 | Them or Me | Medium Medium | — | |
| 3-4 | Choreography | Modern Eon | T-070.024.853-8 | |
| 3-5 | Chance Meeting | Josef K | T-010.183.990-0 | |
| 3-6 | On the Air | The Lines | T-902.825.507-4 | |
| 3-7 | Masochistic Opposite | Mo-Dettes | T-010.822.796-8 | |
| 3-8 | Minstrel Radio Yoghurt | The Deep Freeze Mice | — | |
| 3-9 | You Get Everywhere | The Chefs | — | |
| 3-10 | Bloody | The Golinski Brothers | T-070.014.875-9 | |
| 3-11 | Hey Operator | The Lillettes | — | |
| 3-12 | Art Nouveau | The Bodies | — | |
| 3-13 | Shangri‐La | Nightmares in Wax | — | |
| 3-14 | Oscar Automobile | Weird Strings | — | |
| 3-15 | Self Employed | Again Again | — | |
| 3-16 | Fashionable Junkies | The Membranes | — | |
| 3-17 | Authophagous | Manic Jabs | — | |
| 3-18 | Modichy in Aneration | Blancmange | — | |
| 3-19 | No Message | The Mystere Fives | — | |
| 3-20 | The Feeling’s Mutual | Eyeless in Gaza | T-011.384.898-8 | |
| 3-21 | Lean on Me | The Distributors | T-902.822.215-3 | |
| 3-22 | Chimneys | Tagmemics | — | |
| 3-23 | Short Time | Rhythm Clicks | T-901.611.442-4 | |
| 3-24 | Get | Blurt | T-900.229.482-8 | |
| 4-1 | Final Day | Young Marble Giants | T-010.246.441-4 | |
| 4-2 | You Get What You Deserve (A Love Song) | Charge | T-070.003.413-4 | |
| 4-3 | The Damage Done | The Sisters of Mercy | T-011.441.946-3 | |
| 4-4 | Politics! | Girls at Our Best! | T-010.100.515-5 | |
| 4-5 | Justice Not Vengeance | A Popular History of Signs | — | |
| 4-6 | Could Be Her, Could Be You | Thompson Twins | T-070.029.466-1 | |
| 4-7 | Everything's Roses | Fire Engines | T-011.289.092-2 | |
| 4-8 | Motorway | Emma Sharpe | T-901.126.629-8 | |
| 4-9 | The Russians Are Coming | The Red Squares | — | |
| 4-10 | Motion | The Room | — | |
| 4-11 | Should Be More Ideal | The 49 Americans | — | |
| 4-12 | I Remember | Cult Figures | — | |
| 4-13 | Insect Love | The Higsons | — | |
| 4-14 | Chips for Tea | The Laughing Apple | T-911.164.955-9 | |
| 4-15 | Defeated | The Legendary Pink Dots | — | |
| 4-16 | Holiday Song | Marine Girls | — | |
| 4-17 | The Return | Normil Hawaiians | T-921.689.290-9 | |
| 4-18 | Zigzagging | The Reflections | — | |
| 4-19 | When I See You | Sad Lovers and Giants | T-071.017.442-7 | |
| 4-20 | Domino Theory | To the Finland Station | — | |
| 4-21 | Launderette | Vivien Goldman | — | |
| 4-22 | Ethics | 23 Skidoo | — | |
| 4-23 | Shades of Black | Screen 3 | — | |
| 4-24 | Plan 9 From Outer Space | The Happy Few | — | |
| 4-25 | Break the Ice at Parties | The Tesco Bombers | — | |
| 4-26 | I Wanna Be Around (Paul) | …and the Native Hipsters | T-070.908.085-2 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Nobody’s Scared | Subway Sect | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5013929107403 is a Universal Product Code (UPC) assigned to Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981” by Various Artists is 5013929107403. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Cherry Red. This release contains 105 tracks, each with its own ISRC. Tracks include GBBLY9300255, GBBLY7700015, GBBLY8900060.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Nobody’s Scared | Subway Sect | — |
