UPC · Release
Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981
Various Artists
5013929107403
28 tracksReleased 2019-01-01Cherry Red
Last verified:
5013929107403 is the Universal Product Code (UPC barcode) for the release “Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981” by Various Artists, released 2019-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBBLY9300255, GBBLY7700015, GBBLY8900060.
Format
501GS1 prefix
3929Company prefix
10740Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOptimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981
ISRC28 recordings
ISWC43 works
IPI3 songwriters
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Michael’s Monetary System | Eater | — | |
| 2 | You’ll Lose | The Drones | T0702119376 | |
| 3 | Love Lies Limp | Alternative TV | — | |
| 4 | Freeway | The Outsiders | T0700586453 | |
| 5 | Suspended Sentence | John Cooper Clarke | — | |
| 6 | O Levels | ‘O’ Level | T9093483422 | |
| 7 | Black Velvet | Swell Maps | — | |
| 8 | Optimism/Reject | Patrik Fitzgerald | T0114682357 | |
| 9 | Hard Times | Attrix | — | |
| 10 | Nobody’s Scared | Subway Sect | — | |
| 11 | Washed Up | The Freshies | — | |
| 12 | Charles | Skids | T-010.417.467-5 | |
| 13 | Police Oppression | Angelic Upstarts | — | |
| 14 | Neutron Bomb | The Art Attacks | — | |
| 15 | Mixed Up World | Victim | — | |
| 16 | Aerosol Burns | Essential Logic | — | |
| 17 | It | The Tights | T9267666375 | |
| 18 | The Demon | Punishment of Luxury | T3091247159 | |
| 19 | Bingo‐Master | The Fall | — | |
| 20 | Situations Vacant | The Cravats | — | |
| 21 | Is and Ought the Western World | Scritti Politti | — | |
| 22 | Wolf | pragVec | T9231667644 | |
| 23 | Cool | Jerks | — | |
| 24 | He’s Frank | The Monochrome Set | T9019248067 | |
| 25 | International | Thomas Leer | — | |
| 26 | Fruitless | Devil's Dykes | — | |
| 27 | 01‐01‐212 | Vice Creems | — | |
| 28 | Times Encounter | Nigel Simpkins | — |
Michael’s Monetary System
Eater
—
Love Lies Limp
Alternative TV
—
Suspended Sentence
John Cooper Clarke
—
Black Velvet
Swell Maps
—
Hard Times
Attrix
—
Nobody’s Scared
Subway Sect
—
Washed Up
The Freshies
—
Police Oppression
Angelic Upstarts
—
Neutron Bomb
The Art Attacks
—
Mixed Up World
Victim
—
Aerosol Burns
Essential Logic
—
Bingo‐Master
The Fall
—
Situations Vacant
The Cravats
—
Is and Ought the Western World
Scritti Politti
—
Cool
Jerks
—
International
Thomas Leer
—
Fruitless
Devil's Dykes
—
01‐01‐212
Vice Creems
—
Times Encounter
Nigel Simpkins
—
Additional database matches (85)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Every Day I Die | The Frantic Elevators | — |
| The Damage Done | The Sisters of Mercy | T-011.441.946-3 |
| Domestic Departure | Au Pairs | T0112822828 |
| Them or Me | Medium Medium | — |
| The Feeling’s Mutual | Eyeless in Gaza | T0113848988 |
| The Competition | The Passage | — |
| H‐Eyes | The Ruts | T-011.586.035-9 |
| Politics! | Girls at Our Best! | T0101005155 |
| No Message | The Mystere Fives | — |
| Launderette | Vivien Goldman | — |
| Fashionable Junkies | The Membranes | — |
| Shangri‐La | Nightmares in Wax | — |
| The Ultimate System | Murder the Disturbed | — |
| Metal Sheet | Second Layer | — |
| Reconstruction | English Subtitles | — |
| You Get Everywhere | The Chefs | — |
| Get | Blurt | T9002294828 |
| You Get What You Deserve (A Love Song) | Charge | T0700034134 |
| Motorway | Emma Sharpe | T9011266298 |
| The Russians Are Coming | The Red Squares | — |
| I Don’t Want to Work for British Airways | Scissor Fits | — |
| Heathen | The Pack | T0104760942 |
| In Love | The Raincoats | — |
| Sing Song | The Tea Set | T0718744343 |
| Mother Moon | Artery | — |
| Nagasaki’s Children | They Must Be Russians | — |
| Cold Rebellion | Metrophase | — |
| God’s Got Religion | The Steppes | — |
| Top of the Pops | The Disco Zombies | — |
| Exhibition | Pneumania | — |
| Masochistic Opposite | Mo-Dettes | T0108227968 |
| Art Nouveau | The Bodies | — |
| Oscar Automobile | Weird Strings | — |
| Self Employed | Again Again | — |
| Authophagous | Manic Jabs | — |
| Could Be Her, Could Be You | Thompson Twins | T0700294661 |
| Everything's Roses | Fire Engines | T-011.289.092-2 |
| Should Be More Ideal | The 49 Americans | — |
| I Remember | Cult Figures | — |
| Chips for Tea | The Laughing Apple | T9111649559 |
| Defeated | The Legendary Pink Dots | — |
| Shades of Black | Screen 3 | — |
| Plan 9 From Outer Space | The Happy Few | — |
| Break the Ice at Parties | The Tesco Bombers | — |
| I Wanna Be Around (Paul) | …and the Native Hipsters | T0709080852 |
| Choreography | Modern Eon | T0700248538 |
| Girl Gets Nervous | Nicky & the Dots | — |
| Lord Lucan Is Missing | The Dodgems | T0100577147 |
| Hey Operator | The Lillettes | — |
| Christine Keeler | Glaxo Babies | — |
| Zigzagging | The Reflections | — |
| Holiday Song | Marine Girls | — |
| Bloody | The Golinski Brothers | T0700148759 |
| When I See You | Sad Lovers and Giants | T0710174427 |
| Lean on Me | The Distributors | T9028222153 |
| Short Time | Rhythm Clicks | T9016114424 |
| The Return | Normil Hawaiians | T9216892909 |
| Commuter Man | The Molesters | — |
| Beautiful Pictures | Fatal Microbes | — |
| Cold City | Spizzoil | T0106009033 |
| Subculture Fashion Slaves | The Door and the Window | — |
| Stereo Love | Proles | — |
| Chimneys | Tagmemics | — |
| (I Saw) Batman (In the Launderette) | The Shapes | — |
| Final Day | Young Marble Giants | T-010.246.441-4 |
| Nobody’s Scared | Subway Sect | — |
| Justice Not Vengeance | A Popular History of Signs | — |
| I Don’t Believe | Disturbed | T0721065855 |
| Domino Theory | To the Finland Station | — |
| Playing Golf (With My Flesh Crawling) | Family Fodder | — |
| Chance Meeting | Josef K | T-010.183.990-0 |
| Motion | The Room | — |
| Ethics | 23 Skidoo | — |
| Insect Love | The Higsons | — |
| Modichy in Aneration | Blancmange | — |
| Boys Keep Swinging | The Associates | T9000178687 |
| On the Air | The Lines | T9028255074 |
| Minstrel Radio Yoghurt | The Deep Freeze Mice | — |
| In Love | The Raincoats | — |
| Aerosol Burns | Essential Logic | — |
| Chance Meeting | Josef K | T-010.183.990-0 |
| Chance Meeting | Josef K | T-010.183.990-0 |
Launderette
Vivien Goldman
—
Launderette
Vivien Goldman
—
Launderette
Vivien Goldman
—
Every Day I Die
The Frantic Elevators
—
The Sisters of Mercy
Au Pairs
Them or Me
Medium Medium
—
Eyeless in Gaza
The Competition
The Passage
—
The Ruts
Girls at Our Best!
No Message
The Mystere Fives
—
Launderette
Vivien Goldman
—
Fashionable Junkies
The Membranes
—
Shangri‐La
Nightmares in Wax
—
The Ultimate System
Murder the Disturbed
—
Metal Sheet
Second Layer
—
Reconstruction
English Subtitles
—
You Get Everywhere
The Chefs
—
Blurt
Emma Sharpe
The Russians Are Coming
The Red Squares
—
I Don’t Want to Work for British Airways
Scissor Fits
—
The Pack
In Love
The Raincoats
—
The Tea Set
Mother Moon
Artery
—
Nagasaki’s Children
They Must Be Russians
—
Cold Rebellion
Metrophase
—
God’s Got Religion
The Steppes
—
Top of the Pops
The Disco Zombies
—
Exhibition
Pneumania
—
Mo-Dettes
Art Nouveau
The Bodies
—
Oscar Automobile
Weird Strings
—
Self Employed
Again Again
—
Authophagous
Manic Jabs
—
Thompson Twins
Fire Engines
Should Be More Ideal
The 49 Americans
—
I Remember
Cult Figures
—
The Laughing Apple
Defeated
The Legendary Pink Dots
—
Shades of Black
Screen 3
—
Plan 9 From Outer Space
The Happy Few
—
Break the Ice at Parties
The Tesco Bombers
—
…and the Native Hipsters
Modern Eon
Girl Gets Nervous
Nicky & the Dots
—
The Dodgems
Hey Operator
The Lillettes
—
Christine Keeler
Glaxo Babies
—
Zigzagging
The Reflections
—
Holiday Song
Marine Girls
—
The Golinski Brothers
Sad Lovers and Giants
The Distributors
Rhythm Clicks
Normil Hawaiians
Commuter Man
The Molesters
—
Beautiful Pictures
Fatal Microbes
—
Spizzoil
Subculture Fashion Slaves
The Door and the Window
—
Stereo Love
Proles
—
Chimneys
Tagmemics
—
(I Saw) Batman (In the Launderette)
The Shapes
—
Young Marble Giants
Nobody’s Scared
Subway Sect
—
Justice Not Vengeance
A Popular History of Signs
—
Disturbed
Domino Theory
To the Finland Station
—
Playing Golf (With My Flesh Crawling)
Family Fodder
—
Motion
The Room
—
Ethics
23 Skidoo
—
Insect Love
The Higsons
—
Modichy in Aneration
Blancmange
—
The Associates
The Lines
Minstrel Radio Yoghurt
The Deep Freeze Mice
—
In Love
The Raincoats
—
Aerosol Burns
Essential Logic
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.183.990-0T-010.246.441-4T-010.417.467-5T-010183990-0T-010246441-4T-010417467-5T-011.289.092-2T-011.441.946-3T-011.586.035-9T-011289092-2
+33 more
T-011441946-3T-011586035-9T-316349034-0T0100577147T0101005155T0104760942T0106009033T0108227968T0113848988T0114682357T0700034134T0700148759T0700248538T0700294661T0700586453T0702119376T0709080852T0710174427T0718744343T0721065855T3091247159T9000178687T9002294828T9011266298T9016114424T9019248067T9028222153T9028255074T9093483422T9111649559T9216892909T9231667644T9267666375
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5013929107403?
5013929107403 is a Universal Product Code (UPC) assigned to Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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