UPC · Release
Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981
Various Artists
5013929107403
105 tracksReleased 2019-01-01Cherry Red
Last verified:
5013929107403 is the Universal Product Code (UPC barcode) for the release “Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981” by Various Artists, released 2019-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 105 tracks, each with its own ISRC. Tracks include GBBLY9300255, GBBLY7700015, GBBLY8900060.
Format
501GS1 prefix
3929Company prefix
10740Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOptimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981
ISRC105 recordings
ISWC43 works
IPI3 songwriters
Track List (105)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Michael’s Monetary System | Eater | — | |
| 2 | You’ll Lose | The Drones | T-070.211.937-6 | |
| 3 | Love Lies Limp | Alternative TV | — | |
| 4 | Freeway | The Outsiders | T-070.058.645-3 | |
| 5 | Suspended Sentence | John Cooper Clarke | — | |
| 6 | O Levels | ‘O’ Level | T-909.348.342-2 | |
| 7 | Black Velvet | Swell Maps | — | |
| 8 | Optimism/Reject | Patrik Fitzgerald | T-011.468.235-7 | |
| 9 | Hard Times | Attrix | — | |
| 10 | Nobody’s Scared | Subway Sect | — | |
| 11 | Washed Up | The Freshies | — | |
| 12 | Charles | Skids | T-010.417.467-5 | |
| 13 | Police Oppression | Angelic Upstarts | — | |
| 14 | Neutron Bomb | The Art Attacks | — | |
| 15 | Mixed Up World | Victim | — | |
| 16 | Aerosol Burns | Essential Logic | — | |
| 17 | It | The Tights | T-926.766.637-5 | |
| 18 | The Demon | Punishment of Luxury | T-309.124.715-9 | |
| 19 | Bingo‐Master | The Fall | — | |
| 20 | Situations Vacant | The Cravats | — | |
| 21 | Is and Ought the Western World | Scritti Politti | — | |
| 22 | Wolf | pragVec | T-923.166.764-4 | |
| 23 | Cool | Jerks | — | |
| 24 | He’s Frank | The Monochrome Set | T-901.924.806-7 | |
| 25 | International | Thomas Leer | — | |
| 26 | Fruitless | Devil's Dykes | — | |
| 27 | 01‐01‐212 | Vice Creems | — | |
| 28 | Times Encounter | Nigel Simpkins | — | |
| 2-1 | H‐Eyes | The Ruts | T-011.586.035-9 | |
| 2-2 | Lord Lucan Is Missing | The Dodgems | T-010.057.714-7 | |
| 2-3 | The Competition | The Passage | — | |
| 2-4 | Girl Gets Nervous | Nicky & the Dots | — | |
| 2-5 | I Don’t Want to Work for British Airways | Scissor Fits | — | |
| 2-6 | Cold City | Spizzoil | T-010.600.903-3 | |
| 2-7 | (I Saw) Batman (In the Launderette) | The Shapes | — | |
| 2-8 | Stereo Love | Proles | — | |
| 2-9 | Commuter Man | The Molesters | — | |
| 2-10 | Heathen | The Pack | T-010.476.094-2 | |
| 2-11 | In Love | The Raincoats | — | |
| 2-12 | Sing Song | The Tea Set | T-071.874.434-3 | |
| 2-13 | Mother Moon | Artery | — | |
| 2-14 | The Ultimate System | Murder the Disturbed | — | |
| 2-15 | Playing Golf (With My Flesh Crawling) | Family Fodder | — | |
| 2-16 | Every Day I Die | The Frantic Elevators | — | |
| 2-17 | Nagasaki’s Children | They Must Be Russians | — | |
| 2-18 | Metal Sheet | Second Layer | — | |
| 2-19 | Cold Rebellion | Metrophase | — | |
| 2-20 | I Don’t Believe | Disturbed | T-072.106.585-5 | |
| 2-21 | Subculture Fashion Slaves | The Door and the Window | — | |
| 2-22 | God’s Got Religion | The Steppes | — | |
| 2-23 | Christine Keeler | Glaxo Babies | — | |
| 2-24 | Boys Keep Swinging | The Associates | T-900.017.868-7 | |
| 2-25 | Beautiful Pictures | Fatal Microbes | — | |
| 2-26 | Top of the Pops | The Disco Zombies | — | |
| 2-27 | Exhibition | Pneumania | — | |
| 3-1 | Domestic Departure | Au Pairs | T-011.282.282-8 | |
| 3-2 | Reconstruction | English Subtitles | — | |
| 3-3 | Them or Me | Medium Medium | — | |
| 3-4 | Choreography | Modern Eon | T-070.024.853-8 | |
| 3-5 | Chance Meeting | Josef K | T-010.183.990-0 | |
| 3-6 | On the Air | The Lines | T-902.825.507-4 | |
| 3-7 | Masochistic Opposite | Mo-Dettes | T-010.822.796-8 | |
| 3-8 | Minstrel Radio Yoghurt | The Deep Freeze Mice | — | |
| 3-9 | You Get Everywhere | The Chefs | — | |
| 3-10 | Bloody | The Golinski Brothers | T-070.014.875-9 | |
| 3-11 | Hey Operator | The Lillettes | — | |
| 3-12 | Art Nouveau | The Bodies | — | |
| 3-13 | Shangri‐La | Nightmares in Wax | — | |
| 3-14 | Oscar Automobile | Weird Strings | — | |
| 3-15 | Self Employed | Again Again | — | |
| 3-16 | Fashionable Junkies | The Membranes | — | |
| 3-17 | Authophagous | Manic Jabs | — | |
| 3-18 | Modichy in Aneration | Blancmange | — | |
| 3-19 | No Message | The Mystere Fives | — | |
| 3-20 | The Feeling’s Mutual | Eyeless in Gaza | T-011.384.898-8 | |
| 3-21 | Lean on Me | The Distributors | T-902.822.215-3 | |
| 3-22 | Chimneys | Tagmemics | — | |
| 3-23 | Short Time | Rhythm Clicks | T-901.611.442-4 | |
| 3-24 | Get | Blurt | T-900.229.482-8 | |
| 4-1 | Final Day | Young Marble Giants | T-010.246.441-4 | |
| 4-2 | You Get What You Deserve (A Love Song) | Charge | T-070.003.413-4 | |
| 4-3 | The Damage Done | The Sisters of Mercy | T-011.441.946-3 | |
| 4-4 | Politics! | Girls at Our Best! | T-010.100.515-5 | |
| 4-5 | Justice Not Vengeance | A Popular History of Signs | — | |
| 4-6 | Could Be Her, Could Be You | Thompson Twins | T-070.029.466-1 | |
| 4-7 | Everything's Roses | Fire Engines | T-011.289.092-2 | |
| 4-8 | Motorway | Emma Sharpe | T-901.126.629-8 | |
| 4-9 | The Russians Are Coming | The Red Squares | — | |
| 4-10 | Motion | The Room | — | |
| 4-11 | Should Be More Ideal | The 49 Americans | — | |
| 4-12 | I Remember | Cult Figures | — | |
| 4-13 | Insect Love | The Higsons | — | |
| 4-14 | Chips for Tea | The Laughing Apple | T-911.164.955-9 | |
| 4-15 | Defeated | The Legendary Pink Dots | — | |
| 4-16 | Holiday Song | Marine Girls | — | |
| 4-17 | The Return | Normil Hawaiians | T-921.689.290-9 | |
| 4-18 | Zigzagging | The Reflections | — | |
| 4-19 | When I See You | Sad Lovers and Giants | T-071.017.442-7 | |
| 4-20 | Domino Theory | To the Finland Station | — | |
| 4-21 | Launderette | Vivien Goldman | — | |
| 4-22 | Ethics | 23 Skidoo | — | |
| 4-23 | Shades of Black | Screen 3 | — | |
| 4-24 | Plan 9 From Outer Space | The Happy Few | — | |
| 4-25 | Break the Ice at Parties | The Tesco Bombers | — | |
| 4-26 | I Wanna Be Around (Paul) | …and the Native Hipsters | T-070.908.085-2 |
Michael’s Monetary System
Eater
—
Love Lies Limp
Alternative TV
—
Suspended Sentence
John Cooper Clarke
—
Black Velvet
Swell Maps
—
Hard Times
Attrix
—
Nobody’s Scared
Subway Sect
—
Washed Up
The Freshies
—
Police Oppression
Angelic Upstarts
—
Neutron Bomb
The Art Attacks
—
Mixed Up World
Victim
—
Aerosol Burns
Essential Logic
—
Bingo‐Master
The Fall
—
Situations Vacant
The Cravats
—
Is and Ought the Western World
Scritti Politti
—
Cool
Jerks
—
International
Thomas Leer
—
Fruitless
Devil's Dykes
—
01‐01‐212
Vice Creems
—
Times Encounter
Nigel Simpkins
—
The Competition
The Passage
—
Girl Gets Nervous
Nicky & the Dots
—
I Don’t Want to Work for British Airways
Scissor Fits
—
(I Saw) Batman (In the Launderette)
The Shapes
—
Stereo Love
Proles
—
Commuter Man
The Molesters
—
In Love
The Raincoats
—
Mother Moon
Artery
—
The Ultimate System
Murder the Disturbed
—
Playing Golf (With My Flesh Crawling)
Family Fodder
—
Every Day I Die
The Frantic Elevators
—
Nagasaki’s Children
They Must Be Russians
—
Metal Sheet
Second Layer
—
Cold Rebellion
Metrophase
—
Subculture Fashion Slaves
The Door and the Window
—
God’s Got Religion
The Steppes
—
Christine Keeler
Glaxo Babies
—
Beautiful Pictures
Fatal Microbes
—
Top of the Pops
The Disco Zombies
—
Exhibition
Pneumania
—
Reconstruction
English Subtitles
—
Them or Me
Medium Medium
—
Minstrel Radio Yoghurt
The Deep Freeze Mice
—
You Get Everywhere
The Chefs
—
Hey Operator
The Lillettes
—
Art Nouveau
The Bodies
—
Shangri‐La
Nightmares in Wax
—
Oscar Automobile
Weird Strings
—
Self Employed
Again Again
—
Fashionable Junkies
The Membranes
—
Authophagous
Manic Jabs
—
Modichy in Aneration
Blancmange
—
No Message
The Mystere Fives
—
Chimneys
Tagmemics
—
Justice Not Vengeance
A Popular History of Signs
—
The Russians Are Coming
The Red Squares
—
Motion
The Room
—
Should Be More Ideal
The 49 Americans
—
I Remember
Cult Figures
—
Insect Love
The Higsons
—
Defeated
The Legendary Pink Dots
—
Holiday Song
Marine Girls
—
Zigzagging
The Reflections
—
Domino Theory
To the Finland Station
—
Launderette
Vivien Goldman
—
Ethics
23 Skidoo
—
Shades of Black
Screen 3
—
Plan 9 From Outer Space
The Happy Few
—
Break the Ice at Parties
The Tesco Bombers
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Launderette | Vivien Goldman | — |
| Nobody’s Scared | Subway Sect | — |
| In Love | The Raincoats | — |
| Aerosol Burns | Essential Logic | — |
Launderette
Vivien Goldman
—
Launderette
Vivien Goldman
—
Launderette
Vivien Goldman
—
Nobody’s Scared
Subway Sect
—
In Love
The Raincoats
—
Aerosol Burns
Essential Logic
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.183.990-0T-010.246.441-4T-010.417.467-5T-010.183.990-0T-010.246.441-4T-010.417.467-5T-011.289.092-2T-011.441.946-3T-011.586.035-9T-011.289.092-2
+33 more
T-011.441.946-3T-011.586.035-9T-316.349.034-0T-010.057.714-7T-010.100.515-5T-010.476.094-2T-010.600.903-3T-010.822.796-8T-011.384.898-8T-011.468.235-7T-070.003.413-4T-070.014.875-9T-070.024.853-8T-070.029.466-1T-070.058.645-3T-070.211.937-6T-070.908.085-2T-071.017.442-7T-071.874.434-3T-072.106.585-5T-309.124.715-9T-900.017.868-7T-900.229.482-8T-901.126.629-8T-901.611.442-4T-901.924.806-7T-902.822.215-3T-902.825.507-4T-909.348.342-2T-911.164.955-9T-921.689.290-9T-923.166.764-4T-926.766.637-5
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5013929107403?
5013929107403 is a Universal Product Code (UPC) assigned to Optimism/Reject: Punk and Post‐Punk Meets D‐I‐Y Aesthetic 1977–1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm