UPC · Release
Dreams to Fill the Vacuum: The Sound of Sheffield 1977-1988
Various Artists
5013929108301
81 tracksReleased 2019-01-01Cherry Red
Last verified:
5013929108301 is the Universal Product Code (UPC barcode) for the release “Dreams to Fill the Vacuum: The Sound of Sheffield 1977-1988” by Various Artists, released 2019-01-01 on Cherry Red. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 81 tracks, each with its own ISRC. Tracks include GBAAA7700136, GBCST1591201, GBBLY1904208.
Format
501GS1 prefix
3929Company prefix
10830Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDreams to Fill the Vacuum: The Sound of Sheffield 1977-1988
ISRC81 recordings
ISWC24 works
Track List (81)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dancevision | The Human League | — | |
| 2 | Don’t Try to Cure Yourself | They Must Be Russians | — | |
| 3 | Dreams to Fill the Vacuum | I’m So Hollow | — | |
| 4 | Modern Man | The Prams | — | |
| 5 | All Time Low | 2.3 | T-920.118.220-9 | |
| 6 | Metal Boys | Hobbies of Today | T-010.547.442-7 | |
| 7 | Track No. 5 | Mein GlasFabrik | T-917.093.238-4 | |
| 8 | Help Me | Red Zoo | T-011.363.543-0 | |
| 9 | Avoid the Surgery (demo) | I Scream Brothers | — | |
| 10 | Junior | B.Troop | — | |
| 11 | She’s in Love With Mystery | Thompson Twins | — | |
| 12 | Say and Do | Repulsive Alien | — | |
| 13 | Torch | Veiled Threat | T-900.045.852-6 | |
| 14 | Questions of Gender | de tian | — | |
| 15 | Unknown | Molodoy | T-070.881.737-1 | |
| 16 | Social Psychology | TV Product | — | |
| 17 | Electric Waltz | The Negatives | — | |
| 18 | End of Act One | Y? | T-010.840.985-3 | |
| 19 | The Maze | The Toy Shop | T-061.980.945-8 | |
| 20 | A Girlfriend Is... | Vena Cava | — | |
| 21 | Drowning | Graph | — | |
| 22 | Men in the Mirrorshades | Rapid Eye Movements | — | |
| 23 | Llamas (live at The Wimpy Bar) | A Major European Group | — | |
| 24 | Raindance | The Past Seven Days | T-904.372.745-3 | |
| 25 | Living in Confusion | Pagan Bo | — | |
| 2-2 | Lucifer’s Friend | Vision | — | |
| 2-3 | The Clown | Artery | — | |
| 2-4 | Twist | New Model Soldier | — | |
| 2-5 | Train | Surface Mutants | T-904.764.158-7 | |
| 2-6 | 4 Hours (remixed single version) | Clock DVA | — | |
| 2-7 | A Baby Called Billy | B.E.F. | — | |
| 2-8 | War Games | Flying Alphonso Brothers | T-914.012.401-2 | |
| 2-9 | English Industrial Estate | Shy Tots | — | |
| 2-10 | Heavy Men | Disease | — | |
| 2-11 | Deity’s Lament | Stunt Kites | — | |
| 2-12 | Secret Society | Mau Maus | — | |
| 2-13 | Marcella Ball | The Naughtiest Girl Was a Monitor | T-302.901.704-3 | |
| 2-14 | Corpse Creeper | Quite Unnerving | — | |
| 2-15 | Parking Boys | Acrobats of Desire | T-010.129.184-2 | |
| 2-16 | Man With a Luminous Head (demo) | The Blimp | — | |
| 2-17 | Scramble for Style | The Mirror Crack'd | — | |
| 2-18 | Real Life | Vital | — | |
| 2-19 | Psychokiller | Heroes of the Beach | — | |
| 2-20 | Alphabet Soup | ABC | — | |
| 3-1 | Everybody’s Problem | Pulp | T-010.870.335-0 | |
| 3-2 | Intruder in the Dust | Bass Tone Trap | — | |
| 3-3 | Just a Game | UV PØP | — | |
| 3-4 | Danse/Move | The Danse Society | — | |
| 3-5 | Iskra | In the Nursery | T-011.355.887-4 | |
| 3-6 | Dying Man, Faithful Priest | Dachau Choir | — | |
| 3-7 | Out of Reach | Tex Mirror H | T-302.577.324-0 | |
| 3-8 | (No One Leaves the) Fever Car | Hula | — | |
| 3-9 | Quiet Type | Time in Motion | — | |
| 3-10 | Over | Siiiii | T-918.640.809-3 | |
| 3-11 | Mannequin | Ipso Facto | — | |
| 3-12 | Worlds Apart | Fatales | — | |
| 3-13 | Billingham’s Island (demo) | Tsi Tsa | — | |
| 3-14 | Fish and Breadcake | Fish and Breadcake | — | |
| 3-15 | Late Nights (demo) | Harriet Roberts | — | |
| 3-17 | The Distance From Köln | Native Europe | T-070.265.575-1 | |
| 3-18 | Silicon Chip | Defective Turtles | — | |
| 3-19 | Persuasion | Vendino Pact | T-071.679.277-6 | |
| 3-20 | In My Eyes (demo) | Typhoon Saturday | — | |
| 4-1 | Kitchenette | Peter Hope, The Jonathan S. Podmore Method | — | |
| 4-2 | Winds of Change | Scala Timpani | T-072.993.756-7 | |
| 4-4 | Crayola | A.C. Temple | — | |
| 4-5 | Up the Hill | Sedition | — | |
| 4-6 | Message From a Dead Man | The Flight Commander | — | |
| 4-7 | Zulu | The Anti Group | — | |
| 4-8 | Chains | Chain | — | |
| 4-9 | Fix the Kitchen | Dig Vis Drill | — | |
| 4-10 | Children | Kilgore Trout | — | |
| 4-11 | Bottle Breast | Fishwives | — | |
| 4-12 | Treehouse | Mr Morality | — | |
| 4-13 | Skin Scraped Back | Workforce | — | |
| 4-14 | Like a Fool | Treebound Story | — | |
| 4-15 | Wonderful Life | Nick Fish & The Seahorses | — | |
| 4-16 | Crow Bar | The Box | — | |
| 4-17 | Colorado Dead Man | The Midnight Choir | — | |
| 4-18 | The World Doesn’t Turn | The Junk | — | |
| 4-19 | Lawnmower Woman | The Wacky Gardeners | — |
Dancevision
The Human League
—
Don’t Try to Cure Yourself
They Must Be Russians
—
Dreams to Fill the Vacuum
I’m So Hollow
—
Modern Man
The Prams
—
Avoid the Surgery (demo)
I Scream Brothers
—
Junior
B.Troop
—
She’s in Love With Mystery
Thompson Twins
—
Say and Do
Repulsive Alien
—
Questions of Gender
de tian
—
Social Psychology
TV Product
—
Electric Waltz
The Negatives
—
A Girlfriend Is...
Vena Cava
—
Drowning
Graph
—
Men in the Mirrorshades
Rapid Eye Movements
—
Llamas (live at The Wimpy Bar)
A Major European Group
—
Living in Confusion
Pagan Bo
—
Lucifer’s Friend
Vision
—
The Clown
Artery
—
Twist
New Model Soldier
—
4 Hours (remixed single version)
Clock DVA
—
A Baby Called Billy
B.E.F.
—
English Industrial Estate
Shy Tots
—
Heavy Men
Disease
—
Deity’s Lament
Stunt Kites
—
Secret Society
Mau Maus
—
Corpse Creeper
Quite Unnerving
—
Man With a Luminous Head (demo)
The Blimp
—
Scramble for Style
The Mirror Crack'd
—
Real Life
Vital
—
Psychokiller
Heroes of the Beach
—
Alphabet Soup
ABC
—
Intruder in the Dust
Bass Tone Trap
—
Just a Game
UV PØP
—
Danse/Move
The Danse Society
—
Dying Man, Faithful Priest
Dachau Choir
—
(No One Leaves the) Fever Car
Hula
—
Quiet Type
Time in Motion
—
Mannequin
Ipso Facto
—
Worlds Apart
Fatales
—
Billingham’s Island (demo)
Tsi Tsa
—
Fish and Breadcake
Fish and Breadcake
—
Late Nights (demo)
Harriet Roberts
—
Silicon Chip
Defective Turtles
—
In My Eyes (demo)
Typhoon Saturday
—
Kitchenette
Peter Hope, The Jonathan S. Podmore Method
—
Crayola
A.C. Temple
—
Up the Hill
Sedition
—
Message From a Dead Man
The Flight Commander
—
Zulu
The Anti Group
—
Chains
Chain
—
Fix the Kitchen
Dig Vis Drill
—
Children
Kilgore Trout
—
Bottle Breast
Fishwives
—
Treehouse
Mr Morality
—
Skin Scraped Back
Workforce
—
Like a Fool
Treebound Story
—
Wonderful Life
Nick Fish & The Seahorses
—
Crow Bar
The Box
—
Colorado Dead Man
The Midnight Choir
—
The World Doesn’t Turn
The Junk
—
Lawnmower Woman
The Wacky Gardeners
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| You Ungrateful Bastard (Flexi version) | One Thousand Violins | — |
| Out of the Flesh (mix 1) | Chakk | T-010.086.683-8 |
| (We Don’t Need This) Fascist Groove Thang (12″ mix) | Heaven 17 | T-010.474.430-0 |
You Ungrateful Bastard (Flexi version)
One Thousand Violins
—
What other identifiers does this connect to?
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People also ask
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Verified on
What is UPC 5013929108301?
5013929108301 is a Universal Product Code (UPC) assigned to Dreams to Fill the Vacuum: The Sound of Sheffield 1977-1988 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 81 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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